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Kelsey Ford: From the Stacks: J. M. Ledgard's Submergence (0 comment)
Our blog feature, "From the Stacks," features our booksellers’ favorite older books: those fortuitous used finds, underrated masterpieces, and lesser known treasures. Basically: the books that we’re the most passionate about handselling. This week, we’re featuring Kelsey F.’s pick, Submergence by J. M. Ledgard...
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  • Kelsey Ford: Powell's Picks Spotlight: Grady Hendrix's 'How to Sell a Haunted House' (0 comment)

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Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music

by Stephen Graham
Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music

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ISBN13: 9780472119752
ISBN10: 0472119753



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Synopsis

In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams.
The term "underground music" as it's being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that's noisy and exploratory in sound and that's largely independent from both the market and from traditional high art institutions. It sometimes exists at the fringes of these commercial and cultural institutions, as for example with experimental metal or improv, but for the most part it's removed from the mainstream, "underground," as we see with noise artists such as Werewolf Jerusalem or Ramleh, obscure black metal artists such as Lord Foul, and improvisers such as Maggie Nicols. In response to a lack of previous scholarly discussion, Graham provides a cultural, political, and aesthetic mapping of this broad territory. By outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism. The book explores these various ideas of separation and captures, through interviews and analysis, a critical account of both the music and the political and cultural economy of the scene.

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Product Details

ISBN:
9780472119752
Binding:
Hardcover
Publication date:
04/01/2016
Publisher:
University of Michigan Press
Series info:
Tracking Pop
Language:
English
Pages:
304
Height:
1.00IN
Width:
6.10IN
LCCN:
2015046845
Series:
Tracking Pop.
Illustration:
Yes
Author:
Stephen Graham

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0.00
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