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Fingersmith

by Waters, Sarah
Fingersmith

  • Comment on this title
  • Synopses & Reviews
  • Award Excerpt

ISBN13: 9781573229722
ISBN10: 1573229725
Condition: Standard


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Awards

Lambda Literary Award
New York Times Notable Book 2002
Entertainment Weekly's Best Book: Overall Top 10 2002
Orange Prize for Fiction: Shortlist
Man Booker Prize for Fiction: Shortlist

From Powells.com

Now Playing: Read the books that inspired the movies.

Staff Pick

Fingersmith is Sarah Waters's lush Victorian lesbian masterpiece — a novel about the intricate roles we play to survive in the cultures we live in, while pursuing what is forbidden across class, gender, and sexuality. Full of twists and turns, Waters queers the Dickensian novel to create something much more thrilling and erotic. Fingersmith is also the story upon which Korean director Park Chan-wook's gloriously excessive film The Handmaiden is based, demonstrating its gorgeous puzzle-like structure can translate smoothly cross-culturally — the kind of tale that's timeless in all of its transgressions. Recommended By Cosima C., Powells.com

Synopses & Reviews

Publisher Comments

Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby's household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves — fingersmiths — for whom this house in the heart of a mean London slum is home.

One day, the most beloved thief of all arrives — Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud's vast inheritance. Once the inheritance is secured, Maud will be disposed of — passed off as mad, and made to live out the rest of her days in a lunatic asylum.

With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways... But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.

The New York Times Book Review has called Sarah Waters a writer of "startling power" and the Seattle Times has praised her work as "gripping, astute fiction that feeds the mind and the senses." Fingersmith marks a major leap forward in this young and brilliant career.

Review

"[A] richly woven tale of duplicity, passion, and lots of other good stuff....Nobody writing today surpasses the precocious Waters's virtuosic handling of narrative complexity and thickly textured period detail. This is a marvelous novel." Kirkus Reviews (Starred Review)

Review

"Superb storytelling. Fingersmith is gripping; so suspenseful and twisting is the plot that for the last 250 pages, I read at breakneck speed." USA Today

Review

"A marvelous pleasure....Waters's noted attention to historical detail and her beautifully sensitive dialogue help to anchor the force-five plot twisters." The Washington Post Book World

Review

"A deftly plotted thriller....An absorbing and elegant story that's old-fashioned in the best way." Entertainment Weekly

Review

"Oliver Twist with a twist: female and sexually aware....Waters spins an absorbing tale that withholds as much as it discloses....She writes great Gothic, her descriptive skill augmented by an acute ear for dialogue." The New York Times Book Review

Review

"What a deliciously brazen stunt Sarah Waters pulls off....[A] first-rate pastiche of betrayed maidens and dastardly smiling villains....The erotic charge between Maud and Sue and the psychological games they play make Fingersmith a sophisticated treat." Los Angeles Times

Review

"A sweeping read." The Boston Globe

Review

"[The] energetic plot bristles with scheming villains and lurid details....Calls to mind the feverishly gloomy haunts of Charlotte and Emily Bronte....Elaborate and satisfying." The Seattle Times

Review

"A doorstopper of a book that manages to be both Victorian and modern all at once....Full of enough sinewy twists and turns to make Wilkie Collins — the Charles Dickens contemporary — put down his quill in awe." Vancouver Sun

Review

"An intriguing and entertaining read full of twists and turns, reversals and revelations....A haunting, disturbing and lovely ode to the universal frailties of the human condition." Rocky Mountain News

About the Author

A native of Wales, Sarah Waters is the award-winning author of Affinity and Tipping the Velvet.

4.8 10

What Our Readers Are Saying

Share your thoughts on this title!
Average customer rating 4.8 (10 comments)

`
Kara Shamy , October 26, 2013 (view all comments by Kara Shamy)
***Contemporary Classic*** Fingersmith isn't just a great novel for someone seeking a story exploring a lesbian relationship between two strong characters; it is a truly Great Novel -- a future classic -- worthy of study and consideration as an example of the best contemporary literature written in English. That is not to say it's for everyone -- I've scanned the existing reviews here. Some people do not enjoy this book one bit and feel it delivers less than it demands. So I will try to articulate what I like about the book; maybe you'll see something that resonates with you as a reason you'd enjoy it -- or a signal that you might be more likely to find it a waste of time. 1) I really appreciate multi-dimensional, complex characters who are fleshed out with details of their thoughts and feeling so that they seem really human. If these elements of characterization often impact how much you enjoy a book, you would definitely find a lot to appreciate in Sarah Waters's work here. 1a) If you furthermore have an appreciation of psychological novels where you get a really deep and nuanced understanding of how an individual character thinks and feels, you will probably really like this book. One of the primary features of this novel is that you experience the story from the perspective of each of the two main characters. These characters are tremendously interesting and incredibly well-developed. Sarah Waters really shows mastery, I think, in fascinating the reader with her depiction of her characters' consciousness -- the complexity, relatability, and strangeness of both characters is spellbinding. 2) I agree with others who have said that if you really like Victorian novels, you're likely to enjoy this. If you never met a Victorian novel you liked and have sampled several from different authors, I'd say you are somewhat less likely to enjoy this novel. 2a) But it's no Victorian novel; I know people who read nothing but mass market fiction and are not "literary" types who LOVED this book and couldn't put it down. 3)I found the plot really, really delivered! There were many more unexpected twists and satisfyingly shocking, dramatic events in this book than in the lion's share of books I read. There will be moments that you won't want to put it down, I can pretty much guarantee. I didn't think it was ever slow moving in plot, but that's all relative. I don't know what feels too fast or slow for you. It's definitely a lot more action-packed and fast-moving than anything by Victorian novelists Eliot, Gaskell or Trollope, for example. Dickens is sometimes very fast moving with his plots so I can't really make the same comparison. In sum, I'd say this book: --has a fascinating and original plot and narrative technique (the perspective switching, for example); --does an outstanding job of depicting textured, complex and palpably human characters and relationships; --is written as intricately and rigorously and beautifully to merit multiple close readings (if you're into that sort of thing ;). I hope this is helpful for at least some of you -- happy reading!

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jai41004 , August 04, 2012 (view all comments by jai41004)
This book starts off a little bit slowly. She discribes things in such a way that you really feel like you know the people and places. She has such a way of transporting her reader. Every character is complex and real. There are huge twists throughout the book, I actually gasped once or twice. Through out the book you end up loving, hating, routing for, and shaking your head at each of the main characters. I really could hardly put it down. This one is more that worth a read.

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Holly B , July 26, 2011 (view all comments by Holly B)
This book starts out rather slowly as a character study. I was interested but not enthralled. And then, WHAM, Sarah Waters throws a left hook that I did not see coming and sucked me deeply into the book. I was on a vacation, and when I got to that part, I was almost annoyed that I was on my trip, since all I wanted to do was read! The author continues to change perspectives, which keeps things interesting. She continues to throw twists in, which are then somewhat more expected, but no less interesting. This book is well worth the read. I hated finishing it--I just wanted it to keep going.

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Jessica Byers , June 20, 2011 (view all comments by Jessica Byers)
Historical fiction at it's best and most enjoyable. I have not lost so much sleep for a book in a very long time. Thought it took me a little while to get into at at first, once I did, I was totally hooked. Incredibly suspenseful and fascinating the particular way that she somewhat unexpectedly tells the story from both protagonists' point of view. This was one that stayed with me for quite a while after I finished it; I'd wake up wondering what became of the characters, Sue and Maud. I was sorry it was over, but glad I still have a few more of Sarah Waters' books to read.

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Tara McDaniel , January 03, 2010 (view all comments by Tara McDaniel)
The best book I've read in a decade? Nay. The best book I've read in my life! Water's writing is lush, moody and provocative, and the plot has one twist after another, leading you to the perfectly surprising ending. I lost sleep for days reading this book. I haven't found another to surpass it--yet.

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Melissa Adler , January 01, 2010
Brilliant, sexy, suspenseful, and Victorian. This is Sarah Waters' best work, in my opinion.

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Wendy Robards , January 25, 2009 (view all comments by Wendy Robards)
Sue Trinder has been raised among thieves - an orphan who has never met her mother. The woman who has cared for her is Mrs. Suksby who takes babies from their mothers for a fee. The house on Lant Street where they live teems with characters such as Dainty, a girl with her own questionable past and Mr. Ibbs who buys stolen goods. Then one dark, rainy night a man arrives with a proposition to make them all rich. The man - known as Gentleman - hatches a scheme to send Sue, disguised as a maid, to the home of Maud Lilly and befriend her. A large sum of money is at stake, and the plot to get it means tricking Maud into marrying Gentlemen and then confining her to a mental hospital. From this point forward, the novel moves steadily forward with unexpected twists and turns which kept me reading long into the night. Sarah Waters has written a gothic novel filled with evil villains, betrayal, lies, love, debauchery and shocking revelations. Set first on the dirty backstreets of the London Borroughs, the novel then moves to the dark and eerie rooms of Briar - a dilapidated mansion where Maud is being raised by her cruel uncle. The writing is provocative and rich, creating the atmosphere of a period Gothic setting filled with suspense and things that creep in the night. The dialogue is pitch perfect, the characters convincingly wrought. But it is the plot - unnerving and constantly shifting - which reels the reader into the story and keeps the pages turning. I thoroughly enjoyed this novel which uncovers the sinister underbelly of the human soul. Gentleman is the perfect villain - handsome, mysterious and evil. Just when the reader thinks she knows where the story is taking her, there is a twist and it goes in another direction. No one is as they seem. Waters has written a book rich in period details and lush with complex characters. Ingeniously plotted and sexually charged, this is a novel you do not want to miss. Highly recommended.

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lenore , February 24, 2008 (view all comments by lenore)
Well written and well plotted, this book is a mesmerizing page turner! I turned off thne phone so I could sit and read uninterrupted through the last 200 pages. All in all, a terrific historical novel!

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Melissar17 , April 03, 2007
I thought this book was the best book I had ever read until I got to the end. I was sadly disappointed with the ending. The twists and turns throughout the book had me sitting on the edge of my seat and I couldn't put the book down. I read the entire book in about 3 days. I could never guess what was going to happen next, that is until the end it was depressing that the end was so guessable and disappointing, I was really hoping it would end with some shocking twist, if it had I would have said it was the best book of all time that I have read so far, and I read alot.

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Lenny , April 04, 2006 (view all comments by Lenny)
Sarah Waters has been one of the most surprising forces to enter the historical fiction genre. Don't be fooled that her books are only interesting for women who date women. She is a lucid and engaging novelist, producing enjoyable period pieces. I highly recommend "Fingersmith" as a good starting point.

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Product Details

ISBN:
9781573229722
Binding:
Trade Paperback
Publication date:
10/01/2002
Publisher:
RIVERHEAD BOOKS/PENGUIN PUTNAM
Pages:
608
Height:
1.30IN
Width:
5.20IN
Thickness:
1.25
Age Range:
18 and up
Grade Range:
13 and up
Number of Units:
1
Copyright Year:
2002
UPC Code:
2801573229724
Author:
Sarah, Dr Waters
Author:
Stacia Brown
Author:
Jane Eagland
Author:
Sarah Waters
Subject:
London (england)
Subject:
Literature-A to Z
Subject:
Fiction
Subject:
Historical fiction
Subject:
General Fiction

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List Price:$18.00
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