Synopses & Reviews
One of the most moving and meaningful plays in American theatre--based on the famed Scopes Monkey Trial of 1925, in which a Tennessee teacher was tried for teaching evolution--now on Broadway starring Tony Award& #174; < b=""> & #160; <> Winners Christopher Plummer and Brian Dennehy, and Directed by Tony Award& #174; Winner Doug Hughes< b=""> < br=""> <> < br=""> The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus, the chief gladiators being the two great legal giants of the century. Locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American.< br=""> < br=""> & #8220; Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to crank out serious plays for thinking Americans. . . . Inherit the Wind is a perpetually prescient courtroom battle over the legality of teaching evolution. . . . We& #8217; re still arguing this case& #8211; all the way to the White House.& #8221; < br=""> & #8211; < i=""> Chicago Tribune<> < br=""> < br=""> & #8220; Powerful . . . a crackling good courtroom play . . . that] provides two of the juiciest roles in American theater.& #8221; < br=""> < i=""> & #8211; Copley News Service<> < br=""> < br=""> & #8220; This] historical drama . . . deserves respect.& #8221; < br=""> < i=""> & #8211; The Columbus Dispatch<>
Synopsis
One of the most moving and meaningful plays in American theatre--based on the famed Scopes Monkey Trial of 1925, in which a Tennessee teacher was tried for teaching evolution--now on Broadway starring Tony Award®
Winners Christopher Plummer and Brian Dennehy, and Directed by Tony Award® Winner Doug Hughes
The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus, the chief gladiators being the two great legal giants of the century. Locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American.
“Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to crank out serious plays for thinking Americans. . . . Inherit the Wind is a perpetually prescient courtroom battle over the legality of teaching evolution. . . . Were still arguing this case-all the way to the White House.”
-Chicago Tribune
“Powerful . . . a crackling good courtroom play . . . [that] provides two of the juiciest roles in American theater.”
-Copley News Service
“[This] historical drama . . . deserves respect.”
-The Columbus Dispatch
Synopsis
A classic work of American theatre, based on the Scopes Monkey Trial of 1925, which pitted Clarence Darrow against William Jennings Bryan in defense of a schoolteacher accused of teaching the theory of evolution The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus. The chief gladiators were two great legal giants of the century. Like two bull elephants locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American. One of the most moving and meaningful plays of our generation.
Praise for Inherit the Wind
"A tidal wave of a drama."--New York World-Telegram And Sun
"Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to crank out serious plays for thinking Americans. . . . Inherit the Wind is a perpetually prescient courtroom battle over the legality of teaching evolution. . . . We're still arguing this case-all the way to the White House."--Chicago Tribune
"Powerful . . . a crackling good courtroom play . . . that] provides two of the juiciest roles in American theater."--Copley News Service
" This] historical drama . . . deserves respect."--The Columbus Dispatch
Synopsis
One of the most moving and meaningful plays in American theatre--based on the famed Scopes Monkey Trial of 1925, in which a Tennessee teacher was tried for teaching evolution
The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus, the chief gladiators being the two great legal giants of the century. Locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American.
"Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to crank out serious plays for thinking Americans. . . . Inherit the Wind is a perpetually prescient courtroom battle over the legality of teaching evolution. . . . We're still arguing this case-all the way to the White House."
-Chicago Tribune
"Powerful . . . a crackling good courtroom play . . . that] provides two of the juiciest roles in American theater."
-Copley News Service
" This] historical drama . . . deserves respect."
-The Columbus Dispatch
Synopsis
One of the most moving and meaningful plays in American theatre--based on the famed Scopes Monkey Trial of 1925, in which a Tennessee teacher was tried for teaching evolution--now on Broadway starring Tony Award® Winners Christopher Plummer and Brian Dennehy, and Directed by Tony Award® Winner Doug Hughes
The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus, the chief gladiators being the two great legal giants of the century. Locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American.
“ Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to crank out serious plays for thinking Americans. . . . Inherit the Wind is a perpetually prescient courtroom battle over the legality of teaching evolution. . . . We’ re still arguing this case– all the way to the White House.”
– Chicago Tribune
“ Powerful . . . a crackling good courtroom play . . . that] provides two of the juiciest roles in American theater.”
– Copley News Service
“ This] historical drama . . . deserves respect.”
– The Columbus Dispatch