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Kirsten Berg: Rare Book Room Dispatch: Concerning Witches and Apparitions (0 comment)
The nights are colder, the days shorter, pumpkin spiced coffee is ubiquitous: it’s witching time. Saducismus Triumphatus: or, Full and Plain Evidence Concerning Witches and Apparitions, 1681, by Joseph Glanvil (or Glanvill, if you prefer) A small octavo, rebound in plain modern buckram, this title...
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Mother Is Gold, Father Is Glass: Gender and Colonialism in a Yoruba Town

by Lorelle D. Semley
Mother Is Gold, Father Is Glass: Gender and Colonialism in a Yoruba Town

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ISBN13: 9780253222534
ISBN10: 0253222532



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Synopses & Reviews

Publisher Comments

Lorelle D. Semley explores the historical and political meanings of motherhood in West Africa and beyond, showing that the roles of women were far more complicated than previously thought. While in Kétu, Bénin, Semley discovered that women were treasurers, advisors, ritual specialists, and colonial agents in addition to their more familiar roles as queens, wives, and sisters. These women with special influence made it difficult for the French and others to enforce an ideal of subordinate women. As she traces how women gained prominence, Semley makes clear why powerful mother figures still exist in the symbols and rituals of everyday practices.

Review

The histories of Africa's encounter with the West are incomplete without a comprehensive analysis of the gendered nature of that encounter. Semley's work is a welcome addition to a growing literature on gender and the European encounter with African societies. Using an array of sources, she presents a historical account of gender, elite power, and authority in Ketu, Benin. Semley (Wesleyan Univ.) situates the colonial history of Ketu and its gender dynamics within pre-European history and the history of the Atlantic slave trade.... Ketu men and women participated in politics, drawing on a variety of social status and gendered relations. The author explores their actions and, in depth and with elegant style, describes the economic, cultural, and social conditions through which they interacted with French colonial authority. The book's Atlantic context is welcome. This work is a poignant, timely reminder that women were central to the making of African colonial societies because they infused indigenous ideologies and forms of resistance against colonial restructuring. Semley points to the ability of women of various classes and status to draw on indigenous economic and political ideologies to define and achieve economic, political, and ritual power within a hegemonic colonial society. Summing Up: Recommended. General and undergraduate libraries. --Choice C. J. Korieh, Marquette University, 9/1/11

Review

"Focuses on metaphors and realities of women's power, secular and religious, and how power is exercised as public motherhood." --Edna Bay, Emory University Indiana University Press Indiana University Press Indiana University Press

Review

"Semley's work is a welcome addition to a growing literature on gender and the European encounter with African societies." --Choice, September 2011

Review

"[T]his is an engaging and informative book for scholars interested in African history and gender." --African Studies Quarterly

Review

"Semley provides historical depth and historiographical sophistication to this study of Yoruba women in West Africa and the Atlantic World." --International Journal of African Historical Studies

Review

"'Mother Is Gold, Father Is Glass' is a wonderful contribution to the literature on gender, African women, French colonialism, and the African diaspora." -- H-Africa, December 2012

Review

"A book that will be of great interest to Africanist historians, anthropologists, and others who want to learn more about gender relations on the continent." --Misty Bastian, Franklin and Marshall College

Review

"Lorelle Semley's engaging study of the historical and symbolic power of motherhood (and fatherhood) in Ketu, a Yoruba town in the Republic of Benin, makes an important contribution to the study of gender and power in the Atlantic world." --Africa

Review

"By excavating [the] ambiguous, shifting space between the rhetoric of Yoruba women's power as queens and mothers, and the realities of women's vulnerability and subordination as wives and slaves, Semley's Mother Is Gold, Father Is Glass makes an original and important contribution to women's history generally and to Yoruba history specifically." --Journal of African History

About the Author

Lorelle D. Semley is Assistant Professor in the Department of History at Wesleyan University. Her work has been published in Encyclopedia of Women and Islamic Cultures and she is a contributor to Crossing Memories: Slavery and African Diaspora (forthcoming).

Table of Contents

Preface. "You Must Be From Here": An Intellectual and Personal Journey

Acknowledgments

Note on Orthography and Language

Prologue. "Mother is gold, father is glass": Power and Vulnerability in Atlantic Africa

1. Founding Fathers and Metaphorical Mothers: History, Myth, and the Making of a Kingdom

2. How Kings Lost Their Mothers: Politics of the Atlantic Slave Trade

3. Giving Away Kétu's Secret: Wives on the Eve of War

4. "Where women really matter": The "Queens" of Kétu and the Challenge to French Imperialism

5. "Without family... there is no true colonization": Perspectives on Marriage

6. "The Opening of the Eyes": The Politics of Manhood on the Eve of Independence

7. Mothers and Fathers of an Atlantic World

Epilogue. A Rebirth of "Public Mothers" and Kings

Essay on Sources and Methodology

Notes

Bibliography

Index


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Product Details

ISBN:
9780253222534
Binding:
Trade Paperback
Publication date:
11/29/2010
Publisher:
Indiana University Press
Language:
English
Pages:
256
Height:
.80IN
Width:
6.10IN
Thickness:
.8 in.
Number of Units:
1
Illustration:
Yes
UPC Code:
4294967295
Author:
Lorelle D Semley
Author:
Lorelle D. Semley
Oth:
Funda??o Pierre Verger
Subject:
World History-Africa

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$31.95
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