Synopses & Reviews
The man murdered during Katrina in a hotel room two blocks from her art-restoration studio was closely tied to Johannas being kidnapped into sexual slavery in Belgium ten years ago. Missing from the crime scene is a valuable artwork painted in 1926 by a renowned Belgian artist (Eugeen Van Mieghem), which had once been owned by the man who paid for her virginity. And Clay Fontenot, who enabled all that and many more forms of violation is the scion of a powerful New Orleans family. Johanna wants revenge on her own terms. The question is whether she will take vengeance herself, as she powerfully wants, or one of the men who are drawn to her will serve as her surrogate.
Marion is an artist from the Quarter who has returned after Katrina to rebuild her life. She would like no longer to make her way as a masseuse and dominatrix, but she falls in thrall to her own desires and the ungovernable force of Clay Fontenots violent demons.
When Eli, a convicted art thief, is sent to find the missing painting, all of their stories weave together in the slightly deranged halls of the Quarter.
Review
The Lower Quarter is a beautifully written book. Elise Blackwells work has always been intelligent, nuanced, and finely wrought, but The Lower Quarter is her best novel yet: a mesmerizing story of art, resilience, and life after catastrophe.”
Emily St. John MandelThe Lower Quarter is noir at its noirest best: dark, fast-paced, sexily exciting, and beautifully written. Pick it up and I dare you to try putting it down.” Benjamin Black (John Banville)
A bedazzling southern noir set in post-Katrina New Orleans, The Lower Quarter catches us up in the tangled paths of four individuals, each haunted by a brutal past. While expertly unraveling her characters intertwining stories, Elise Blackwell in her highly atmospheric new novel powerfully conveys the endlessly destructive legacy of violence and the redemptive beauty of art.” Jenny McPhee
Review
The novel's greatest strength is how it imbues both the loftiest and the seediest moments with grandeur and pathos without being overwrought or overwritten. An artful, gritty love story, eulogy, and survivor narrative for the city of New Orleans post-Katrina.” -
Starred Kirkus ReviewA deft and vivid portrait of post-Katrina New Orleans, The Lower Quarter flirts along the edges of noir, gets its feet wet, and then returns to offer us the satisfactions of vivid characters complexly and convincingly drawn. This book is about what happens if you pay attention to the real story instead of just reading the tabloid headlines.” Brian Evenson
In Elise Blackwell's new novel The Lower Quarter, place comes alive as it all too rarely seems to in fiction or for that matter any other genre. Every time I put the book down for a few minutes, I had to look around and get my bearings, because I'd been in another world. The characters here are every bit as real as their environment, and I became absorbed in their lives. My admiration for this beguiling book and its talented author is unqualified.” Steve Yarbrough
The Lower Quarter is a beautifully written book. Elise Blackwells work has always been intelligent, nuanced, and finely wrought, but The Lower Quarter is her best novel yet: a mesmerizing story of art, resilience, and life after catastrophe.” Emily St. John Mandel
The Lower Quarter is noir at its noirest best: dark, fast-paced, sexily exciting, and beautifully written. Pick it up and I dare you to try putting it down.” Benjamin Black (John Banville)
A bedazzling southern noir set in post-Katrina New Orleans, The Lower Quarter catches us up in the tangled paths of four individuals, each haunted by a brutal past. While expertly unraveling her characters intertwining stories, Elise Blackwell in her highly atmospheric new novel powerfully conveys the endlessly destructive legacy of violence and the redemptive beauty of art.” Jenny McPhee
Synopsis
A man murdered during Katrina in a hotel room two blocks from her art-restoration studio was closely tied to a part of Johannas past that she would like kept secret. But missing from the crime scene is a valuable artwork painted in 1926 by a renowned Belgian artist that might bring it all back.
An acquaintance, Clay Fontenot, who has enabled a wide variety of personal violations in his life, some of which he has enjoyed, is the scion of a powerful New Orleans family.
And Marion is an artist and masseuse from the Quarter who has returned after Katrina to rebuild her life.
When Eli, a convicted art thief, is sent to find the missing painting, all of their stories weave together in the slightly deranged halls of the Quarter.
About the Author
Elise Blackwell is the author of four previous novels: Hunger, The Unnatural History of Cypress Parish, Grub, and An Unfinished Score. Her short stories and essays have been widely published, and her work has been named to various best-of-the-year lists, translated into several languages, and adapted for the stage as well as a song by The Decemberists. She teaches at the University of South Carolina, where she is also organizer and host of The Open Book.