Synopses & Reviews
The most comprehensive and authoritative editions of Brecht's plays in the English language
Volume Three of Brecht's Collected Plays includes St Joan of the Stockyards - a play which recasts St Joan as Joan Dark springing hope into the hearts of factory workers at the mercy of meatpacker king Pierpont Mauler threatening cuts in the Depression; and the Lehrstücke or short 'didactic' pieces written during the years 1929 to 1933, are some of his most experimental work. Lindbergh's Flight, The Baden-Baden Lesson on Consent, He Said Yes / He Said No, The Decision,The Exception and the Rule, and The Horatians and the Curiatians reject conventional theatre; they are spare and highly formalised, drawing on traditional Japanese and Chinese forms. They show Brecht in collaboration with the composers Hindemith, Weill and Eisler, influenced by the new techniques of montage in the visual arts and seeking new means of expression. Also included is The Mother, based on Gorky's novel about the progress of a factory strike in Tver and the journey of a peasant mother from illiteracy to card-carrying communism.
The translators include H R Hays (The Horatians and the Curiatians), Ralph Manheim (St Joan of the Stockyards), Tom Osborn (The Exception and the Rule), Geoffrey Skelton (The Baden-Baden Lesson on Consent), John Willett (Lindbergh's Flight;The Decision;The Mother) and Arthur Waley (He Said Yes / He Said No). The translations are ideal for both study and performance. The volume is accompanied by a full introduction and notes by the series editor John Willett and includes Brecht's own notes and relevant texts as well as all the important textual variants.
Synopsis
Volume Three of Brecht's Collected Plays brings together work from 1929 to 1933, a crucial period of creativity for Brecht.
St Joan of the Stockyards, a battle of good and evil set in a mythical Chicago, is full of pastiche and parody. The Lehrstcke or short "didactic" pieces,
Lindbergh's Flight,
The Baden-Baden Lesson on Consent,
He Said Yes / He Said No,
The Decision,
The Exception and the Rule, and
The Horatians and the Curiatians, spare and highly formalized, show Brecht rejecting conventional theatre and seeking new forms of expression.
The Mother, based on Gorky's novel, contains one of Brecht's great female roles.
The volume, edited and introduced by John Willett, includes Brecht's own notes and all the important textual variants.
About the Author
Born in Augsburg, Germany, in 1898 and died in Berlin in 1956. With plays such as The Threepenny Opera, Mother Courage, Life of Galileo, and The Caucasian Chalk Circle, he cemented his reputation as one of the most modern and innovative of twentieth century dramatists.