Astoria

Astoria examines the transitory physical world of the body and reflects on the seamless quality of the present moment. Surrounded by the rush and noise of trains, highways, and grocery store checkout lines, the narrator of these poems creates an intimate space in which to ponder the ephemeral nature of everyday things and the deeper meanings that might underlie them all. “It is amazing / we're not more amazed,” one poem muses, “The world / is here / and then it is gone.” The poems in Astoria unravel the hidden within the obvious, and speak to our innate questions of longing, purpose, and existence.

“Why did I enjoy this book so much? It must be its utter sincerity. Morling’s dreamy amazement at the world’s weird plenty never feels affected or calculated. . . . It’s a rare and refreshing delight to encounter such lovely ingenuousness.”

--New York Review of Books

“Outstanding compilation of engaging and lyrical poetic rhetoric . . . With a lyrically enraptured worksmithing, Morling presents her most insightful, artistic, and sensuously flowing poetry yet.”

--Midwest Book Review

“Trains . . . and big cities . . . the solitariness of individual consciousness, and time speeding up or collapsing, and the mystery of other people with other lives, as if it were a sort of Buddhist allegory of the transcience of things and the wonder of ourselves, our single, instantaneous awareness. I thought of this reading Ocean Avenue, by Malena Mörling, which captures these feelings in a very pure way.”

--Robert Hass, Washington Post on Ocean Avenue

A book of poetry about the transitory physical world of the body, trains, and highways that reflects on the seamless quality of the present moment.

Malena Mörling, assistant professor of creative writing at the University of North Carolina,Wilmington, is the author of Ocean Avenue, selected by Philip Levine for the New Issues Poetry Prize. She has translated works by the Swedish poet Tomas Tranströmer, a selection of which appears in the collection, For the Living and the Dead. Her work has appeared in numerous publications including the New York Times Book Review, New Republic, Washington Post Book World, Ploughshares, New England Review, and Five Points.