Synopses & Reviews
Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a andldquo;crisis of criticismandrdquo; and mourned the andldquo;death of the critic.andrdquo; Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that andldquo;everyoneandrsquo;s a critic,andrdquo; urgent questions have emerged about the status and purpose of film criticism in the twenty-first century.and#160;
and#160;In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the bookandrsquo;s contributors find many signs of the film criticandrsquo;s declining clout, but they also locate surprising examples of how criticsandmdash;whether moonlighting bloggers or salaried writersandmdash;have been able to intervene in current popular discourse about arts and culture.
and#160;In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.and#160;
and#160;and#160;and#160;
Review
andquot;This is a great and highly important volume for film studies as a discipline and cultural and media studies more generally.andquot;
Synopsis
Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that andldquo;everyoneandrsquo;s a critic,andrdquo; urgent questions have emerged about the criticandrsquo;s status and purpose. In Film Criticism in the Digital Age, ten scholars from across the globe, as well as critics and bloggers, come together to consider whether we are witnessing the extinction of serious film criticism or seeing the seeds of its rebirth in a new form.and#160;
About the Author
MATTIAS FREY is a senior lecturer in film at the University of Kent. He is the author of
Postwall German Cinema: History, Film History, and Cinephilia and co-editor of
Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship.
and#160;CECILIA SAYAD is a senior lecturer in film at the University of Kent. She is the author of Performing Authorship: Self-Inscription and Corporeality in the Cinema and O Jogo da Reinvenandccedil;andatilde;o, a Portuguese-language study of Charlie Kaufmanandrsquo;s filmography.and#160;and#160;