Synopses & Reviews
That Borges is one of the key figures in twentieth-century literature is beyond debate. The reasons behind this claim, however, are a matter of contention. In Latin America he is read as someone who reorganized the canon, questioned literary hierarchies, and redefined the role of marginal literatures. On the other hand, in the rest of the world, most readers (and dictionaries) tend to identify the adjective "Borgesian" with intricate metaphysical puzzles and labyrinthine speculations of universal reach, completely detached from particular traditions. One reading is context-saturated, while the other is context-deprived. Oddly enough, these "institutional" and "transcendental" approaches have not been pitched against each other in a critical way. Borges, between History and Eternity brings these perspectives together by considering key aspects of Borges's work—the reciprocal determinations of politics, philosophy and literature; the simultaneously confining and emancipating nature of language; and the incipient program for a literature of the Americas.
"The arena of Borges criticism is a crowded firmament and some of its stars are very dim indeed; by mediating two hardline critical positions, Díaz's book adds to the luster and depth of the field." -- Publishers Weekly
Considers the intersection of aesthetics, politics and metaphysics in Borges's texts, and analyzes their interaction with the North American canon.
Table of Contents
Foreword South, North, Beyond
I. POLITICAL THEOLOGY Introduction 1. God and Country 2. When Fiction Lives in Fiction II. THE UNITED STATES OF AMERICA Introduction 1. Edgar Allan Poe (On Murder Considered as Metaphysics) 2. Walt Whitman, an American, a Kosmos Afterword El vaivén
Note on the TranslationsAbbreviation of Borges's TitlesWorks CitedAcknowledgements