Synopses & Reviews
By revealing the investment of eighteenth-century British prose fiction in contemporary debates about domestic ideology, this book addresses the multiple ways in which traditional notions of the family were estranged, reconstituted as novel concepts, and then finally presented as national social norms. It focuses on works by Aphra Behn, Daniel Defoe, Samuel Richardson, Eliza Haywood, Horace Walpole, Laurence Sterne, and Mary Wollstonecraft, addressing a number of little-known narratives while linking such better-known works as Robinson Crusoe and Pamela to their often neglected sequels. Recovering the period's own disparate perceptions of household relations, the book explains how eighteenth-century British prose fiction, which incorporates elements from conduct books, political treatises, and demographic material, used the family as an image in a struggle to resolve larger cultural tensions.
Synopsis
A study of representations of the family in eighteenth-century prose fiction.
Synopsis
This book looks at representations of the family in eighteenth-century prose fiction, looking at works like Robinson Crusoe and Pamela, and writers like Aphra Behn, Eliza Haywood, Horace Walpole, Laurence Sterne, and Mary Wollstonecraft.
Table of Contents
Introduction; 1. Toward an eighteenth-century anthropology; 2. From family romance to domestic scandal: 'female arts' in The Fair Jilt; 3. Robinson Crusoe and the orphaned family; 4. The anxiety of affluence: Pamela: or, Virtue Rewarded; 5. The erotic and the domestic in The History of Miss Betsy Thoughtless; 6. Disavowing kinship, 1760-1798; Afterword; Notes; Index.