Synopses & Reviews
As soon as the Ainu became known outside Japan in the early 1800s, scholars recognized their peculiar nature as a geographic, cultural, linguistic, and radical isolate. Their stature, hairy bodies, and Caucasoid-like features suggested that their history was different from those of surrounding Japanese, Korean, and Siberian peoples. New DNS and linguistic research only deepens tha mystery of Ainu origins and relationships, suggesting ancient origins from Asain Paleolithic people and cultures.
This books presents a broad range of contemporary scholarship on Ainu studies by leading European, American, and Japanese scholars, and by native Ainu artists and cultural leaders. In addition to new assessments of Ainu origins, contemporary research reveals a little-known maritime history, North Pacific and New World connections, and precedence as japan's indigenous northern people. Recognizing Ainu distinctiveness revises the political myth of a "homogenous" Japanese nation.
Ainu: Spirit of a Northern People accompanied an exhibit mounted by the Arctic Studies Center of the Smithsonian's National Museum of Natural History. Using materials from early, unpublished Ainu collections in North America, supplemented by archaeological, archival, and modern Ainu art from Japan, Ainu culture is presented here as a rich blend of traditional and modern belief.
Like other extant native cultures, the Ainu have survived by resisting political and economic pressure to assimilate.Although they have lost their northern lands and are confined largely to Hokkaido, Ainu culture and language have recently received official recognition, in Japan and internationally. This book and exhibition, jointly planned with scholars and the Ainu people, help bring Ainu history, culture, and art into focus as a rich living tradition with much to offer the world.
Synopsis
As soon as the Ainu became known outside Japan in the early 1800s, scholars recognized that their history was different from that of surrounding Japanese, Korean, and Siberian peoples. This book presents a broad range of contemporary scholarship on Ainu studies by leading European, American, and Japanese scholars, and by native Ainu artists and cultural leaders. Using materials from early, unpublished Ainu collections in North America, supplemented by archaeological, archival, and modern Ainu art from Japan, Ainu culture is presented here as a rich blend of traditional and modern belief.
Like other extant native cultures, the Ainu have survived by resisting political and economic pressure to assimilate. Although they have lost their northern lands and are confined largely to Hokkaido, their culture and language have recently received official recognition, in Japan and internationally. This book, jointly planned with scholars and the Ainu people, helps bring Ainu history, culture, and art into focus as a rich living tradition.
William Fitzhugh is director of the Arctic Studies Center and curator of anthropology at the National Museum of Natural History, Smithsonian Institution. Chisato O. Dubreuil, of native Ainu descent, is a Ph.D. candidate at the University of Victoria in British Columbia.