Synopses & Reviews
We think of the Hebrew Bible as the Book--and yet it was produced by a largely nonliterate culture in which writing, editing, copying, interpretation, and public reading were the work of a professional elite. The scribes of ancient Israel are indeed the main figures behind the Hebrew Bible, and in this book Karel van der Toorn tells their story for the first time. His book considers the Bible in very specific historical terms, as the output of the scribal workshop of the Second Temple active in the period 500-200 BCE. Drawing comparisons with the scribal practices of ancient Egypt and Mesopotamia, van der Toorn clearly details the methods, the assumptions, and the material means of production that gave rise to biblical texts; then he brings his observations to bear on two important texts, Deuteronomy and Jeremiah.
Traditionally seen as the copycats of antiquity, the scribes emerge here as the literate elite who held the key to the production as well as the transmission of texts. Van der Toorn's account of scribal culture opens a new perspective on the origins of the Hebrew Bible, revealing how the individual books of the Bible and the authors associated with them were products of the social and intellectual world of the scribes. By taking us inside that world, this book yields a new and arresting appreciation of the Hebrew Scriptures.
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This scrupulous study by the Dutch scholar Karel van der Toorn of how the Hebrew Bible was written and then evolved over time is in most respects finely instructive. Some of what Toorn has to say involves concepts long familiar to Biblical scholars, though even in this regard he provides many fresh insights. Nearly all the book's argument, moreover, offers a strong corrective to misconceptions about the Bible...Karel van der Toorn is the perfect--and bracing--antithesis to Harold Bloom...Scribal Culture and the Making of the Hebrew Bible is a salutary book based on the most formidable scholarly knowledge and analysis. It will compel readers to rethink their conceptions of literary production in ancient Israel, and it is a valuable reminder that in many respects those responsible for the biblical corpus were quite far from being early Iron Age equivalents of Flaubert or Henry James. Robert Alter
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Van der Toorn covers considerable ground in this volume. He surveys literacy and authorship in the ancient world, the culture and vocation of scribes, production of the Moses and prophetic traditions, and the issues of revelation and canon...This volume is extremely valuable. Scribal Culture is a must-read for anyone interested in the issues of the formation, transmission, and standardization of the Hebrew Bible. J.S. Kaminsky - Choice
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Every decade we see the publication of only one or two works of scholarly excellence that fundamentally advance the understanding of the Hebrew Bible and change the intellectual contours of the biblical field. Karel van der Toorn has accomplished this rarest of intellectual achievements. Different branches of biblical studies, whether literary, theological or historical in orientation, will strongly benefit from this volume. Mark S. Smith, Skirball Professor of Bible and Ancient Near Eastern Studies, New York University
Review
Van der Toorn has made a masterful case that the Hebrew Bible is the product of the scribal culture of ancient Israel and Judaism. His argument is lucidly and elegantly plotted and relentlessly and convincingly logical. Particularly striking is his ability to bring evidence from other ancient Near Eastern cultures on the scribal craft, especially Mesopotamia, to a penetrating and nuanced elucidation of the Biblical case. In all, this is really a major contribution to Biblical studies and a triumph of the comparative approach to them. Peter Machinist, Hancock Professor of Hebrew and Other Oriental Languages, Harvard University
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Karel van der Toorn has truly swept away a number of improbable theories and at the same time has laid a firm foundation for future research. He cuts through much of the speculation of the recent scholarly debate and proposes new theories that will be controversial but are based on solid evidence. Future debates on this topic will need to take his contributions into account or risk being perceived to be out of touch with the reality of ancient literary practice. Robert R. Wilson, Hoober Professor of Religious Studies and Professor of Old Testament, Yale University
Review
Building upon the growing recognition that the Hebrew Bible came into being as the Near East moved from an oral to a written culture...Van der Toorn...examines the central role ancient scribes played in shaping the biblical text. The author brings to bear his vast knowledge of scribal practices throughout the ancient Near East, and thereby shows how the Bible's growth is illuminated when seen against this background. While at times speculative (e.g., his contention that Deuteronomy passed through four editions, which he neatly delineates), the author's research calls into question those who blithely dismiss source and redaction criticism; it also challenges the conclusions of historical minimalists who date the vast bulk of the Hebrew Bible to late in the Persian or early in the Hellenistic era. Furthermore, the portrait Van der Toorn draws of scribal training deals a devastating blow to critics who argue that J may have been a woman. Van der Toorn demonstrates that the scribes who produced the Hebrew Bible were part of a wider scribal culture and that those who ignore this fact end up misunderstanding the biblical text and its history. London Review of Books
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"A welcome step in encouraging Jews of all stripes to engage with texts that hold values we wish to live by, and to find those values there."—Beth Kissileff, Tablet Magazine
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"Calderon's interpretation of classic Talmudic literature is like a breath of fresh spring air clearing out the cobwebs and is sure to be enjoyed by scholars and anyone interested in learning more about the rich Jewish heritage."—Sandy Amazeen, Monsters & Critics
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“Calderons retelling of tales of the Talmud will be healing for those who have felt pushed to the Talmuds margins and exciting for those who have loved the Talmuds gift for a good story.”—Rabbi Jill Hammer, author of Sisters at Sinai and The Jewish Book of Days
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“A Bride for One Night is a treasure and made me eager to study more Talmud.”—Edgar M. Bronfman, president of the Samuel Bronfman Foundation
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"A Bride for One Night highlights Ruth Calderon's remarkable skill in bridging the cultural gap between the rabbis and contemporary readers and the significant contribution she has made to demonstrating the relevance of rabbinic legends in the 21st century."—David C. Jacobson, Jewish Review of Books
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"Calderon has indeed realized her goal to teach and to promulgate the creative cultural traditions of the Talmud."—CJ magazine
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"Heartfelt, philosophical, imaginative, and religious, these stories offer new ways to read text."—Sharon Elswit, Jewish Book Council
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"Calderon's work offers seventeen gates to a richness of heart-in-mind–and, as the Talmud points out, the Holy Blessed One demands the heart."—Daniel Rosenberg, H-Judaic
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"A Bride for One Night is a book that lovers of Talmud must buy."—Jay Michaelson, Jewish Daily Forward
Synopsis
The scribes of ancient Israel are indeed the main figures behind the Hebrew Bible, and this book tells their story for the first time. Drawing comparisons with the scribal practices of ancient Egypt and Mesopotamia, van der Toorn details the methods, assumptions, and material means that gave rise to biblical texts. Traditionally seen as the copycats of antiquity, the scribes emerge here as the literate elite who held the key to the production and the transmission of texts.
Synopsis
Finalist, 2008 Independent Publisher Book Awards, Religion Category
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2009 Biblical Archaeology Society Publication Award, Best Book Relating to the Hebrew Bible
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Browse discussion questions
Ruth Calderon has recently electrified the Jewish world with her teachings of talmudic texts. In this volume, her first to appear in English, she offers a fascinating window into some of the liveliest and most colorful stories in the Talmud. Calderon rewrites talmudic tales as richly imagined fictions, drawing us into the lives of such characters as the woman who risks her life for a sister suspected of adultery; a humble schoolteacher who rescues his village from drought; and a wife who dresses as a prostitute to seduce her pious husband in their garden. Breathing new life into an ancient text, A Bride for One Night offers a surprising and provocative read, both for anyone already intimate with the Talmud or for anyone interested in one of the most influential works of Jewish literature.
About the Author
Ruth Calderon has a PhD in Talmud from Hebrew University and was elected to the Israeli Knesset in January 2013. She became a national celebrity when she taught a page of Talmud in the Israeli parliament, arguing that the text was the heritage of the entire Jewish people. She is founder and former director of Elul Beit Midrash in Jerusalem and founder and chair of Alma: Home for Hebrew Culture in Tel Aviv.
Ilana Kurshan is the books editor of Lilith magazine. She is the author of Why Is This Night Different from All Other Nights? as well as several articles about Talmud, literature, and Jewish life.
Table of Contents
- Acknowledgments
- Abbreviations
- Introduction
- 1. Books That Are Not Books: Writing in the World of the Bible
- 2. Authorship in Antiquity: Practice and Perception
- 3. In Search of the Scribes, I: Comparative Evidence
- 4. In Search of the Scribes, II: The Biblical Evidence
- 5. Making Books: Scribal Modes of Text Production
- 6. The Teaching of Moses: Scribal Culture in the Mirror of Deuteronomy
- 7. Manufacturing the Prophets: The Book of Jeremiah as Scribal Artifact
- 8. Inventing Revelation: The Scribal Construct of Holy Writ
- 9. Constructing the Canon: The Closure of the Hebrew Bible
- Notes
- Selected Bibliography
- Index