1914

Jean Echenoz, considered by many to be the most distinguished and versatile living French novelist, turns his attention to the deathtrap of World War I in 1914. In it, five Frenchmen go off to war, two of them leaving behind a young woman who longs for their return. But the main character in this brilliant novel is the Great War itself. Echenoz, whose work has been compared to that of writers as diverse as Joseph Conrad and Laurence Sterne, leads us gently from a balmy summer day deep into the relentless—and, one hundred years later, still unthinkable—carnage of trench warfare.

With the delicacy of a miniaturist and with an irony that is both witty and clear-eyed, Echenoz offers us an intimate epic: in the panorama of a clear blue sky, a bi-plane spirals suddenly into the ground; a piece of shrapnel shears the top off a mans head as if it were a soft-boiled egg; we dawdle dreamily in a spring-scented clearing with a lonely shell-shocked soldier strolling innocently toward a firing squad ready to shoot him for desertion.

Ultimately, the grace notes of humanity in 1914 rise above the terrors of war in this beautifully crafted tale that Echenoz tells with discretion, precision, and love.

"Dazzling, meticulous, and somber."

—Télérama

Praise for the French edition of 1914:

"This new novel from Jean Echenoz­ concentrates and syn-thesizes the quintessence of his writing."

—Le Monde

Praise for Jean Echenoz:

"One of the best storytellers among the 'serious' novelists of his generation."

—Context

Praise for 1914:

"Echenoz's nod to the powerlessness of ordinary people caught in the first great modern cataclysm is a veritable monument to human dignity."

Gary Indiana, Bookforum

"This new novel from Jean Echenoz­ concentrates and synthesizes the quintessence of his writing."

—Le Monde

Praise for Jean Echenoz:

"One of the best storytellers among the 'serious' novelists of his generation."

—Context

"Echenoz is one of the contemporary literatures rare graceful magicians. . . . He might easily be located in the post-human environs of Michael Houellebecq [and] Haruki Murakami."

—Bookforum

"A gentle tending to perversity links Echenoz to that other master of the perverse detail, Vladimir Nabokov."

—Los Angeles Times

"Every word is perfectly placed; the writing is fluid . . . like a garment that fits perfectly even inside out..."

—Elle

"The most distinctive voice of his generation and the master magician of the contemporary French novel."

—The Washington Post

"Writing lives! [Echenozs] words are full of grace and surprises, and he has the ability to throw relationships among them just off-center enough to make the images or people they convey seem all the more compelling and fresh."

—The New York Times Book Review

"A writer at the top of his form . . . his style is, as usual, impeccable, full of finesse and promise."

—Le Monde

"[O]ne of the best storytellers among the “serious” novelists of his generation. . . . Echenoz has shown that an attention to novelistic intrigue is by no means incompatible with an experimentalist impulse."

—Context

"Against a pungently evoked French landscape, figures both comical and grotesque move through a magic-lantern adventure story at a pace that keeps us turning the pages—though again and again we pause to savor the richness of Echenozs startling, crystalline observations. Never a dull moment!"

—Lydia Davis

"A humanist rewriting Foucault with a satirists wit, Echenoz deftly and amusingly meditates on who we are and what defines us."

—Village Voice

"Echenoz employs almost no dialogue and nothing that departs from known facts in this tiny miracle of a biographical novel, which begins dryly and builds to a shattering, but still contained and elegant, emotional climax, like a Ravel masterpiece."

—Booklist

"This is a wholly unsentimental portrait of a freaky inventor. Our sympathy is not required; all Echenoz requires is our attention, which he secures through his lapidary prose, buffed to a high gloss in this excellent translation."

—Kirkus Reviews

"Echenoz picks out the absurd nuances of pop culture and twists them into a contemporary detective book. . . . A hilarious read."

—Publisher's Weekly

"Rarely has the difficult craft of storytelling been as well mastered."

—The Times Literary Supplement

"Jean Echenoz has a terrific sense of humor tinged with existential mischief. . . . An author in total control of his material."

—L'Express

"His realism is innocent, meticulous, ironic. . . . Seldom is a narrative so well constructed."

—Le Figaro

"[A] fascinating portrait of a musical genius, a strange and lonely character who was never at peace with himself."

—France Today

"Magnificent."

—Magazine Litteraire

"Vivid and extraordinary."

—La Croix

"Dazzling, meticulous, and somber."

—Télérama

Jean Echenoz won Frances prestigious Prix Goncourt for Im Gone (The New Press). He is the author of six other novels available in English and the winner of numerous literary prizes, among them the Prix Médicis and the European Literature Jeopardy Prize. He lives in Paris. Linda Coverdales most recent translation for The New Press was Jean Echenozs Lightning. She was the recipient of the French-American Foundations 2008 Translation Prize for her translation of Echenozs Ravel (The New Press). She lives in Brooklyn.