Synopses & Reviews
Bones Books & Bell Jars
, a new photography book by fine art photographer Andrea
Baldeck, offers a contemporary fusion of art and medicine, recalling an era when artists
and physicians collaborated to educate aspiring medical students and share information
with other medical practitioners. Baldeck was given free rein to mine the Mütter Museum
of The College of Physicians of Philadelphia's vast collection of pathological specimens,
anatomical models, surgical instruments, illustrated textbooks and other 19th century
artifacts, to create her "cabinet of wonders"-inspired still life photographs. A companion
exhibition opens March 9, 2012, on view through December 2012 at the Mütter Museum.
Baldeck wends her way with a sense of wonderment through the off limits hallways and
cabinets closed to the public. She shares her own aesthetic pleasure from a uniquely
informed perspective: two decades earlier she left the operating room and a career as an
internist and anesthesiologist, to enter the darkroom as a photographer.
"Behind the scenes...in locked rooms ranging from basement to attic, dwell a trove of
artifacts, specimens and texts," writes Baldeck in the Introduction. "To gain access to
these is a singular privilege, a journey through time and across a continuum of the healing
arts.... What follows is an experiential account of...keeping company with the past...to
produce still life photographs that reflect on the roles of art and science in documenting
the history of medicine."
Baldeck conjures up a past describing tools found in the museum's Mobile Storage room:
"Some speak of a time before the germ theory of disease and asepsis, when elegant tools
might be casually wiped clean and replaced in velvet-lined boxes, awaiting use on the
next patient, like the field kit of a Civil War surgeon..." Moving on to the Bone Room,
she contemplates the wax models and skeletons, and the flesh-and-blood patients they
represent: "The strange juxtaposition of fleshless bone and boneless flesh in this
sequestered space speaks wordlessly, yet compellingly, of affliction and mortality."
Baldeck's lyrical black-and-white photographs are meant to engage the eye, stimulate the
imagination and provoke thoughts and questions. A common denominator pervades then
and now the desire to "advance the science of medicine and lessen human misery."
See more information and images at http://bonesbooksbelljars.com/.
About the Author
Born in a rural village in western New York, Andrea Baldeck began photographing with a simple
box camera at age eight, imagining herself a Life photographer canoeing through the jungle to
meet Albert Schweitzer. This interest and dream pervaded years of musical study at Vassar,
medical school at the University of Pennsylvania, and practice as an internist and
anesthesiologist. On medical trips to Haiti and Grenada, camera and stethoscope occupied the
same bag. In the early 1990s she left medicine and began work as a fine art photographer in black
and white. During the following decade, her portfolio grew to accommodate portraiture, still life,
and landscapes, as featured in her books The Heart of Haiti (1996, second edition 2006),
Talismanic (1998), Venice: A Personal View (1999), Touching the Mekong (2003), Closely
Observed (2006), Presence Passing (2007), and Himalaya: Land of the Snow Lion (2009). Since
1996 she has exhibited widely in the U.S. and abroad, and her images are found in museums and