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Powell's Staff: New Literature in Translation: November 2023 (0 comment)
Here we are, with our final literature in translation round-up of 2023! And what a year it’s been, full of great books from around the world, all enthusiastically recommended by Powell’s booksellers. We’ll be back with a new post in January 2024, but until then, we hope you enjoy these eight new titles, released in November. On this list...
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  • Powell's Staff: Best Books of 2023: Fiction (0 comment)
  • Powell's Staff: Best Books of 2023: Nonfiction (3 comments)

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Buster Keaton A Filmmakers Life

by James Curtis
Buster Keaton A Filmmakers Life

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ISBN13: 9780385354219
ISBN10: 0385354215
Condition: Standard
DustJacket: Standard

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Synopses & Reviews

Synopsis

From acclaimed cultural and film historian--a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern--and irresistible--today as they were when they beguiled audiences almost a century ago.

.
"Vibrant . . . in Curtis's telling, Keaton's life is a picaresque worthy of his comedies . . . evocative, entertaining, and laced with lyrical detail. An engrossing portrait of a Hollywood legend."--Publishers Weekly (starred)

"Film historian and biographer Curtis draws on abundant archival sources as well as interviews, memoirs, and previous biographies to create a comprehensive, warmly sympathetic life of iconic entertainer James Frank "Buster" Keaton . . . lively . . . authoritative . . . Meticulous research informs a brisk biography of an entertainment icon."--Kirkus (starred)

It was James Agee who christened Buster Keaton "The Great Stone Face." Keaton's face, Agee wrote, ranked almost with Lincoln's as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights."

Mel Brooks: "A lot of my daring came from Keaton."

Martin Scorsese, influenced by Keaton's pictures in the making of Raging Bull: "The only person who had the right attitude about boxing in the movies for me," Scorsese said, "was Buster Keaton."

Keaton's deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin's tramp and Harold Lloyd's straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all.

His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General.

Now James Curtis, admired biographer of Preston Sturges ("definitive"--Variety), W. C. Fields ("by far the fullest, fairest and most touching account we have yet had. Or are likely to have"--Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy ("monumental; definitive"--Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director--master.

Synopsis

**One of Literary Hub's Five "Most Critically Acclaimed" Biographies of 2022**

From acclaimed cultural and film historian James Curtis--a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern--and irresistible--today as they were when they beguiled audiences almost a century ago.

"It is brilliant--I was totally absorbed, couldn't stop reading it and was very sorry when it ended."--Kevin Brownlow

It was James Agee who christened Buster Keaton "The Great Stone Face." Keaton's face, Agee wrote, "ranked almost with Lincoln's as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights."

Mel Brooks: "A lot of my daring came from Keaton."

Martin Scorsese, influenced by Keaton's pictures in the making of Raging Bull: "The only person who had the right attitude about boxing in the movies for me," Scorsese said, "was Buster Keaton."

Keaton's deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin's tramp and Harold Lloyd's straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all.

His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General.

Now James Curtis, admired biographer of Preston Sturges ("definitive"--Variety), W. C. Fields ("by far the fullest, fairest and most touching account we have yet had. Or are likely to have"--Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy ("monumental; definitive"--Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director--master.


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Product Details

ISBN:
9780385354219
Binding:
Hardcover
Publication date:
02/15/2022
Publisher:
PENGUIN RANDOM HOUSE
Pages:
832
Height:
1.81IN
Width:
5.98IN
Illustration:
Yes
Author:
James Curtis

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