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Dead Fish Museum

by Charles D'Ambrosio
Dead Fish Museum

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  • Synopses & Reviews

ISBN13: 9781400077939
ISBN10: 1400077931
Condition: Standard


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Synopses & Reviews

Publisher Comments

"In the fall, I went for walks and brought home bones. The best bones weren't on trails — deer and moose don't die conveniently — and soon I was wandering so far into the woods that I needed a map and compass to find my way home. When winter came and snow blew into the mountains, burying the bones, I continued to spend my days and often my nights in the woods. I vaguely understood that I was doing this because I could no longer think; I found relief in walking up hills. When the night temperatures dropped below zero, I felt visited by necessity, a baseline purpose, and I walked for miles, my only objective to remain upright, keep moving, preserve warmth. When I was lost, I told myself stories...."

So Charles D'Ambrosio recounted his life in Philipsburg, Montana, the genesis of the brilliant stories collected here, six of which originally appeared in the New Yorker. Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father's madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend.

Taking place in remote cabins, asylums, Indian reservations, the back roads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives. Yet in the midst of lacerating difficulty, the sensibility at work in these fictions boldly insists on the enduring power of love. D'Ambrosio conjures a world that is fearfully inhospitable, darkly humorous, and touched by glory; here are characters, tested by every kind of failure, who struggle to remain human, whose lives have been sharpened rather than numbed by adversity, whose apprehension of truth and beauty has been deepened rather than defeated by their troubles. Many writers speak of the abyss. Charles D'Ambrosio writes as if he is inside of it, gazing upward, and the gaze itself is redemptive, a great yearning ache, poignant and wondrous, equal parts grit and grace.

A must read for everyone who cares about literary writing, The Dead Fish Museum belongs on the same shelf with the best American short fiction.

Review

"Though D'Ambrosio is hardly among the most prolific writers of the contemporary American short story, he ranks with the best....An emerging master of the short story returns with a collection that should expand his readership." Kirkus Reviews

Review

"These eight pieces find beauty at the edge of despair, leaving no dysfunctional stone unturned....D'Ambrosio has mastered the deadly cues signifying that catastrophe looms." The Oregonian (Portland, OR)

Review

"D'Ambrosio is a great short-story writer because he compellingly confronts the inexplicable mysteries of what it means to be a human being....There are few writers today who should be read so carefully that your lips move. Charles D'Ambrosio is one of them." Milwaukee Journal Sentinel

Review

"As old as the physical misery and mental confusion in D'Ambrosio's stories sometimes seem, his finished surfaces are thoroughly modern, and insistently so....[B]eautifully crafted images of departing light." San Francisco Chronicle

Review

"[C]arefully crafted but sometimes overwrought stories....While D'Ambrosio's stories possess an impressive complexity, they sometimes seem built with the dry rigor of algebra equations." Minneapolis Star Tribune

Review

"The real trouble with The Dead Fish Museum is that these six stories...are almost impossible to put down. D'Ambrosio's prose is fluid, even insinuating. Sentence leads on to sentence with a momentum that mimics the twisted logic of madness..." Seattle Times

Synopsis

Each of these eight burnished, terrifying, masterfully crafted stories is set against a landscape that is both deeply American and unmistakably universal. A son confronts his father s madness and his own hunger for connection on a misguided hike in the Pacific Northwest. A screenwriter fights for his sanity in the bleak corridors of a Manhattan psych ward while lusting after a ballerina who sets herself ablaze. A Thanksgiving hunting trip in Northern Michigan becomes the scene of a haunting reckoning with marital infidelity and desperation. And in the magnificent title story, carpenters building sets for a porn movie drift dreamily beneath a surface of sexual tension toward a racial violence they will never fully comprehend. Taking place in remote cabins, asylums, Indian reservations, the backloads of Iowa and the streets of Seattle, this collection of stories, as muscular and challenging as the best novels, is about people who have been orphaned, who have lost connection, and who have exhausted the ability to generate meaning in their lives.
A must read for everyone who cares about literary writing, The Dead Fish Museum belongs on the same shelf with the best American short fiction."

About the Author

Charles D'Ambrosio is the author of The Point and Orphans, a collection of essays. His fiction has appeared in The New Yorker, The Paris Review, Zoetrope All-Story, and A Public Space.

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What Our Readers Are Saying

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Average customer rating 4 (1 comments)

`
lukas , January 23, 2015 (view all comments by lukas)
I recently read erstwhile Northwesterner Charles D'Ambrosio's excellent collection of essays, "Loitering," and was quick to search out more of his writing. Published in 2006, his book of short stories, "The Dead Fish Museum," highlights the same tenderness, subtle wit, and insight of his essays. Sort of in the so-called "dirty realism" vein, there are echoes of Carver's tough minimalism, Hemingway's Nick Adams's stories of hunting and fishing, and the squalid grace of Johnson's "Jesus' Son." His characters, even if there are successful, like the protagonist of "Screenwriter," dwell on the margins, whether it be of society or their own grip on sanity. He deserves the attention that the vastly overrated George Saunders hogs. Dedicated to Heather Larimer who was in the original line up of Stephen Malkmus & the Jicks.

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Product Details

ISBN:
9781400077939
Binding:
Trade Paperback
Publication date:
04/10/2007
Publisher:
PENGUIN RANDOM HOUSE
Series info:
Vintage Contemporaries
Pages:
236
Height:
.65IN
Width:
5.30IN
Thickness:
.75
Series:
Vintage Contemporaries
Number of Units:
1
Copyright Year:
2006
Author:
Charles Dambrosio
Author:
Charles D'Ambrosio
Author:
Charles D'Ambrosio
Subject:
Literature-A to Z
Subject:
Short stories, American
Subject:
Stories (single author)

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