Synopses & Reviews
Written to celebrate the 80 CE opening of the Roman Colosseum, Martial's first book of poems, "On the Spectacles," tells of the shows in the new arena. The great Latin epigrammist's twelve subsequent books capture the spirit of Roman life in vivid detail. Fortune hunters and busybodies, orators and lawyers, schoolmasters and acrobats, doctors and plagiarists, beautiful slaves and generous hosts populate his witty verses. We glimpse here the theater, public games, life in the countryside, banquets, lions in the amphitheater, the eruption of Vesuvius. Martial's epigrams are sometimes obscene, sometimes affectionate and amusing, and always pointed. Like his contemporary Statius, though, Martial shamelessly flatters his patron Domitian, one of Rome's worst-reputed emperors.
Shackleton Bailey's translation of Martial's often difficult Latin eliminates many misunderstandings in previous versions. The text is mainly that of his highly praised Teubner edition of 1990 ("greatly superior to its predecessors," R. G. M. Nisbet wrote in Classical Review).
These volumes replace the earlier Loeb edition with translation by Walter C. A. Ker (1919).
Review
The publication of a new edition in the Loeb Classical Library of the poems of Martial--Latin verse and English prose face
Review
Shackleton Bailey's is a remarkable achievement, and from now on his 'Loebs' will be the best means by which anyone can get to know Martial, as well as the essential first work of reference for scholars. New Criterion
Synopsis
Poetic concision in abundance.
It was to celebrate the opening of the Roman Colosseum in AD 80 that Martial published his first book of poems, "On the Spectacles." Written with satiric wit and a talent for the memorable phrase, the poems in this collection record the broad spectacle of shows in the new arena. The great Latin epigrammist's twelve subsequent books capture the spirit of Roman life--both public and private--in vivid detail. Fortune hunters and busybodies, orators and lawyers, schoolmasters and street hawkers, jugglers and acrobats, doctors and plagiarists, beautiful slaves, and generous hosts are among the diverse characters who populate his verses.
Martial is a keen and sharp-tongued observer of Roman society. His pen brings into crisp relief a wide variety of scenes and events: the theater and public games, life in the countryside, a rich debauchee's banquet, lions in the amphitheater, the eruption of Vesuvius. The epigrams are sometimes obscene, in the tradition of the genre, sometimes warmly affectionate or amusing, and always pointed. Like his contemporary Statius, though, Martial shamelessly flatters his patron Domitian, one of Rome's worst-reputed emperors.
D. R. Shackleton Bailey's translation of Martial's often difficult Latin eliminates many misunderstandings in previous versions. The text is mainly that of his highly praised Teubner edition of 1990.
Synopsis
In his epigrams, Martial (c. 40-c. 103 CE) is a keen, sharp-tongued observer of Roman scenes and events, including the new Colosseum, country life, a debauchee's banquet, and the eruption of Vesuvius. His poems are sometimes obscene, in the tradition of the genre, sometimes affectionate or amusing, and always pointed.
About the Author
D. R. Shackleton Baileywas Pope Professor of Latin Language and Literature,<>Harvard University.
Table of Contents
Introduction
Abbreviations
Epigrams
On The Spectacles
Book I
Book II
Book III
Book IV
Book V