Synopses & Reviews
Forty years in the making, Giuseppe Terragni: Transformations, Decompositions, Critiques
documents and investigates two of Italian rationalist architect Giuseppe Terragni's masterworks: the Casa del Fascio (1933-36) and the Casa Giuliani-Frigerio (1939-40), both in Como. This far-reaching study -- illustrated with more than five hundred original architectural diagrams and archival photographs -- employs what Eisenman calls critical and textual reading of both buildings. He attempts to broaden the definition of the formal from a narrow aesthetic and compositional view to include first the conceptual and then the textual. It is through this idea of the textual that Eisenman begins to define an idea of the critical in architecture.
Eisenman's methodology is wholly removed from traditional approaches -- social, historical, aesthetic, functional. Instead, the various articulations and openings on the facades constitute a set of marks, notations that provide the basis for his analysis. In the Casa del Fascio, for example, each of the four sequential design schemes records the previous state, encoding the process of transformation in the final building. In the Casa Giuliani-Frigerio it is instead the process of decomposition that generates the facades. Also included in the book are an essay by Terragni and a critique by Manfredo Tafuri. In the end, it is the dual protagonists -- the architect and the author -- who together establish a new theoretical and analytical framework.
Peter Eisenman's eagerly awaited magnum opus--forty years in the making--documents and investigates two of Italian rationalist architect Giuseppe Terragni's masterworks; the Casa del Fascio and the Casa Giuliani-Frigerio, both in Como, Italy. This far-reaching study--illustrated with finely delineated two-color diagrams, archival drawings from Terragni's studio, and period photographs--employs what Eisenman calls critical and textual readings of both buildings. Eisenman describes the articulations and openings on the facades; these notations provide the basis for his analysis. In the Casa del Fascio, the four sequential design schemes each record the previous state, encoding the process of transformation. In the Casa Giuliani-Frigerio, it is instead the process of decomposition that generates the facades. Also included in the book are an essay by Terragni, on the commissioning, design, and construction of the Casa del Fascio, and a critique by Manfredo Tafuri, the renowned Italian architectural historian and theorist.
About the Author
Peter Eisenman is principal of Eisenman Architects in New York, Louis I. Kahn Professor of Architecture at Yale University, the author of a great number of books and articles, and the subject of many others, including Blurred Zones: Investigations of the Interstitial; Eisenman Architects 1988-1998.