Synopses & Reviews
Assuming the burden of reading imposed by the correlation of the order of language and the order of events, this book argues that the possibility of reading and writing history is tied to the endurance of traces of the past and their coming to legibility, allegorically, at a given time. Through attentive readings of a range of texts—including theoretical writings, diaries, newspaper reports, and “live” television broadcasts—In the Event elaborates the ways in which allegory disrupts our presumptions of continuity and simultaneity between the image (whatever its medium) and what we take it to represent.
The author demonstrates that a theoretical corpus must be understood not merely as a discrete set of arguments, but as work that takes place in time and on which time itself is at work. Against the temptation to regard a text (including a text of philosophical aesthetics or critical linguistics) as explained or defined by a fixed temporal context, this book emphasizes the textual operation of time. This attention to temporality opens the possibility of reading the notoriously difficult and resistant text of television.
The books central chapters analyze the seductions of “live” broadcasting: an incisive account of news coverage of the Gulf War, for example, reveals how the unproblematic articulation of “live” television with the real has its impulse in a broader realist ideology that finds its opportunity in the failure to reflect on the distances of space and time that characterize the medium. The author also explores the very different punctuality of the journal in evocative readings of the diaries of Alice James and Derek Jarman, both “journals of survival” written at the uncertain boundary of life and death. Here, and throughout the book, the readings argue that what we take to be historical events are actually produced, even constituted, by an array of discursive technologies, including language itself.
Synopsis
Assuming the burden of reading imposed by the correlation of the order of language and the order of events, this book argues that the possibility of reading and writing history is tied to the endurance of traces of the past and their coming to legibility, allegorically, at a given time. Through attentive readings of a range of texts - including theoretical writings, diaries, newspaper reports, and 'live' television broadcasts -In the Event elaborates the ways in which allegory disrupts our presumptions of continuity and simultaneity between the image (whatever its medium) and what we take it to represent. Throughout the book, the readings argue that what we take to be historical events are actually produced, even constituted, by an array of discursive technologies, including language itself.
Synopsis
“An event of real significance in contemporary criticism, this book is an elegant and lucid study of the constitutive role of time in theoretical speculation and the structure of television, in the making of journalism, and the composing of personal diaries.”—Forest Pyle, University of Oregon
Synopsis
A new analysis of the ways in which we construct and consider historical events.
Synopsis
Through readings of a range of texts - including theoretical writings, diaries, newspaper reports, and television broadcasts, this book elaborates the ways in which allegory disrupts our presumptions between the image and what we take it to represent.
Description
Includes bibliographical references (p. 161-170) and index.
About the Author
Deborah Esch is Associate Professor of English at the University of Toronto. She is the co-editor (with Cathy Caruth) of Critical Encounters.
Table of Contents
List of illustrations; Introduction; Part I. Journals, Theories: 1. The invasion of the corpus snatchers; 2. The work to come; Part II. In The Wake Of Television: 3. No time like the present; 4. Mission in action; 5. Fast-forward; 6. The test of time; Part III. Journals Of Survival: 7. 'Only a question of time, etc'; 8. 'The only news was then'; Notes; Index.