Synopses & Reviews
This book is concerned with the pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome. The late Reginald Dodwell, an eminent art historian, notes a striking similarity of both form and meaning between Anglo-Saxon gestures and those in illustrated manuscripts of the plays of Terence, which, he argues, reflect actual Roman stage conventions. The extensively illustrated volume illuminates our understanding of the vigor of late Anglo-Saxon art and its ability to absorb and transpose continental influence.
Synopsis
The pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome.
Table of Contents
List of plates; Preface; Acknowledgements; List of abbreviations; 1. The Vatican Terence and its model; 2. The classical miniatures and the stage; 3. Dramatic gestures in the miniatures; Appendix to chapter 3: the views of Jachmann; 4. Anglo-Saxon Gestures; Bibliography; Index.