Female Bodies on the American Stage: Enter Fat Actress

Fat, especially the fat female body, is a unique construction within American culture that has been understood and "read" in a variety of ways in popular representation during the late twentieth and early twenty-first centuries. With an interdisciplinary approach that draws from theatre, performance, and cultural studies, as well feminist methodologies and the emerging field of fat studies, Mobley interrogates common stereotypes and complex cultural beliefs associated with the fat female in performance, particularly in light of the so-called "obesity epidemic" in the United States. Analyzing a cross-section of post-WWII American plays, stage, and screen performances, as well as performers' bodies as cultural texts, she argues that the fat actress's body signals a myriad of (primarily negative and/or threatening) cultural assumptions and suggests new ways of reading the body in performance.

The fat female body is a unique construction in American culture that has been understood in various ways during the twentieth and early twenty-first centuries. Analyzing post-WWII stage and screen performances, Mobley argues that the fat actress's body signals myriad cultural assumptions and suggests new ways of reading the body in performance.

Jennifer-Scott Mobley is Visiting Assistant Professor in the Department of Theatre and Dance at Rollins College, USA. Her work appeared in the inaugural issue of Fat Studies and she has published in Theatre Journal, Theatre Survey, and Shakespeare Bulletin.

Introduction

1. The Body as a Cultural Text

PART I: FAT DRAMATURGIES

2. Fat Center Stage

3. Fat Love Stories

4. Monsters, Man-eaters, and Fat Behavior

PART II: FAT SUBJECTIVITIES

5. Bodies Violating Boundaries

6. Fat Black Miscegenation

7. Queering Fat

8. Fat-Face Minstrelsy

PART III: RECLAIMING FAT

9. Dangerous Curves

10. Enter Fat Actress