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Synopses & Reviews
Winner of the 2017 Agnes Lynch Starrett Poetry Prize
For me, trees will never be just trees. They will also and always be a row of gallows from which Black bodies once swung. This is an image that I cannot escape, but one that I have learned to lean into as I delve into personal and public histories, explicating memories and muses around race, elegy, family, and faith by making and breaking forms as well as probing mythology, literary history, my own ancestry, and, yes, even Rihanna. I Can't Talk About the Trees without the Blood, because I cannot engage with the physical and psychic landscape of the South without seeing the braided trauma of the broken past--I will always see blood on the leaves.
Review
"Clark bridges a Tennessee landscape's past and present in her stellar debut, evincing a potent mix of history, injury, and divided identity." Publishers Weekly
Review
"If Tiana Clark’s I Can’t Talk about the Trees without the Blood were a blank book bearing that title alone, I would still feel like I was in the presence of a profound lyric gift. It’s astonishing, the heft of that declaration, and the way these poems rise up to meet its rigor and clarity. Toni Morrison commanded writers to ‘make it political as hell, and make it irrevocably beautiful.’ Clark, as if in response, writes, ‘Let us marvel at the Love and Grace that bought / and brought us here.’ The formal dexterity of these poems, the vision that takes us from Daphne to Lorca to Phillis Wheatley to Balanchine to Rihanna to Rukeyser, announces a significant and comprehensive new poetic talent. This beauty is irrevocable—Clark has written one of the best first books of poetry I have ever read." Kaveh Akbar
Review
"Critiquing the commodification of black pain while also acknowledging and revealing your hurt as a black person is tricky as hell. It is dangerous. And that is precisely what Tiana Clark does in these beautiful, vulnerable, honest poems. It is a kind of tenderness, and a kind of belief. A reaching toward. It is a kind of care." Ross Gay
Synopsis
Winner of the 2017 Agnes Lynch Starrett Poetry Prize
For prize-winning poet Tiana Clark, trees will never be just trees. They will also and always be a row of gallows from which Black bodies once swung. This is an image that she cannot escape, but one that she has learned to lean into as she delves into personal and public histories, explicating memories and muses around race, elegy, family, and faith by making and breaking forms as well as probing mythology, literary history, her own ancestry, and, yes, even Rihanna. I Can't Talk About the Trees without the Blood, because Tiana cannot engage with the physical and psychic landscape of the South without seeing the braided trauma of the broken past--she will always see blood on the leaves.
Synopsis
Winner of the 2017 Agnes Lynch Starrett Poetry Prize Winner of the 2020 Kate Tufts Discovery Award
For prize-winning poet Tiana Clark, trees will never be just trees. They will also and always be a row of gallows from which Black bodies once swung. This is an image that she cannot escape, but one that she has learned to lean into as she delves into personal and public histories, explicating memories and muses around race, elegy, family, and faith by making and breaking forms as well as probing mythology, literary history, her own ancestry, and, yes, even Rihanna. I Can't Talk About the Trees without the Blood, because Tiana cannot engage with the physical and psychic landscape of the South without seeing the braided trauma of the broken past--she will always see blood on the leaves.
About the Author
Tiana Clark is the author of Equilibrium, selected by Afaa Michael Weaver for the 2016 Frost Place Chapbook Competition. She is the winner of the 2017 Furious Flower’s Gwendolyn Brooks Centennial Poetry Prize, 2016 Academy of American Poets University Prize, and 2015 Rattle Poetry Prize. Tiana held the 2017-2018 Jay C. and Ruth Halls Poetry Fellowship at the Wisconsin Institute of Creative Writing. Her writing has appeared in or is forthcoming from The New Yorker, Kenyon Review, American Poetry Review, New England Review, Best New Poets 2015, BOAAT, Crab Orchard Review, Thrush, The Journal, and elsewhere. She recently graduated from Vanderbilt University’s M.F.A. program where she served as the poetry editor of the Nashville Review. Tiana has received scholarships to the Bread Loaf Writers’ Conference, Sewanee Writers’ Conference, and Frost Place Poetry Seminar. She teaches creative writing at Southern Illinois University at Edwardsville. You can find her online at www.tianaclark.com.