Synopses & Reviews
Part detective novel, part psychological thriller,
Surfacing is the story of a young woman who returns to northern Quebec, to the remote island of her childhood, with her lover and two friends, to investigate the mysterious disappearance of her father. Flooded with memories, she begins to realize that going home means entering not only another place, but another time. As the wild island exerts its elemental hold and she is submerged in the language of the wilderness, she discovers that what she is really searching for is her own past. Permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose,
Surfacing has grown in reputation as a novel unique in modern literature for its mythic exploration of one womans spiritual pilgrimage.
From the Hardcover edition.
Synopsis
Part detective novel, part psychological thriller,
Surfacing is the story of a young woman who returns to northern Quebec, to the remote island of her childhood, with her lover and two friends, to investigate the mysterious disappearance of her father. Flooded with memories, she begins to realize that going home means entering not only another place, but another time. As the wild island exerts its elemental hold and she is submerged in the language of the wilderness, she discovers that what she is really searching for is her own past. Permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose,
Surfacing has grown in reputation as a novel unique in modern literature for its mythic exploration of one womans spiritual pilgrimage.
From the Hardcover edition.
Synopsis
CA
About the Author
Margaret Atwood was born in Ottawa in 1939, and grew up in northern Quebec and Ontario, and later in Toronto. She has lived in numerous cities in Canada, the U.S., and Europe.
She is the author of more than thirty books - novels, short stories, poetry, literary criticism, social history, and books for children.
Atwoods work is acclaimed internationally and has been published around the world. Her novels include The Handmaids Tale and Cats Eye - both shortlisted for the Booker Prize; The Robber Bride; Alias Grace, winner of the prestigious Giller Prize in Canada and the Premio Mondello in Italy, and a finalist for the Booker Prize, the Orange Prize, and the International IMPAC Dublin Literary Award; and The Blind Assassin, winner of the Booker Prize and a finalist for the International IMPAC Dublin Literary Award. Her new novel is Oryx and Crake (2003). She is the recipient of numerous honours, such as The Sunday Times Award for Literary Excellence in the U.K., the National Arts Club Medal of Honor for Literature in the U.S., Le Chevalier dans lOrdre des Arts et des Lettres in France, and she was the first winner of the London Literary Prize. She has received honorary degrees from universities across Canada, and one from Oxford University in England.
Margaret Atwood lives in Toronto with novelist Graeme Gibson.
From the Hardcover edition.
Reading Group Guide
1. Throughout the novel, we never learn the name of our narrator. Why might Atwood choose anonymity for her heroine?
2. This novel is replete with dis- and re-appearances: fathers vanish, babies are lost, marriages erode, long-banished memories return, pregancies occur. Discuss the implications of disappearing and reappearing.
3. Our narrator frequently refers to herself as an "accomplice": to the killing of the fish, to the accruing of "random samples" for the film. Over the course of the novel, she not only ceases her collusion but also becomes an active saboteur. What catalyzes this shift?
4. Early in the novel, the narrator attempts to draw clear battle lines: men versus women, the city versus the country, the Americans versus Canadians. In time, however, many of these opposing camps blur together: supposed Americans are revealed to be Canadians, Anna shifts her allegiance and sides with the men. What is the result of these new alliances?
5. The narrator must literally dive into the lake in order to dredge the swamp of her memory and recover her buried past. Throughout the novel, the lake serves as both a literal and symbolic centerpiece. Discuss its role and importance.
6. What can we see from the novel's discussion of "truth" or "lies?"
7. What clues in the novel suggest that the narrator is struggling to supress memories of an abortion?
8. What role does the discovery of her father's drawings play in her ability, as a daughter and as a fellow artist, to understand his life better?
9. Each of the two couples employ different strategies for wounding and communicating with one another. Do relationship strategies differ more on gender lines or from couple to couple? What are the distinctive strategies employed by each couple/person?
10. Does the heroine remain a reliable narrator throughout? Do her perceptions ever deviate from reality? At what point, if ever, do you discount her version of reality?
11. Does your opinion of Joe alter as the novel progresses?
12. Our heroine describes her habitual process of observing, memorizing, and copying emotions she has seen in others in lieu of having actual feeling herself. Discuss.
13. What is the role of animals in the novel? The role of technology?
14. In describing childhood games of hide and seek in the forest, the narrator recalls her fear "that what would come out when you called would be someone else". When she later escapes into the forest, she does in fact emerge transformed. What happens on her odyssey?
15. Consider this final manifesto: "This above all, to refuse to be a victim . . . I have to recant, give up the old belief that I am powerless." Does a shift in self-perception have the power to reverse one's destiny? What factors determine who is and is not a victim? What gives her the power to break free?
Discussion questions provided courtesy of Anchor Books, a division of Random House, Inc., New York. All rights reserved.