Synopses & Reviews
“A strange, wondrous, challenging, enriching book….Beautiful and powerful…you will not encounter another book like it.”
—National Review online
In Digital Barbarism, bestselling novelist Mark Helprin (Winters Tale, A Soldier of the Great War) offers a ringing Jeffersonian defense of private property in the age of digital culture, with its degradation of thought and language and collectivist bias against the rights of individual creators. A timely, cogent, and important attack on the popular Creative Commons movement, Digital Barbarism provides rational, witty, and supremely wise support for the individual voice and its hard-won legal protections.
Synopsis
Mark Helprin anticipated that his 2007 New York Times op-ed piece about the extension of the term of copyright would be received quietly. instead, within a week, the article had generated 750,000 angry comments. shocked by his young critics’ breathtaking sense of entitlement and appalled by the breadth, speed, and illogic of their arguments, Helprin realized how drastically different this generation was from those before it. the Creative Commons movement and the copyright abolitionists have been educated with a modern bias toward collaboration, which has led them to denigrate individual efforts. Digital Barbarism is Helprin’s cogent, powerful, and passionate response to those whose selfish desire to “stick it” to the “greedy” corporate interests controlling the distribution of intellectual property undermines not just the possibility of an independent literary culture but threatens the future of civilization itself.
Synopsis
A strange, wondrous, challenging, enriching book .Beautiful and powerful you will not encounter another book like it. National Review onlineIn Digital Barbarism, bestselling novelist Mark Helprin (Winter s Tale, A Soldier of the Great War) offers a ringing Jeffersonian defense of private property in the age of digital culture, with its degradation of thought and language and collectivist bias against the rights of individual creators. A timely, cogent, and important attack on the popular Creative Commons movement, Digital Barbarism provides rational, witty, and supremely wise support for the individual voice and its hard-won legal protections."
Synopsis
"A strange, wondrous, challenging, enriching book....Beautiful and powerful...you will not encounter another book like it."
--National Review online
In Digital Barbarism, bestselling novelist Mark Helprin (Winter's Tale, A Soldier of the Great War) offers a ringing Jeffersonian defense of private property in the age of digital culture, with its degradation of thought and language and collectivist bias against the rights of individual creators. A timely, cogent, and important attack on the popular Creative Commons movement, Digital Barbarism provides rational, witty, and supremely wise support for the individual voice and its hard-won legal protections.
Synopsis
In Helprin's Jeffersonian defense of private property, the author explains why the popular campaign for an open source approach to intellectual property undermines not just the possibility of an independent literary culture but threatens the future of civilization itself.
Synopsis
Mark Helprin anticipated that his 2007 New York Times op-ed piece about the extension of the term of copyright would be received quietly. instead, within a week, the article had generated 750,000 angry comments. shocked by his young critics breathtaking sense of entitlement and appalled by the breadth, speed, and illogic of their arguments, Helprin realized how drastically different this generation was from those before it. the Creative Commons movement and the copyright abolitionists have been educated with a modern bias toward collaboration, which has led them to denigrate individual efforts. Digital Barbarism is Helprins cogent, powerful, and passionate response to those whose selfish desire to stick it to the greedy corporate interests controlling the distribution of intellectual property undermines not just the possibility of an independent literary culture but threatens the future of civilization itself.
Synopsis
Mark Helprin anticipated thathis 2007 New York Times op-edpiece about the extension of theterm of copyright would be receivedquietly. instead, within a week, thearticle had generated 750,000angry comments. shocked by hisyoung critics breathtaking senseof entitlement and appalled by thebreadth, speed, and illogic of theirarguments, Helprin realized howdrastically different this generationwas from those before it. theCreative Commons movement andthe copyright abolitionists havebeen educated with a modern biastoward collaboration, which hasled them to denigrate individualefforts. Digital Barbarism is Helprinscogent, powerful, and passionateresponse to those whose selfishdesire to “stick it” to the “greedy”corporate interests controlling thedistribution of intellectual propertyundermines not just the possibilityof an independent literary culturebut threatens the future of civilizationitself.
About the Author
Mark Helprin was educated at Harvard, Princeton, and Oxford and served in the Israeli Army, Israeli Air Force, and British Merchant Navy. He is the author of, among other titles, A Dove of the East and Other Stories, Refiners Fire, Winters Tale, and A Soldier of the Great War. He lives in Virginia.