Synopses & Reviews
Mark Rothko is one of the towering figures of Abstract Expressionism, and of twentieth-century painting as a whole. His paintings, predominantly in a large format and featuring horizontal layers of pigment on a monochrome foundation, occupy a permanent place in our collective pictorial memory as an epitome of heroic Modernism. This beautifully produced oversize monograph presents over 100 of his works in full-color plates. By considering Rothko's central groups of works from all creative periods--among them the Rothko Room in the Phillips Collection and the Harvard Murals at Harvard University--this book documents the artist's struggle to arrive at a consummated experience between picture and onlooker. Rothko's adamant insistence on controlling the presentation of his works set him apart from the art scene as early as the 1950s. His pictures were to be hung closely together in small rooms, in which soft lighting and imposing scale were to provide an immediate viewing experience. This book attempts to recreate that atmosphere with a large, uninterrupted plate section that brings to life the vibrancy and power of these paintings. In addition to more than 100 color works, Mark Rothko includes essays about specific groups of work, an extensive, year by year, descriptive chronology of his life and work, and an exhaustive bibliography of writings about him from the past five years. It is an essential addition to any collection on twentieth-century art.
Includes bibliographical references (p. 195-202).
Essays by Marjorie B. Cohn, Franz Meyer, Eliza E. Rathbone, Jeffrey Weiss and Oliver Wick.