Synopses & Reviews
For a brief period in the late Elizabethan Era an innovative company of players dominated the London stage. A fellowship of dedicated thespians, Lord Strangeand#8217;s Men established their reputation by concentrating on and#147;modern matterand#8221; performed in a spectacular style, exploring new modes of impersonation, and deliberately courting controversy. Supported by their equally controversial patron, theater connoisseur and potential claimant to the English throne Ferdinando Stanley, the company included Edward Alleyn, considered the greatest actor of the age, as well as George Bryan, Thomas Pope, Augustine Phillips, William Kemp, and John Hemings, who later joined William Shakespeare and Richard Burbage in the Lord Chamberlainand#8217;s Men. Though their theatrical reign was relatively short lived, Lord Strangeand#8217;s Men helped to define the dramaturgy of the period, performing the plays of Shakespeare, Christopher Marlowe, Thomas Kyd, and others with their own distinctive flourish.
Lawrence Manley and Sally-Beth MacLean offer the first complete account of the troupe and its enormous influence on Elizabethan theater. Seamlessly blending theater history and literary criticism, the authors paint a lively portrait of a unique community of performing artists, their intellectual ambitions and theatrical innovations, their business practices, and their fearless engagements with the politics and religion of their time.
and#8220;Lord Strangeand#8217;s Men and Their Plays
is without rival: nothing like it has been attempted before.and#8221;and#8212;John H. Astington, author of Actors and Acting in Shakespeare's Time
and#8220;Triumphantly demonstrates once more the value of concentrating on a single company. Patronage, repertory, staging and critical studies blend to bring into sharp focus this exceptional troupe, its enigmatic patron, and its likely place in the career of William Shakespeare.and#8221;and#8212;Richard Dutton, Humanities Distinguished Professor of English, Ohio State University
and#8220;Combining literary and archival evidence, this meticulously researched book shows how and why Lord Strangeand#8217;s Menand#8212;which owned the major plays, players and playwrights of the 1590sand#8212;shaped all subsequent early modern drama.and#8221;and#8212;Tiffany Stern, author of Rehearsal from Shakespeare to Sheridan
, Professor of Early Modern Drama, Oxford University
and#8220;An original work of sound and exciting scholarship.and#8221;and#8212;Grace Ioppolo, Director of the Henslowe-Alleyn Digitisation Project
andlsquo;This is a thorough and important book for those interested in the pioneering years of the commercial theatre.andrsquo;andmdash;Peter J Smith, THES
Winner the 2015 Phyllis Goodhart Gordan Book Prize given by the Renaissance Society of America.
andquot;[R]ich and engrossing company biography. . .andquot;andmdash;Roland Greene, Studies in English Literatureandnbsp;
In this major contribution to theater history and cultural studies, authors Lawrence Manley and Sally-Beth MacLean paint a lively portrait of Lord Stranges Men, a daring company of players that dominated the London stage for a brief period in the late Elizabethan era. During their short theatrical reign, Lord Stranges Men helped to define the dramaturgy of the era, performing the works of William Shakespeare, Christopher Marlowe, Thomas Kyd, and others in a distinctive and spectacular style, exploring innovative new modes of impersonation while intentionally courting political and religious controversy.
About the Author
is William R. Kenan Jr. Professor of English at Yale University. Sally-Beth MacLean
is director of research and general editor of the Records of Early English Drama as well as professor emeritus at the University of Toronto.