Synopses & Reviews
What is the role of the senses in the creation and reception of poetry? How does poetry carry on the long tradition of making experience and suffering understood by others? With
Poetry and the Fate of the Senses, Susan Stewart traces the path of the aesthetic in search of an explanation for the role of poetry in our culture. The task of poetry, she tells us, is to counter the loneliness of the mind, or to help it glean, out of the darkness of solitude, the outline of others. Poetry, she contends, makes tangible, visible, and audible the contours of our shared humanity. It sustains and transforms the threshold between individual and social existence.
Herself an acclaimed poet, Stewart not only brings the intelligence of a critic to the question of poetry, but the insight of a practitioner as well. Her new study draws on reading from the ancient Greeks to the postmoderns to explain how poetry creates meanings between persons. Poetry and the Fate of the Senses includes close discussions of poems by Stevens, Hopkins, Keats, Hardy, Bishop, and Traherne, of the sense of vertigo in Baroque and Romantic works, and of the rich tradition of nocturnes in visual, musical, and verbal art. Ultimately, Stewart explores the pivotal role of poetry in contemporary culture. She argues that poetry can counter the denigration of the senses and can expand our imagination of the range of human expression.
Poetry and the Fate of the Senses won the 2004 Truman Capote Award for Literary Criticism in Memory of Newton Arvin, administered for the Truman Capote Estate by the University of Iowa Writers' Workshop. It also won the Phi Beta Kappa Society's 2002 Christian Gauss Award for Literary Criticism.
Synopsis
What is the role of the senses in the creation and reception of poetry? How does poetry carry on the long tradition of making experience and suffering understood by others? With
Poetry and the Fate of the Senses, Susan Stewart traces the path of the aesthetic in search of an explanation for the role of poetry in culture. Herself an acclaimed poet, Stewart not only brings the intelligence of a critic to the question of poetry, but the insight of a practitioner as well. Her new study includes close discussions of poems by Stevens, Hopkins, Keats, Hardy, Bishop, and Traherne, of the sense of vertigo in Baroque and Romantic works, and of the rich tradition of nocturnes in visual, musical, and verbal art. Ultimately, she argues that poetry can counter the denigration of the senses in contemporary life and can expand our imagination of the range of human expression.
Poetry and the Fate of the Senses won the 2004 Truman Capote Award for Literary Criticism in Memory of Newton Arvin, administered for the Truman Capote Estate by the University of Iowa Writers' Workshop. It also won the Phi Beta Kappa Society's 2002 Christian Gauss Award for Literary Criticism.
Description
Includes bibliographical references (p. ) and index.
About the Author
Susan Stewart is the Avalon Foundation University Professor in the Humanities and director of the Society of Fellows in the Liberal Arts at Princeton University. A former MacArthur fellow, she is the author of five earlier critical studies, including Poetry and the Fate of the Senses (2002), winner of the Christian Gauss award of the Phi Beta Kappa Society and the Truman Capote Award. She is also the author of five books of poems, most recently Red Rover (2008) and Columbarium (2003), winner of the National Book Critics Circle Award. These titles, along with The Open Studio (2005) and The Forest (1995), are all published by the University of Chicago Press.and#160;and#160;and#160;and#160;and#160;
Table of Contents
PREFACE AND ACKNOWLEDGMENTS
CHAPTER 1 IN THE DARKNESS
I. The Privations of Night and the Origins of Poiesis
II. Laughter, Weeping, and the Order of the Senses
III. The Lyric Eidos
CHAPTER 2 SOUND
I. Dynamics of Poetic Sound
II. Hopkins: Invocation and Listening
CHAPTER 3 VOICE AND POSSESSION
I. The Beloved's Voice
II. Three Cases of Lyric Possession
CHAPTER 4 FACING, TOUCH, AND VERTIGO
I. The Experience of Beholding
II. Touch in Aesthetic Form
III. Vertigo: The Legacy of Baroque Ecstasy
CHAPTER 5 THE FORMS AND NUMBERS OF TIME
I. The Deictic Now
II. Traces of Human Motion: The Ubi Sunt Tradition
III. Meditation and Number: Traherne's Centuries
IV. The Problem of Poetic History
CHAPTER 6 OUT OF THE DARKNESS: NOCTURNES
I. Finch's Transformation of the Night Work
II. The Emergence of a Nocturne Tradition
CHAPTER 7 LYRIC COUNTER EPIC
I. War and the Alienation of the Senses
II. Two Lyric Critiques of Epic: Brooks and Walcott
AFTERBORN
NOTES
REFERENCES
INDEX OF POEMS
GENERAL INDEX