Staff Pick
A key element in horror fiction that is sometimes overlooked is the presence of the unexplained or merely suggested, showing the reader the shadows without revealing what's hidden behind them. Stoker is a master of this in Dracula — the story is at its disturbing best when it leaves something to the imagination. Plus, there's a scene near the beginning that predates Regan's backward crab-crawl in The Exorcist by almost 70 years. Recommended By Helena F.W., Powells.com
Synopses & Reviews
Be they shocking, ambitious, or simply brilliant, these novels continue to enthrall today as they did at the time they were written. Now, Penguin Classics is proud to present them in gorgeous clothbound editions-vibrant volumes sure to become as treasured to readers as the magnificent tales they tell.
Synopsis
Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design
When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival. In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire.
About the Author
Bram Stoker (1847-1912) was born in Ireland and attended Trinity College in Dublin. He joined the Irish Civil Service, then became involved in the theater. He wrote seventeen books.
Maurice Hindle edited Frankenstein and Dracula for Penguin Classics and teaches at the Open University.
Maurice Hindle edited Frankenstein and Dracula for Penguin Classics and teaches at the Open University.
Christopher Frayling teaches at London's Royal College of Art.