Synopses & Reviews
"Tada Chimako was one of the few overtly intellectual modern Japanese poets, but she donned her erudition with lightness and humor. She was also one of the few who went beyond the realm of "free verse" and tried the traditional forms of tanka and haiku, even occasionally using rhymes. Jeffrey Angles brings across Tada's distinct voice and approach with elegance and skill in his translations, making her poems come alive."and#151;Hiroaki Sato
"Marvelous. An important introduction to modern Japanese literature for the English-reading world."and#151;Liza Dalby, author of Geisha
"Up until now, a few translations in scattered sources have suggested something of the range and depth of the poetry of Tada Chimako; now, this new and extensive collection of translations by Jeffrey Angles reveals an astonishing talent, confirming for readers everywhere the respect and admiration which Japanese readers have long felt for this body of work. Hers is a poetry of that possesses a virtual tactile energy, moving across time and space, absorbed in nature, glancing at the literary heritage of the world (in particularly those of Japan, China, France, and ancient Greece), as well experimenting with literary form (modern verse, tanka, and haiku). All this is accomplished with an astonishing grace and a spiritual fastidiousness, as serene as a mathematic equation. In these limpid and elegant translations, Mr. Angles proves himself at the forefront of his generation in his skill at gently and firmly moving this elegant poetry from one language to another. With this collection, postwar Japanese poetry seems suddenly, wonderfully, different, and truly enriched."and#151;J. Thomas Rimer, co-editor, The Columbia Anthology of Modern Japanese Literature
Review
and#8220;At its best, literary translation offers something that was not there before. Angles has given readers a major poet not previously apparent in English. His translation will have the honor of leading a generation of new readers to discover the work of Tada Chimako.and#8221;
Review
"A unique and most welcome publication."--Japanese Studies
Review
and#8220;Chimakoand#8217;s extraordinary imagery is reflected in this wide-ranging collection of her work, which explores womenand#8217;s sensuality and emotion. This is the first English translation of her work and includes translated and traditional Japanese versions of haiku and tanka.and#8221;
Review
and#8220;The three [volumes] together form the finale to a singular body of poetry that has been finely chosen, sensitively introduced and admirably translated by Jeffrey Angles in this selection.and#8221;
Review
and#8220;All in all this book provides a well-rounded look at an important modern Japanese poet.and#8221;
Review
“A unique and most welcome publication.” American Poet
Review
and#8220;With its careful annotations and notes, this work should serve scholars of contemporary literature very well, but it should also appeal to a wider audience of poetry lovers everywhereand#8221;.
Review
and#8220;A unique and most welcome publication.and#8221;
Synopsis
"Marvelous. An important introduction to modern Japanese literature for the English-reading world."--Liza Dalby, author of Geisha
Synopsis
One of Japanand#8217;s most important modern poets, Tada Chimako (1930and#150;2003) gained prominence in her native country for her sensual, frequently surreal poetry and fantastic imagery. Although Tadaand#8217;s writing is an essential part of postwar Japanese poetry, her use of themes and motifs from European, Near Eastern, and Mediterranean history, mythology, and literature, as well as her sensitive explorations of womenand#8217;s inner lives make her very much a poet of the world. Forest of Eyes offers English-language readers their first opportunity to read a wide selection from Tadaand#8217;s extraordinary oeuvre, including nontraditional free verse, poems in the traditional forms of tanka and haiku, and prose poems. Translator Jeffrey Angles introduces this collection with an incisive essay that situates Tada as a poet, explores her unique style, and analyzes her contribution to the representation of women in postwar Japanese literature.
About the Author
The writing of Tada Chimako (1930-2003) is crucial to understanding modern Japanese poetry although her work is situated outside the poetic mainstream. A solitary visionary, Tada is uniquely admired in Japan for her poems, essays, and translations. Withdrawing to Kobe after the publication of her first collection, she spent most of her life close to nature, far from Tokyo, Japanand#8217;s literary epicenter. Writing poetry in both traditional Japanese forms and Western free verse and prose poetry, Tada is known as a poet of intellect and erudition but also as one of sensuality and emotion. Jeffrey Angles is Associate Professor at Western Michigan University. He is coeditor, with J. Thomas Rimer, of Japan: A Travelerand#8217;s Literary Companion. He has won translation grants from the National Endowment for the Arts and the PEN Club of America.
Table of Contents
Translatorand#8217;s Acknowledgments
Note on the Translation
Introduction
From Fireworks (1956)
From The Gladiatorand#8217;s Arena (1960)
From Universe of the Rose (1964)
From The Town of Mirrors, or Forest of Eyes (1968)
From A False Record of Ages (1971)
From The Four-Faced Path (1975)
From A Spray of Water: Tanka (1975)
From Lotophagi (1980)
From Ceremonial Fire (1986)
From Along the Riverbank (1998)
From The Land of the Long River (2)
From A Souvenir of Wind: Haiku (2003)
From Upon Breaking the Seal (2004)
From Person of the Playful Sta: Tanka (2005)
Translatorand#8217;s Notes
Chronology
Selected Works
Index of Titles and First Lines