Synopses & Reviews
A Doll's House (1879), is a masterpiece of theatrical craft which, for the first time portrayed the tragic hypocrisy of Victorian middle class marriage on stage. The play ushered in a new social era and "exploded like a bomb into contemporary life".
The Student Edition contains these exclusive features:
· A chronology of the playwright's life and work
· An introduction giving the background of the play
· Commentary on themes, characters. language and style
· Notes on individual words and phrases in the text
· Questions for further study
· Bibliography for further reading.
Synopsis
The slamming of the front door at the end of A Doll's House shatters the romantic masquerade of the Helmers' marriage. In their stultifying and infantilized relationship, Nora and Torvald have deceived themselves, and each other, both consciously and subconsciously, until Nora acknowledges the need for individual freedom.
Ibsen's 1879 play shocked its first audiences with its radical insights into the social roles of husband and wife. His portrayal of the caged "songbird," his flawed heroine, Nora, remains one of the most striking dramatic depictions of a late-nineteenth century woman.
"Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama."—George Steiner
Synopsis
A Doll's House (1879), is a masterpiece of theatrical craft which, for the first time portrayed the tragic hypocrisy of Victorian middle class marriage on stage. The play ushered in a new social era and "exploded like a bomb into contemporary life".
"Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field" (George Steiner)
Synopsis
A Doll's House (1879), is a masterpiece of theatrical craft which, for the first time portrayed the tragic hypocrisy of Victorian middle class marriage on stage. The play ushered in a new social era and exploded like a bomb into contemporary life.
Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field (George Steiner)
About the Author
Henrik Ibsen (1828-1906) was a Norwegian playwright and poet whose realistic, symbolic and often controversial plays revolutionised European theatre. He is widely regarded as the father of modern drama. His acclaimed plays include A Doll's House, Ghosts, Hedda Gabler, An Enemy of the People.