Jane Austen Book Club

In California’s central valley, five women and one man join to discuss Jane Austen’s novels. Over the six months they get together, marriages are tested, affairs begin, unsuitable arrangements become suitable, and love happens. With her eye for the frailties of human behavior and her ear for the absurdities of social intercourse, Karen Joy Fowler has never been wittier nor her characters more appealing. The result is a delicious dissection of modern relationships.

Dedicated Austenites will delight in unearthing the echoes of Austen that run through the novel, but most readers will simply enjoy the vision and voice that, despite two centuries of separation, unite two great writers of brilliant social comedy.

“This exquisite novel is bigger and more ambitious than it appears… Fowler’s shrewdest, funniest fiction yet, a novel about how we engage with a novel. You don’t have to be a student of Jane Austen to enjoy it, either. . . Lovers of Austen will relish this book, but I envy any reader who comes to it unfamiliar with her. There’s no better introduction.”

—Patrick T. O’Connor, The New York Times Book Review

“Karen Joy Fowler creates a novel that is so winning, so touching, so delicately, slyly witty that admirers of Persuasion and Emma will simply sigh with happiness.”

—Michael Dirda, The Washington Post Book World

“Start quoting a few of Fowler’s puckish lines and it becomes damnably difficult to stop. . . The Jane Austen Book Club amounts to a witty meditation on how the books we choose, choose us too.”

—David Kipen, San Francisco Chronicle

“The Jane Austen Book Club offers a sparkling rumination on the act of reading itself and how beloved books can serve as refuge, self-definition, snobbish barricades against other people or pathways out of the old self to a wider world. [It is] a terrific comic novel about a closed society merrily transforming itself by reading.”

—Maureen Corrigan, NPR’s All Things Considered

[Fowler] does so terrific a job of bringing her characters to life that Austen’s work falls away like a husk. It’s an impressive feat of homage, since Fowler essentially borrows Austen’s great themes…and makes them her own. Miss Austen would be proud.”

—John Freeman, The Denver Post

A book club discuss the works of Jane Austen and experience their own affairs of the heart in this charming "tribute to Austen that manages to capture her spirit" (The Boston Globe).

In California's central valley, five women and one man join to discuss Jane Austen's novels. Over the six months they get together, marriages are tested, affairs begin, unsuitable arrangements become suitable, and love happens. With her eye for the frailties of human behavior and her ear for the absurdities of social intercourse, Karen Joy Fowler has never been wittier nor her characters more appealing. The result is a delicious dissection of modern relationships.

Dedicated Austenites will delight in unearthing the echoes of Austen that run through the novel, but most readers will simply enjoy the vision and voice that, despite two centuries of separation, unite two great writers of brilliant social comedy.

In California’s central valley, five women and one man join to discuss Jane Austen’s novels. Over the six months they get together, marriages are tested, affairs begin,

unsuitable arrangements become suitable, and love happens. With her eye for the frailties of human behavior and her ear for the absurdities of social intercourse, Karen Joy

Fowler has never been wittier nor her characters more appealing. The result is a delicious dissection of modern relationships.

Dedicated Austenites will delight in unearthing the echoes of Austen that run through the novel, but most readers will simply enjoy the vision and voice that, despite two centuries of separation, unite two great writers of brilliant social comedy.

"I thought this was a gripping, big-hearted book . . . through the tender voice of her protagonist, Fowler has a lot to say about family, memory, language, science, and indeed the question of what constitutes a human being."--Khaled Hosseini

From the New York Times–bestselling author of The Jane Austen Book Club, the story of an American family, middle class in middle America, ordinary in every way but one. But that exception is the beating heart of this extraordinary novel.

Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and our narrator, Rosemary, who begins her story in the middle. She has her reasons. “I spent the first eighteen years of my life defined by this one fact: that I was raised with a chimpanzee,” she tells us. “Its never going to be the first thing I share with someone. I tell you Fern was a chimp and already you arent thinking of her as my sister. But until Ferns expulsion, Id scarcely known a moment alone. She was my twin, my funhouse mirror, my whirlwind other half, and I loved her as a sister.”

Rosemary was not yet six when Fern was removed. Over the years, shes managed to block a lot of memories. Shes smart, vulnerable, innocent, and culpable. With some guile, she guides us through the darkness, penetrating secrets and unearthing memories, leading us deeper into the mystery she has dangled before us from the start. Stripping off the protective masks that have hidden truths too painful to acknowledge, in the end, “Rosemary” truly is for remembrance.

Meet the Cooke family: Mother and Dad, brother Lowell, sister Fern, and our narrator, Rosemary, who begins her story in the middle. She has her reasons. “I spent the first eighteen years of my life defined by this one fact: that I was raised with a chimpanzee,” she tells us. “It’s never going to be the first thing I share with someone. I tell you Fern was a chimp and already you aren’t thinking of her as my sister. But until Fern’s expulsion, I’d scarcely known a moment alone. She was my twin, my funhouse mirror, my whirlwind other half, and I loved her as a sister.”

Rosemary was not yet six when Fern was removed. Over the years, she’s managed to block a lot of memories. She’s smart, vulnerable, innocent, and culpable. With some guile, she guides us through the darkness, penetrating secrets and unearthing memories, leading us deeper into the mystery she has dangled before us from the start. Stripping off the protective masks that have hidden truths too painful to acknowledge, in the end, “Rosemary” truly is for remembrance.

In Californias central valley, five women and one man join to discuss Jane Austens novels. Over the six months they get together, marriages are tested, affairs begin,

unsuitable arrangements become suitable, and love happens. With her eye for the frailties of human behavior and her ear for the absurdities of social intercourse, Karen Joy Fowler has never been wittier nor her characters more appealing. The result is a delicious dissection of modern relationships.

Dedicated Austenites will delight in unearthing the echoes of Austen that run through the novel, but most readers will simply enjoy the vision and voice that, despite two centuries of separation, unite two great writers of brilliant social comedy.

First published in 1998 to high praise, and now reissued with the addition of a prefatory essay, Black Glass showcases the extraordinary talents of this prizewinning author. In fifteen gemlike tales, Fowler lets her wit and vision roam freely, turning accepted norms inside out and fairy tales upside down—pushing us to reconsider our unquestioned verities and proving once again that she is among our most subversive writers.

So, then: Here is Carry Nation loose again, breaking up discos, smashing topless bars, radicalizing women as she preaches clean living to men more intent on babes and booze. And here is Mrs. Gulliver, her patience with her long-voyaging Lemuel worn thin: Money is short and the kids cant even remember what their dad looks like. And what of Tonto, the ever-faithful companion, turning forty without so much as a birthday phone call from that masked man? 

It is a book full of great themes and terrific stories—but it is the way in which Fowler tells the tale, develops plot and character, plays with  time, chance, and reality that makes these pieces so original.