Synopses & Reviews
Lost Souls records Lena Herzog's journey into a world rarely seen by outsiders: cabinets of wonder and curiosities (Kunstkammern and Wunderkammern) that include the world's earliest medical museums, where oddities have been closely guarded for centuries.
Established in the early eighteenth century, Russia's first Kunstkammer triggered a profound debate over religious and existential questions. The Orthodox Church, faced with a collection of Cyclopes, Siamese twins, and creatures that looked like lions or leprechauns, could not justify nature's unsuccessful attempts at human life and deemed their souls lost: they could not go to heaven, hell, or limbothey were dead on arrival and had nowhere to go.
Herzog was granted access to the Wunderkammern around the world and has photographed the mysteries with a sense of beauty, wonder, and tenderness. Her subjects are mostly infants born with genetic defects that prevented their survival, and although they have been preserved as scientific specimenssome for hundreds of yearsthey are profoundly transformed through Herzog's lens into beings that mirror our own fears and existential dilemmas.
Herzog follows this portrait gallery of sorrows with images of the skeletons and bones of various creaturesboth warm- and cold-bloodedand continues the journey with views of some of the unusual subjects on display in the curiosity cabinets. The final section, "The Mice Orchestra, or The Rhapsody of Death," shows a diabolically witty scene, an actual nineteenth-century installation from the Anatomical Museum of Leiden University Medical Center, which has been hidden in the museum's storage for years.
Herzog uses a combination of unique processes for developing her negatives and printing her photographs, resulting in images with tonal subtleties, palpable textures, and superb clarity and resonance. This book reproduces the prints that Herzog exhibited at the International Center of Photography in New York in 2010.
Synopsis
Lost Souls traces the historical evidence of the human desire to define boundaries and map the unknown through natural mutations.
About the Author
Lena Herzog: Lena Herzog is the author of several books of photography (Tauromaquia, Flamenco and Pilgrims). Her portfolios appeared in The New York Times, The Los Angeles Times, The Paris Review, and Harpers among other publications and have been exhibited in Europe and in the United States. Her new monograph Lost Souls is published in conjunction with the exhibition at the International Center of Photography.