Synopses & Reviews
Introduction by George Bernard Shaw
Pip, a poor orphan being raised by a cruel sister, does not have much in the way of great expectations—until he is inexplicably elevated to wealth by an anonymous benefactor. Full of unforgettable characters—including a terrifying convict named Magwitch, the eccentric Miss Havisham, and her beautiful but manipulative niece, Estella, Great Expectations is a tale of intrigue, unattainable love, and all of the happiness money can’t buy. “Great Expectations has the most wonderful and most perfectly worked-out plot for a novel in the English language,” according to John Irving, and J. Hillis Miller declares, “Great Expectations is the most unified and concentrated expression of Dickens’s abiding sense of the world, and Pip might be called the archetypal Dickens hero.”
George Bernard Shaw (1856–1950) was a leading playwright of the twentieth century. His plays include Man and Superman (1905), Major Barbara (1905), Pygmalion (1913), and Saint Joan (1923).
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One of Charles Dickens’s most fascinating novels, Great Expectations
follows the orphan Pip as he leaves behind a childhood of misery and poverty after an anonymous benefactor offers him a chance at the life of a gentleman.
From young Pip’s first terrifying encounter with the convict Magwitch in the gloom of a graveyard to the splendidly morbid set pieces in Miss Havisham’s mansion to the magnificently realized boat chase down the Thames, the novel is filled with the transcendent excitement that Dickens could so abundantly provide. Written in 1860 at the height of his maturity, it also reveals the novelist’s bittersweet understanding of the extent to which our deepest moral dilemmas are born of our own obsessions and illusions.
About the Author
Charles Dickens was born on February 7, 1812, in Portsmouth, England,where his father was a naval pay clerk. When he was five the family moved to Chatham, near Rochester, another port town. He received some education at a small private school but this was curtailed when his father's fortunes declined. More significant was his childhood reading, which he evoked in a memory of his father's library: 'From that blessed little room, Roderick Random, Peregrine Pickle, Humphrey Clinker, Tom Jones, The Vicar of Wakefield, Don Quixote, Gil Blas and Robinson Crusoe came out, a glorious host, to keep me company. They kept alive my fancy, and my hope of something beyond that place and time.'
When Dickens was ten the family moved to Camden Town, and this proved the beginning of a long, difficult period. (He wrote later of his coach journey, alone, to join his family at the new lodgings: 'I consumed my sandwiches in solitude and dreariness, and it rained hard all the way, and I thought life sloppier than I had expected to find it.') When he had just turned twelve Dickens was sent to work for a manufacturer of boot blacking, where for the better part of a year he labored for ten hours a day, an unhappy experience that instilled him with a sense of having been abandoned by his family: 'No advice, no counsel, no encouragement, no consolation, no support from anyone that I can call to mind, so help me God!' Around the same time Dickens's father was jailed for debt in the Marshalsea Prison, where he remained for fourteen weeks. After some additional schooling, Dickens worked as a clerk in a law office and taught himself shorthand; this qualified him to begin working in 1831 as a reporter in the House of Commons, where he was known for the speed with which he took down speeches.
By 1833 Dickens was publishing humorous sketches of London life in the Monthly Magazine, which were collected in book form as Sketches by 'Boz' (1836). These were followed by the publication in installments of the comic adventures that became The Posthumous Papers of the Pickwick Club (1837), whose unprecedented popularity made the twenty-five-year-old author a national figure. In 1836 he married Catherine Hogarth, who would bear him ten children over a period of fifteen years. Dickens's energies enabled him to lead an active family and social life, including an indulgence in elaborate amateur theatricals, while maintaining a literary productiveness of astonishing proportions. He characteristically wrote his novels for serial publication, and was himself the editor of many of the periodicals—Bentley's Miscellany, The Daily News, Household Words, All the Year Round—in which they appeared. Among his close associates were his future biographer John Forster and the younger Wilkie Collins, with whom he collaborated on fictional and dramatic works. In rapid succession he published Oliver Twist (1838), Nicholas Nickleby (1839), The Old Curiosity Shop (1841), and Barnaby Rudge (1841), sometimes working on several novels simultaneously.
Dickens's celebrity led to a tour of the United States in 1842. There he met Longfellow, Irving, Bryant, and other literary figures, and was received with an enthusiasm that was dimmed somewhat by the criticisms Dickens expressed in his American Notes (1842) and in the American chapters of Martin Chuzzlewit (1844). The appearance of A Christmas Carol in 1843 sealed his position as the most widely popular writer of his time; it became an annual tradition for him to write a story for the season, of which the most memorable were The Chimes (1844) and The Cricket on the Hearth (1845). He continued to produce novels at only a slightly diminished rate, publishing Dombey and Son in 1848 and David Copperfield in 1850; of the latter, his personal favorite among his books, he wrote to Forster: 'If I were to say half of what Copperfield makes me feel tonight how strangely, even to you, I should be turned inside out! I seem to be sending some part of myself into the Shadowy World.'
From this point on his novels tended to be more elaborately constructed and harsher and less buoyant in tone than his earlier works. These late novels include Bleak House (1853), Hard Times (1854), Little Dorrit (1857), A Tale of Two Cities (1859), and Great Expectations (1861). Our Mutual Friend, published in 1865, was his last completed novel, and perhaps the most somber and savage of them all. Dickens had separated from his wife in 1858—he had become involved a year earlier with a young actress named Ellen Ternan—and the ensuing scandal had alienated him from many of his former associates and admirers. He was weakened by years of overwork and by a near-fatal railroad disaster during the writing of Our Mutual Friend. Nevertheless he embarked on a series of public readings, including a return visit to America in 1867, which further eroded his health. A final work, The Mystery of Edwin Drood, a crime novel much influenced by Wilkie Collins, was left unfinished upon his death on June 9,1870, at the age of 58.