Lanny

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The stage is set: Author Max Porter is the Pied Piper, and you are being called. Lanny will play your heart like a flute, luring you into its song of childhood landscapes, extending nature forward into its wild, animated state. And when the tune is complete, it will have fulfilled all its promises of consequence and heartbreak, in an astounding encore of reverie. Recommended By Aubrey W., Powells.com

A beguiling mix of midlife middle-class ennui, people-will-talk village intrigue, and full-on pagan folk horror. Experimental, but not difficult once you tune into the gaggle of quietly desperate voices, it brilliantly conveys the damp of the English countryside and the mustiness of an environment where everyone knows (or thinks they know) your business. Subliminal, hallucinogenic, and edged with terror. Recommended By Mark S., Powells.com

Lanny is a marvel — an extraordinary mythological examination of childhood and a gorgeous prose extravaganza of voices and narratives. Max Porter somehow captures the deep magic and blunt prosaic rhythms of life in the same sentences. Completely unique and absolutely worthwhile. Recommended By Jill O., Powells.com

Longlisted for the 2019 Booker Prize

An entrancing new novel by the author of the prizewinning Grief Is the Thing with Feathers

There's a village an hour from London. It's no different from many others today: one pub, one church, redbrick cottages, some public housing, and a few larger houses dotted about. Voices rise up, as they might anywhere, speaking of loving and needing and working and dying and walking the dogs. This village belongs to the people who live in it, to the land and to the land's past.

It also belongs to Dead Papa Toothwort, a mythical figure local schoolchildren used to draw as green and leafy, choked by tendrils growing out of his mouth, who awakens after a glorious nap. He is listening to this twenty-first-century village, to its symphony of talk: drunken confessions, gossip traded on the street corner, fretful conversations in living rooms. He is listening, intently, for a mischievous, ethereal boy whose parents have recently made the village their home. Lanny.

With Lanny, Max Porter extends the potent and magical space he created in Grief Is the Thing with Feathers. This brilliant novel will ensorcell readers with its anarchic energy, with its bewitching tapestry of fabulism and domestic drama. Lanny is a ringing defense of creativity, spirit, and the generative forces that often seem under assault in the contemporary world, and it solidifies Porter's reputation as one of the most daring and sensitive writers of his generation.

"Reading Lanny is like going to the back of the garden to find the exact spot where magic and menace meet. It's delightful and dark, stark and stylish, and as strange as it is scary — I loved it." Claire Cameron

"[Lanny] delivers quite the punch with its combination of unlikely effervescence, authentic emotion, and literary exploration. . . . Porter has created both an entertaining tale and a novel of exceptionally creative experimentation and genre extension." Booklist (Starred Review)

"Porter's prose is undeniably gorgeous. . . . This novel about family, the power of the woods and the creative spirit, centered on a special young boy, will charm any reader." Shelf Awareness

"[Porter offers] the ultimate incantation of nature and its pitiless sovereignty. . . . Lanny is one of the most beautiful novels of the past decade." BookPage

Max Porter is the author of Grief Is the Thing with Feathers, which won the International Dylan Thomas Prize and The Sunday Times/PFD Young Writer of the Year Award, and was short-listed for The Guardian First Book Award and the Goldsmiths Prize.

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