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Kelsey Ford: Twelve Days of Horror (0 comment)
While putting this post together, I realized that the original song this is based on, “The Twelve Days of Christmas,” needs very little amending to become horrific: why is someone gifting their lover so many different kinds of birds? That can’t be safe? But we love notching the horror up whenever we can, so in our version of the song...
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House of Leaves

by Mark Z. Danielewski
House of Leaves

  • Comment on this title
  • Synopses & Reviews
  • Reading Group Guide

ISBN13: 9780375703768
ISBN10: 0375703764



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Synopses & Reviews

Publisher Comments

Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth — musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies — the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.

Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.

The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.

Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story — of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

Review

"An amazingly intricate and ambitious first novel...that puts an engrossing new spin on the traditional haunted house tale....One of the most impressive excursions into the supernatural in many a year." Kirkus Reviews (Starred Review)

Review

"[A] wonderful first novel....[F]unny, moving, sexy, beautifully told, an elaborate engagement with the shape and meaning of narrative." Robert Kelly, The New York Times Book Review

Review

"Danielewski's eccentric and sometimes brilliant debut novel is really two novels....One — the horror story — is a tour-de-force....[T]he novel is a surreal palimpsest of terror and erudition, surely destined for cult status." Publishers Weekly

Review

"This stunning first effort is destined for fast-track cult status....This work is a kaleidoscopically layered and deconstructed H. P. Lovecraft-style horror story. It hums and resonates with wonder, dread, and insight." Eric Robbins, Booklist

Review

"Danielewski employs avant-garde page layouts that are occasionally a bit too clever but are generally highly effective....It is simultaneously a highly literary work and an absolute hoot....[P]owerful and extremely original..." Library Journal

Review

"This demonically brilliant book is impossible to ignore, put down, or persuasively conclude reading. In fact, when you purchase your copy you may reach a certain page and find me there, reduced in size like Vincent Price in The Fly, still trapped in the web of its malicious, beautiful pages." Jonathan Lethem, author of Motherless Brooklyn

Review

"House of Leaves actually gave me nightmares: I had to stop reading it before bedtime. I'm sure klaxons will be set blaring around it and klieg lights will be trained on it, and so they should. Its secrets are rich and obscure. Danielewski's textured novel is about apprehensions, in all senses of the word: to anticipate with dread, to seize, to understand. If you can imagine that Peter Pan's enemy is not Captain Hook but Neverland itself, or that the whale that swallows Jonah is Moby-Dick, you'll begin to appreciate what this book is about. Anticipate it with dread, seize, and understand. A riveting reading experience." Gregory Maguire, author of Lost and Wicked: The Life and Times of the Wicked Witch of the West

Review

"A great novel. A phenomenal debut. Thrillingly alive, sublimely creepy, distressingly scary, breathtakingly intelligent — it renders most other fiction meaningless. One can imagine Thomas Pynchon, J. G. Ballard, Stephen King, and David Foster Wallace bowing at Danielewski's feet, choking with astonishment, surprise, laughter, awe." Bret Easton Ellis

Synopsis

A family relocates to a small house on Ash Tree Lane and discovers that the inside of their new home seems to be without boundaries.

About the Author

Mark Z. Danielewski was born in 1966. House of Leaves is his first novel.

Reading Group Guide

1) How did you read the book? Page by page? Zampanòs text, then Truants? What was your reaction to trying to navigate through the book? Confusion? Frustration? Claustrophobia? Terror? Intrigue? How does the form of the novel affect and reflect the emotional and narrative content of the book? How does the experience of reading House of Leaves mirror the experience of the various characters in the novel? In what way (if any) does the reader (and the author, Danielewski) act as a character in the book?

2) What are we to make of Truants claim, made early on (p.xx), that everything we are about to read is false? —the movie does not exist, the house does not exist, even many of the references sited in the footnotes do not exist. Is there anything in the book that we know is real, and more essentially, what does “real” mean in the context of a novel / this novel? Does any one of the major characters in the novel even necessarily exist? Zampanò? Truant (the editors point out that they have never met Truant in the flesh (p.4))? Truants mother? Navidson? And if the contents of Zampanòs scrapbook are false, why would any one of the characters imagine not only the documentary The Navidson Record but create fictional evidence, scholarship and commentary of that documentary? How is the answer different when this question is applied to Danielewski, the actual author of House of Leaves?

3) Is House of Leaves a horror story? In what ways does the novel fit the genre? It what ways does it subvert the conventions of the genre? What is the horror in House of Leaves? Can you make an equally persuasive argument that House of Leaves is in fact a love story?

4) Asked to briefly describe House of Leaves, Danielewski has said in an interview that he “likes to look at House of Leaves as a three-character play: a blind old man, a young man, and a very special, extraordinarily gifted woman.” Who is the “extraordinarily gifted woman” in the novel? What are her gifts? Is her role truly as central as the obviously integral roles played by the “blind old man” and the “young man”?

5) Describe Will Navidson as a husband; a father; a brother. “Why did Navidson go back to the house” (p.385)? In what ways do relations change within the Navidson family over the course of The Navidson Record? How does the house affect these relationships? How do these relationships affect the house?

6) Why does Johnny Truant become so consumed by Zampanòs manuscript? What in particular enthralls him so much - the house? The Navidson Record? The manuscript itself?

7) The myth of Theseus and the Minotaur is referenced frequently throughout the book both explicitly and implicitly. In fact, Zampanò has attempted to obliterate all references to Minos and the Minotaur within the text. Truant meanwhile tries to “resurrect” most of these passages (p.111) and later dreams that he is a Minotaur hunted by a drunken frat boy (p.403-406). What is the significance of the Minotaur to the novel? Why does Zampanò cross out all references? And why does Truant then reconstruct them? Another element of the Theseus myth that features prominently is the labyrinth. How does the labyrinth function in the myth? In House of Leaves?

8) One of the major elements of the books layout is the use of different fonts. What fonts are used and how are they significant? For instance, Johhnys text appears in Courier—in what way does Johhny himself act as a “courier”?

9) On page 320, Zampanò appears to have written a typo—“He (Tom) might have spent all night drinking had exhaustion not caught up with me.” Should the “me” be “him”? Why doesnt Truant point this out as a typo, or is this another one of Truants “additions” to The Navidson Record? Is it possible that Zampanò was actually a member of the Navidson family?

10) What are some of the ways that the novel defines and explores the concept of space? In what ways is this concept distorted? How does space change physically, in the house; literally, in the layout of the novel itself; and psychically, in the minds of the characters and between the characters? How do these various spatial changes relate to each other?

11) What does it mean for something to be bigger on the inside than out? Is the Navidsons house the only thing in the book that can be described that way? Can the novel itself be described that way?

12) Much of the scholarship and commentary on The Navidson Record notes the vaginal quality of the house (for example, the footnote on page 358). In what ways is the house vaginal and/or feminine? How does the consumptive femininity of the house relate to Truants (and Navidsons) dysfunctional relations with the opposite sex? And how are the various female characters throughout the novel presented? Is the novel full of strong women or exploited women? Or both?

13) What are we to make of the death of the baby on pages 518-521, which is the last time we hear from Truant and the only time Truant tells us anything completely in third person? How does this story relate to the Minotaur? Whose baby is it? Could the baby be Truant? What does the passage suggest about Truants mother locked away inside “The Whale”?

14) What can we tell about Truants relationship with his insane mother, Pelefina Heather Lievre, especially from looking at the Whalestoe Institute Letters? Does she have any relationship to Zampanò? Navidson? Karen? On page 615, one can read the encoded line: “Dear Zampanò, Who did you lose?” This is found in the passage that follows if you take the first letter of each word, spelling “&:” as “and”: …destroyed. Endless arrangements—re: Zealous accommodations, medical prescriptions, & needless other wonders, however obvious—debilitating in deed; you ought understand—letting occur such evil?” Who did Zampanò lose? Why would Truants mother ask?

15) How does Johnnys story end? What is Johnnys mental state as the book comes to a close? Is the end of Johnnys story the end of the novels story?

16) One of the centerpieces of the novel is a film, and Danielewski has said that film and film criticism were a (if not, the) major influence on the writing of the novel. In what ways would you describe the book as “cinematic”? How is the language of film (high angle, low angle, jump cut, pan, etc.) used in the text and reflected in the scenes chosen and in the layout? Going further, the novel contains references to the work of Fellini (for example, Zampanò shares his name with a character in the film, La Strada). What are the film allusions in the book and how do they inform the story?

17) Danielewskis sister is the rock singer POE and her album, Haunted, serves, in many ways, as a companion piece to House of Leaves (and vice versa). How do the album and the novel echo, mirror, and distort each other? How does the song “5-Minute Hallway” reflect the themes in the book? How about the two versions of “Hey Pretty”?

18) Danielewski originally self-published House of Leaves on the Internet. In what ways does the novel comment on the Internet and the “information age”? The novel has been called the “first major experimental novel of the new millennium.” In what ways is the novel a product of its times and a comment on its times?

19) The House of Leaves has been published in various editions, including the web edition, the US hardcover, the US softcover, the UK edition, etc. These editions have been different in a number of ways (see “A Note On This Edition” on the copyright page for descriptions of some of these differences). What does the existence of these various editions suggest? More specifically, what do their variations mean?

20) What is the significance of the blue type in the book? In what various ways and to what effect is the blue type used? Why “blue”? And very specifically, why does the word “house” always appear in blue?


The questions, author biography, and suggested reading that follow are intended to enhance your groups reading and discussion of Mark Z. Danielewskis House of Leaves. We hope they will provide you with a variety of ways of thinking and talking about this truly challenging and extraordinary book.

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Average customer rating 5.0 (20 comments)

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clloop , February 09, 2015 (view all comments by clloop)
One of my favorite books of all time although its hard to describe to some one. 3 stories intertwined all relying on the others. I am not a horror novel fan in general, but this story draws you in and your heart will race wondering what may be around the next turn. The navidson record alone would make for a good book, but the way the other two stories feed off it make this an amazing read. Years later it will have you saying "the house was bigger on the inside", while people look at you like your crazy.

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michaelleehoward , October 22, 2014
One of the best books ever written. It is a compilation of three stories one of them a ghost story that scared me ..... to this day I have no clue why but such a brilliant book

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WongKaiWen , December 22, 2012 (view all comments by WongKaiWen)
This is without a doubt one of the most engrossing books I've ever read in my life. I'm almost embarrassed to admit the amount of notes I've scrawled in various notebooks while reading it. You can call this book a horror story, but you can also call it a love story. You might call it the reinvention of the novel, or at the very least it's a book that makes you question your ideas about what a novel could or should be. About where the line is between fact and fiction, author and creation, about investing ourselves in a story we know isn't real. But more than all the surface elements I talked about, this book is an exploration of the human psyche, about characters who are dealing with issues of identity, sorrow, loss, regret, obsession. And those things more than anything about this book is why months after reading it I'll get random flashes from the book and an irresistible urge to pick it up. It haunts you, but in a way that makes you want more. Read it. If only just for novelty of the reading experience. As an added bonus, those readers who are truly obsessive will undoubtedly realize how much more is going on in this book and spend many a sleepless night trying to solve a riddle with no answer and reach the end of a path only to realize they've been walking in a circle.

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Douglas Kent , August 04, 2012
Mark Danielewski weaves a trio of stoies in and out of each other, each one magical and engrossing in its own way. The narrator, who speaks mainly through footnotes, explains how he came upon the papers which he assembled into the book. Then there is the author, a deceased man who is reviewing film footage he could never have seen, and which may not exist. And then the story contained in the footage itself. Insanity and sanity, real and imagined, paranoia-based and supernatural twist like strands of DNA within this true work of art. For added enjoyment, pick up the CD "Haunted" by Poe (Mark Danielewski's sister) which in its own way is a musical attachment to HOUSE of Leaves (HOUSE should always be capitalized when referring to this book). They were released at about the same time, and on one track (the "Hey, Baby" remix) Mark reads a portion of the book over the music.

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W S Krauss , October 10, 2011 (view all comments by W S Krauss)
A book within a book about a film about a house. The house, by the way, is larger on the inside than it is on the outside. The book was found by a guy named Johnny Truant, who found the notes for the book within the book, and who wrote the footnotes for the book within the book. These footnotes take up roughly half of the book, and his story is of equal importance to the story of the family who lived in the house. The man who wrote the notes for the book within the book, Zampano, is also an important figure. The house is an important character in the lives of all- the family who lived in the house and the man (Navidson) in the family who made the film, the man Zampano who wrote the notes for the book within the book and Johnny, who found the notes and arranged them into a book and wrote the footnotes for the book within a book. It sounds complicated, but it all makes sinister and dizzying sense. House of Leaves is a "novel" novel, a wonderfully complex, form-bending, experimental book within a book about a film about a house. With footnotes, appendices, photo collages and an index. Read this book and you'll be hooked.

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Jeffrey Hunt , January 04, 2011
this book does what any great piece of artwork is supposed to do, it evokes an emotion and does it well. I had trouble sleeping some nights and my dreams were a series of hallways growing progressively more sinister. In my waking hours I began to perceive things differently... this book will change the way everything feels if you allow yourself to get sucked in.

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2010_best , January 02, 2011
Absolutely fantastic surrealistic fiction. Stick with it to the end and you will be richly rewarded with an unforgettable read.

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SilerAT , January 01, 2011 (view all comments by SilerAT)
Extraordinary thrill ride of a book with quite an emotional punch. A book rarely comes along that works on the intellectual, graphic, and literary levels as well as this amazing book! What a hoot.

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Edna Cross , January 26, 2010
Creepy funny, scary, intelligent, miserable, & hopeful, this book will make you feel more convoluted than the hundreds of rooms and staircases prone to random expansion that dwell and breath between the covers of this book. The story is personal and engulfing to the point of questionable return on the part of the reader. It seems apparent that Mark Z. Danielewski thought carefully and concisely on how to present this story with as much reality and rapture as possible. It is impossible not to be sucked into this book, and into the minds of the characters who open up to you more intimately than your very lover. This is the deepest and most intensive exploration of any place that I have ever been.

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Aubrey , January 13, 2010 (view all comments by Aubrey)
I hope with all my heart that this remains on bookshelves in stores and libraries forever. This is a book-lovers dream. House of Leaves is ostensibly about a film (though this is not really true). Perhaps it is really about the nature of our human connection with the things in our lives; whether that thing is a film critique manuscript, a film, a house, or any other drug of choice (all of the above). Its a book about the ever changing, constant turmoil of human life. Its scary as all get out. Its gorgeous, experimental, funny, allegorical, and not easily defined. House of Leaves will be something that you either love with a passion or hate with a passion. Pick this book up and make up your own mind.

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Laura Connor , January 05, 2010
I don’t even know where to begin with this novel. It is astounding. It’s such a simple story, compounded by complex fictional analysis throughout, compounded by heavy 2nd story line, which is also a main story line, compounded by interviews, perspectives, and footnotes! Good god, the footnotes! I see parts of this book as a revenge to an old professor Danielewski must have had that was foot-note and credit obsessed. I see Danielewski beaming at how he could take such a simple, short, creepy story and manipulate it to terrifying, gripping, and completely exhausting. I feel in some way that he is laughing at all of his readers for becoming so completely taken by this book. This is a piece of artwork. Utter genius. I felt manipulated, terrified, trapped, and joyous while reading. It affected my dreams, and now whenever I see the word hallway in print it makes me stop. Interrupts my flow of reading just long enough to recognize how thoroughly this book consumed me, changed me. I cannot recommend this book enough. Allow yourself time to read this book. Flip back and forth through every footnote sometimes spanning a leap backwards or forwards by a few hundred pages. Have a notepad at your side to map out the hidden codes inside. This book will consume me again, happily.

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Ariel Winter , January 02, 2010
House of Leaves runs the danger of being dismissed as a book of gimmicks, from the word "house" appearing in blue, to footnotes in alternate types, pages with single lines, and a labyrinthine chapter of columns and boxes, Danielewski certainly followed B.S. Johnson's adage that a novelist should use all the tools available to him. But Danielewski earns every technique by creating a book that couldn't exist in any other format. Without the changes in font or placement of words, meaning would be lost. And despite the busyness on every page, House of Leaves is a page turner, a Calvino beach book, but with so much depth that it offers up new details, new echoes of meaning with every reading--and it never stops being thrilling. Summary does little to capture the novel: it is a film treatise by a blind man written about a non-existent film and edited by a drug using aspiring tattoo artist. Oh, and the film's about a house bigger on the inside than on the outside. Don't worry, it all makes perfect sense in the reading. Danielewski's second novel, Only Revolutions, was nominated for the National Book Awards six years later, but the NBA nod was no doubt a late acknowledgment of House of Leaves as well. It is the culmination of the modernist tradition, a masterpiece, but most importantly, a fun read.

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t.e.siegel , January 01, 2010
House of Leaves turns you upside down and inside out in every way. In the first page, I was caught. By the middle I was a psychological wreck. At the end, I felt clean as fresh snow. If you can work through the unconventional typography, there is a heart to this novel that beats strong and leaves you with a kind of catharsis that is unusual in even the best of modern fiction.

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Viking , January 01, 2010 (view all comments by Viking)
I haven't read anything like this before of since. This book can't really be described accurately, but rather needs to be experienced. It may not be for everyone, but for those it is, it's exhilarating and unique.

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rcower , January 01, 2010
Odd but interesting book. Really enjoyed the story in the margins, haven't seen that done a long time.

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Connor , January 01, 2010
This book completely challenged my idea of what a novel could and should be. It strains the definition of frame narrative to the breaking point— a Los Angeles junkie edits a critical manuscript written by a blind man describing an invented documentary about a couple who discover that their house is larger on the inside than on the outside. Parts of this book deeply disturbed me, while others tugged hard at the heartstrings, others aroused me, and still others left me completely unsure what to think. Incredible.

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morninggordon , January 01, 2010
This is, by far, the best book of my entire life. Period.

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Alexander Pearson , April 03, 2009 (view all comments by Alexander Pearson)
A house that is bigger on the inside than the outside... chilling? Danielewski is truly a modern genius in his mind-blowing recall of a physics phenomenon that is out of this world! Literally... If your looking for a novel that escapes the norm in every way possible pick up a copy of House of Leaves and sit down to hours of mind-bending fun.

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jhor0107 , March 08, 2008 (view all comments by jhor0107)
The multiple story lines and the odd way that this book is put together makes it hard to believe that it was written by Danielewski and not by the tatoo artist in the book. Its about a tattoo artist that finds a critique of a documentary of a house that is larger on the inside than it is on the outside. As the artist begins to piece the critique together he begins to doubt the world around him and goes crazy. Although difficult to read sometimes its worth it.

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Coni , January 30, 2007 (view all comments by Coni)
It?s a story of a tattoo-artist that finds a manuscript from a blind old man, who just died, talking about a non-existent documentary about a house that is bigger on the inside than on the outside. It is freaky with crossed out passages and footnotes that can go for pages. The footnotes are also sometimes upside, backwards and sideways. Then there are the pages with only a paragraph, sentence or word on them. It?s quite an adventure to read. The author is the brother of the singer Poe and the remix of her song Hey Pretty has her brother reciting from one of the tattoo-artist?s footnotes in the book. I enjoyed this book. They keep talking about a film that documents the crazy house that is bigger on the inside than the outside and talking about real life people?s opinions on it. There are times that you forget it is fiction and wonder if you can go find the film or the article that is mentioned in the footnotes. Then you remember this is all just craziness that is in the book. I liked both parts of the book: (1) the decription of the documentary of the house and all the crazy parts involved there and (2) the tattoo artist guy telling his story in the footnotes about what going through the book is doing to him and his life. I recommend it. It?s quite insane and crazy! Everyone should read a book that makes you turn it upside and sideways. It?s the thing to do.

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Product Details

ISBN:
9780375703768
Binding:
Trade Paperback
Publication date:
03/07/2000
Publisher:
PENGUIN RANDOM HOUSE
Pages:
736
Height:
1.47IN
Width:
6.60IN
Thickness:
1.25
Number of Units:
1
Illustration:
Yes
Copyright Year:
2000
UPC Code:
2800375703760
Author:
Mark Z. Danielewski
Media Run Time:
B
Subject:
Experimental fiction
Subject:
Horror fiction
Subject:
Poetry (poetic works by one author)
Subject:
Horror tales

Ships free on qualified orders.
Add to Cart
$29.00
New Trade Paperback
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