Synopses & Reviews
For artists of the increasingly mechanized Victorian age, questions about the meaning and value of labour presented a series of urgent problems: Is work a moral obligation or a religious duty? Must labour be the preserve of men alone? Does the amount of work bestowed on a painting affect its value? Should art celebrate wholesome rural work or reveal the degradations of the industrial workplace? In this highly original book, Tim Barringer considers how artists and theorists addressed these questions and what their solutions reveal about Victorian society and culture.
Based on extensive new research, Men at Work offers a compelling study of the image as a means of exploring the relationship between labour and art in Victorian Britain. Barringer arrives at a major reinterpretation of the art and culture of nineteenth-century Britain and its empire as well as new readings of such key figures as Ford Madox Brown and John Ruskin.
In an increasingly mechanized age, Victorian artists questioned the meaning and value of labor. Is work a moral obligation or a religious duty? Should art celebrate rural labor or reveal the degradation of the industrial workplace? In this highly original book featuring extensive new research, Tim Barringer considers artistsand#8217; answers to these questions and what they reveal about Victorian culture.
About the Author
Tim Barringer is associate professor in the Department of the History of Art at Yale University. He is the author of Reading the Pre-Raphaelites and coeditor of Frederic Leighton: Antiquity, Renaissance, and Modernity, both published by Yale University Press.