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Powell's Staff: New Literature in Translation: November 2023 (0 comment)
Here we are, with our final literature in translation round-up of 2023! And what a year it’s been, full of great books from around the world, all enthusiastically recommended by Powell’s booksellers. We’ll be back with a new post in January 2024, but until then, we hope you enjoy these eight new titles, released in November. On this list...
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  • Powell's Staff: Best Books of 2023: Fiction (0 comment)
  • Powell's Staff: Best Books of 2023: Nonfiction (3 comments)

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Cinema '62: The Greatest Year at the Movies

by Stephen Farber and Michael McClellan
Cinema '62: The Greatest Year at the Movies

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ISBN13: 9781978808829
ISBN10: 1978808828



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Synopses & Reviews

Synopsis

Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema '62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since.

Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O'Toole, and Omar Sharif. Above all, 1962--the year of To Kill a Mockingbird and The Manchurian Candidate--gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year's Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema '62 makes a strong case that the movies peaked in the Kennedy era.

Synopsis

Lawrence of Arabia, The Miracle Worker, To Kill a Mockingbird, The Manchurian Candidate, Gypsy, Sweet Bird of Youth, The Longest Day, The Music Man, What Ever Happened to Baby Jane, and more.

Most conventional film histories dismiss the early 1960s as a pallid era, a downtime between the heights of the classic studio system and the rise of New Hollywood directors like Scorsese and Altman in the 1970s. It seemed to be a moment when the movie industry was floundering as the popularity of television caused a downturn in cinema attendance. Cinema '62 challenges these assumptions by making the bold claim that 1962 was a peak year for film, with a high standard of quality that has not been equaled since.

Stephen Farber and Michael McClellan show how 1962 saw great late-period work by classic Hollywood directors like John Ford, Howard Hawks, and John Huston, as well as stars like Bette Davis, James Stewart, Katharine Hepburn, and Barbara Stanwyck. Yet it was also a seminal year for talented young directors like Sidney Lumet, Sam Peckinpah, and Stanley Kubrick, not to mention rising stars like Warren Beatty, Jane Fonda, Robert Redford, Peter O'Toole, and Omar Sharif. Above all, 1962--the year of To Kill a Mockingbird and The Manchurian Candidate--gave cinema attendees the kinds of adult, artistic, and uncompromising visions they would never see on television, including classics from Fellini, Bergman, and Kurosawa. Culminating in an analysis of the year's Best Picture winner and top-grossing film, Lawrence of Arabia, and the factors that made that magnificent epic possible, Cinema '62 makes a strong case that the movies peaked in the Kennedy era.


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Product Details

ISBN:
9781978808829
Binding:
Hardcover
Publication date:
03/13/2020
Publisher:
Rutgers University Press
Language:
English
Pages:
270
Height:
1.00IN
Width:
6.20IN
LCCN:
2019021236
Illustration:
Yes
Author:
Michael McClellan
Author:
Stephen Farber
Oth:
Bill Condon

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