Synopses & Reviews
What if Sam Adams had reported the facts instead of using his pen and imagination to stoke the flames of anti-British rebellion? What if William Randolph Hearst had not relentlessly commanded Americans to "remember the Maine"? What if New York Times reporter Walter Duranty had not let Communist sympathies keep him from accurately reporting the Ukrainian famine of the 1930s and the brutality of Stalin's Five-Year Plan?
The history of American journalism is rife with errors, omissions, pranks, and downright lies. Some of these have actively influenced events and shaped history, while others have prompted little more than raised eyebrows and wry amusement. In All the News Unfit to Print, veteran journalist and media analyst Eric Burns surveys two centuries of American history to reveal how the media have gotten history wrong and how their mistakes distorted our view and under-standing of the past.
Burns offers fascinating examples from the entire spectrum of journalistic wrongdoing, from unintentional errors to deliberate deceptions motivated by greed, bias, arrogance, or self-promotion. Ben Franklin created the false "Trial of Miss Polly Baker" story in an attempt to improve women's lives. A bored Samuel Clemens exercised his mastery of the hoax in a piece on the discovery of a hundred-year-old "Petrified Man," a tale made up of whole cloth, not mummified remains. H. L. Mencken accelerated the news in his "synthetic war dispatch," reporting details of a major Russo-Japanese War battle nearly two weeks before actual battlefield reports became available. Years later, circulation-boosting journalists around the country shamelessly invented incriminating facts-and one even tampered with evidence—in condemning the German carpenter accused in the infamous Charles Lindbergh baby kidnapping case.
Through these and many other stories, Burns traces the remarkable evolution of American journalism from its undisciplined beginnings as a profession from which little was expected in the way of truth or accountability to the gradual evolution of standards of objectivity (or at least transparent bias) and veracity which, while not always met, are accepted as the norm today.
Written with insight and flair, All the News Unfit to Print is essential reading for anyone interested in American history and in controversies about the accuracy and bias of the nation's media coverage.
Synopsis
Well-known media analyst Eric Burns looks at how journalists have misreported history in this follow-up to his critically acclaimed book Infamous Scribblers
In Infamous Scribblers, Eric Burns revealed how early American journalists represented and misrepresented the events and leaders of the day in coverage that was partisan, fabricated, scandalous, and sensationalistic, and sometimes stirring, brilliant, and indispensable. Now he puts the media under the microscope again, from Ben Franklin and Sam Adams through Mark Twain, William Randolph Hearst, H. L. Mencken, and Walter Duranty (arguably the most unethical journalist to win a Pulitzer) to the modern day. He shows how the media got history wrong and how those mistakes have been magnified and distorted over time, changing our view and understanding of the past.
Eric Burns (New York, NY), a media critic and journalist, is the former host of Fox News's acclaimed Fox News Watch and a veteran of NBC Nightly News, Today, and Entertainment Tonight. He has written on media and popular culture for the New York Post, the Los Angeles Times, Reader's Digest, the Weekly Standard, Family Circle, and other publications. His books include Infamous Scribblers (978-1-58648-334-0) and Virtue, Valor, and Vanity (978-1-55970-858-6).
Synopsis
Well-known media analyst Burns looks at how journalists have misreported history in this follow-up to his critically-acclaimed book "Infamous Scribblers."
Synopsis
You really can't believe everything you read . . .A premature newswire report announces the end of World War I, spurring wild celebrations in American streets days before the actual treaty was signed. A St. Louis newspaper prints reviews of theatrical performances that never took place—they had been canceled due to bad weather. New York newspaper reporters plant evidence in the apartment of the man accused of kidnapping the Lindbergh baby and then call him a liar in the courtroom once the trial begins.
These are just a few of the many wrongs that have been reported as right over two centuries of American history. All the News Unfit to Print puts the media under the microscope to expose the many types of mistakes, hoaxes, omissions, and lies that have skewed our understanding of the past, and reveals the range of reasons and motivations—from boredom and haste to politics and greed-behind them. Reviewing a host of journalistic slip-ups involving Ben Franklin, Mark Twain, William Randolph Hearst, Theodore H. White, and many others, this book covers the stories behind the stories to refine incorrect ""first drafts"" of history from the Revolutionary War era to more recent times.
""All the News Unfit to Print is a rollicking joyride that careens through the ridiculous, the odd, and the serious malfeasances in American journalistic history and reminds us of the difference between news and facts.""
—Neal Gabler, author of Walt Disney: The Triumph of the American Imagination
Synopsis
You really can't believe everything you read . . .A premature newswire report announces the end of World War I, spurring wild celebrations in American streets days before the actual treaty was signed. A St. Louis newspaper prints reviews of theatrical performances that never took place—they had been canceled due to bad weather. New York newspaper reporters plant evidence in the apartment of the man accused of kidnapping the Lindbergh baby and then call him a liar in the courtroom once the trial begins.
These are just a few of the many wrongs that have been reported as right over two centuries of American history. All the News Unfit to Print puts the media under the microscope to expose the many types of mistakes, hoaxes, omissions, and lies that have skewed our understanding of the past, and reveals the range of reasons and motivations—from boredom and haste to politics and greed-behind them. Reviewing a host of journalistic slip-ups involving Ben Franklin, Mark Twain, William Randolph Hearst, Theodore H. White, and many others, this book covers the stories behind the stories to refine incorrect "first drafts" of history from the Revolutionary War era to more recent times.
"All the News Unfit to Print is a rollicking joyride that careens through the ridiculous, the odd, and the serious malfeasances in American journalistic history and reminds us of the difference between news and facts."
—Neal Gabler, author of Walt Disney: The Triumph of the American Imagination
About the Author
Eric Burns is the former host of Fox News's acclaimed Fox News Watch and a veteran of NBC Nightly News and Today. Burns has written on matters of media and popular culture for such magazines as Reader's Digest, the Weekly Standard, Spy, TV Guide, and Family Circle, in addition to such newspapers as the New York Post and the Los Angeles Times, as well as the Huffington Post. His social histories The Spirits of America: A Social History of Alcohol and The Smoke of the Gods: A Social History of Tobacco each won the highest award given in its category by the American Library Association.
Table of Contents
Part One: Telling Lies.1. How Journalists Got the Idea.
2. Journalism from Afar.
3. A Woman Who Never Was.
4. Lies against the British.
5. Lies against Americans.
6. The Boss.
7. The Epoch of the Hoax.
8. Furnishing a War.
9. L’Affaire.
10. Speeding Up a War.
Part Two Hiding the Truth.
11. Their Man in Moscow.
12. Sins of Omission.
13. The Same Team.
14. Rejecting the Faith.
15. Janet’s World.
16. What a Picture Is Worth.
17. The Most Hated Man in American Newsrooms.
18. What Haste Makes.
Epilogue: A Few Final Mistakes.
A Note to Readers.
Acknowledgments.
Notes.
Bibliography.
Index.