Staff Pick
A key element in horror fiction that is sometimes overlooked is the presence of the unexplained or merely suggested, showing the reader the shadows without revealing what's hidden behind them. Stoker is a master of this in Dracula — the story is at its disturbing best when it leaves something to the imagination. Plus, there's a scene near the beginning that predates Regan's backward crab-crawl in The Exorcist by almost 70 years. Recommended By Helena F.W., Powells.com
Synopses & Reviews
The vampire novel that started it all, Bram Stoker's Dracula probes deeply into human identity, sanity, and the dark corners of Victorian sexuality and desire. When Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, he makes horrifying discoveries about his client. Soon afterward, disturbing incidents unfold in England—an unmanned ship is wrecked at Whitby, strange puncture marks appear on a young woman's neck, and a lunatic asylum inmate raves about the imminent arrival of his "Master"—culminating in a battle of wits between the sinister Count and a determined group of adversaries.
@BleedingGums A damsel is bleeding from her ears and eyes! She’s afraid of the sun! Like a ginger!
We must sort this out. She may be a vampire, but I can’t tell the father. He wonders if her ‘lady times’ are just out of control.
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
Synopsis
Bram Stoker's peerless tale of desperate battle against a powerful, ancient vampire
When Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, he makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England: a ship runs aground on the shores of Whitby, its crew vanished; beautiful Lucy Westenra slowly succumbs to a mysterious, wasting illness, her blood drained away; and the lunatic Renfield raves about the imminent arrival of his 'master'. In the ensuing battle of wills between the sinister Count and a determined group of adversaries - led by the intrepid vampire hunter Abraham van Helsing - Bram Stoker created a masterpiece of the horror genre, probing into questions of identity, sanity and the dark corners of Victorian sexuality and desire.
For this completely updated edition, Maurice Hindle has revised his introduction, list of further reading and notes, and added two appendices: Stoker's essay on censorship and his interview with Winston Churchill, both published in 1908. Christopher Frayling's preface discusses the significance and the influences that contributed to his creation of the Dracula myth.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Synopsis
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries prepare to battle the Count.
Edited with an Introduction and notes by MAURICE HINDLE
With a Preface by CHRISTOPHER FRAYLING
Synopsis
A completely revised edition of Bram Stoker's masterpiece of horror
Synopsis
Includes bibliographical references (p. [xl]-xlv).
Synopsis
About the Author
Bram Stoker (1847-1912) was born in Ireland and attended Trinity College in Dublin. He joined the Irish Civil Service, then became involved in the theater. He wrote seventeen books.
Maurice Hindle edited Frankenstein and Dracula for Penguin Classics and teaches at the Open University.
Maurice Hindle edited Frankenstein and Dracula for Penguin Classics and teaches at the Open University.
Christopher Frayling teaches at London's Royal College of Art.