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Picasso: Architecture and Vertigo

by Christopher Green
Picasso: Architecture and Vertigo

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ISBN13: 9780300104127
ISBN10: 030010412X



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Synopses & Reviews

Publisher Comments

The starting point of this exciting new exploration of Picasso is not his life but his work, which is revealed as a series of interventions in the troubled history of early twentieth-century Europe. Christopher Green shows how these interventions are remarkable for the force with which they confront issues that remain vital and important for us today: race, cultural difference, modernity, sexuality and the discontents of civilization.and#160; The framework for Greenand#8217;s exploration is simple, yet enormously rich in its implications: the compulsion found in Picassoand#8217;s work simultaneously to build architectures and to release himself from them. Architecture is used by Green to refer not merely to pictorial or sculptural structure, but to the architecture of knowledge and society: the structures of tradition, of racial, social and cultural distinction, of logic and of technology.and#160; He not only develops new ways of seeing the oscillation between order and disorder in Picassoand#8217;s work, but moves outwards from it to reveal how it confronted and challenged the architectures of orthodoxy.


About the Author

Christopher Green is professor of history of art at the Courtauld Institute. His books include Land#233;ger and the Avant-garde (1976), Cubism and Its Enemies (1987), Juan Gris (1992), and Art in France, 1900and#150;1940 (2000), all published by Yale University Press.


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Product Details

ISBN:
9780300104127
Binding:
Hardcover
Publication date:
02/28/2006
Publisher:
Yale University Press
Language:
English
Pages:
256
Height:
.99IN
Width:
7.92IN
LCCN:
2005012044
Number of Units:
1
Illustration:
Yes
Copyright Year:
2005
UPC Code:
2800300104129
Author:
Christopher Green
Subject:
Criticism -- Theory.
Subject:
Criticism and interpretation
Subject:
Criticism
Subject:
Picasso, Pablo
Subject:
Picasso, Pablo - Criticism and interpretation
Subject:
Art-Theory and Criticism
Subject:
Polarity in art.

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