Synopses & Reviews
. . . a fascinating and much-needed volume. . . one of the best art books of  and a necessary companion to any survey of modern and contemporary art.--BLOUIN ArtInfo
Sweeping. . . This book grapples with that complexity, looks good, and - this is still too rare - is global in scope.--Holland Cotter, The New York Times
About the Author
Catherine Lord is Professor of Studio Art at the University of California, Irvine. She is a writer, artist and curator and has received numerous fellowships and awards for her work on cultural politics, disability, queer identities, feminism and colonialism. Her books include The Summer of Her Baldness: A Cancer Improvisation (2004) and Son Colibri, Sa Calvitie: Miss Translation (2007). Richard Meyer is the Robert and Ruth Halperin Professor in Art History at Stanford University. He is the author of Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art (2002), and his studies in modern and contemporary art focus on the ongoing debate over sexuality and gender, its effects on modern art and visual culture, and censorship and the public sphere.