Synopses & Reviews
The Washington Post
hails Greil Marcus as andldquo;our greatest cultural critic.andrdquo; Writing in the London Review of Books
, D. D. Guttenplan calls him andldquo;probably the most astute critic of American popular culture since Edmund Wilson.andrdquo; For nearly thirty years, he has written a remarkable column that has migrated from the Village Voice
, City Pages
, and The Believer
and currently appears in the Barnes and Noble Review
. It has been a laboratory where Marcus has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements, teasing out from the welter of everyday objects what amounts to a de facto theory of cultural transmission.
Published to complement the paperback edition of The History of Rock and Roll in Ten Songs, Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, astute, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.
“This could be Marcus’ most inviting book: Emotion paces erudition, and the present gets to ride shotgun with the past, real and imagined.”—Will Hermes, Rolling Stone
“Marcus is our greatest cultural critic, not only because of what he says but also, as with rock-and-roll itself, how he says it.”—David Kirby, The Washington Post
“In his new book, which is surely one of his best and most beautifully written, Marcus revisits ten songs, recorded during the last sixty years, some of them long forgotten, in order to capture the pulsating and powerful language of rock 'n' roll. . . . The book, I am certain, will compel readers to return to the songs Marcus has anointed, and to others. Even if they have heard them before, they will listen to them as if for the first time.”—Glenn C. Altschuler, The Huffington Post
“Marcus, of course, is one of the epic figures in rock writing. . . . Like so many of Marcus’s previous books, The History of Rock ‘n’ Roll in Ten Songs often feels like a tone poem or perhaps a written embodiment of the cultural memory. He flows through the songs and musicians he loves as if creating a waking dream crowded with the stars of rock history.”—Touré, The New York Times Book Review
One of our finest critics gives us an altogether original history of rock ’n’ roll
One of our finest critics gives us an altogether original history of rock n roll
Unlike all previous versions of rock n roll history, this book omits almost every iconic performer and ignores the storied events and turning points that everyone knows. Instead, in a daring stroke, Greil Marcus selects ten songs recorded between 1956 and 2008, then proceeds to dramatize how each embodies rock n roll as a thing in itself, in the story it tells, inhabits, and acts out a new language, something new under the sun.
Transmission by Joy Division. All I Could Do Was Cry by Etta James and then Beyonce. To Know Him Is to Love Him, first by the Teddy Bears and almost half a century later by Amy Winehouse. In Marcus s hands these and other songs tell the story of the music, which is, at bottom, the story of the desire for freedom in all its unruly and liberating glory. Slipping the constraints of chronology, Marcus braids together past and present, holding up to the light the ways that these striking songs fall through time and circumstance, gaining momentum and meaning, astonishing us by upending our presumptions and prejudices. This book, by a founder of contemporary rock criticism and its most gifted and incisive practitioner is destined to become an enduring classic."
In this unconventional and completely mesmerizing history of rock 'n' roll, Greil Marcus selects ten songs recorded between 1956 and 2008 and shows how each, in its own unique way, embodies the story of rock 'n' roll--a new language, and a new form of expression.
From the author of The History of Rock andrsquo;nandrsquo; Roll in Ten Songs comes his andldquo;Basement Tapesandrdquo;: the complete andldquo;Real Life Rock Top 10andrdquo; columns
For nearly thirty years, Greil Marcus has written a remarkable column called andldquo;Real Life Rock Top Ten.andrdquo; It has been a laboratory where he has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements. Taken together, his musings, reflections, and sallies amount to a subtle and implicit theory of how cultural objects fall through time and circumstance and often deliver unintended consequences, both in the present and in the future.
Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.
About the Author
Greil Marcus has written many books, including Mystery Train: Images of America in Rock & Roll Music and Lipstick Traces: A Secret History of the Twentieth Century, and is the editor, with Werner Sollors, of A New Literary History of America. He teaches at the University of California, Berkeley, and the Graduate Center at the City University of New York. He lives in Oakland, CA.