Synopses & Reviews
Sweet and Low is the bittersweet, hilarious story of Ben Eisenstadt, who invented sugar packets and Sweet'N Low, and amassed the great fortune that would later destroy his family. It is a story of immigrants, Jewish gangsters, and Brooklyn; of sugar, saccharine, obesity, and diet crazes; of jealousy, betrayal, and ambition. Disinherited along with his mother and siblings, Rich Cohen has written a rancorous, colorful history of his extraordinary family and their pursuit of the American dream. Rich Cohen is the author of Tough Jews, The Avengers, and Machers and Rockers, and the memoir Lake Effect. His work has appeared in The New Yorker and Vanity Fair, among many other publications, and he is a contributing editor to Rolling Stone. He lives in New York City. A New York Times Book Review Notable Book of the YearA Washington Post Book World Best Book of the YearA Chicago Tribune Best Book of the YearA Kansas City Star Noteworthy Book of the YearA Salon.com Top Ten Best Books of the Year Sweet and Low is the bittersweet, hilarious story of Ben Eisenstadt, who invented sugar packets and Sweet'N Low, and amassed the great fortune that would later destroy his family. It is a story of immigrants, Jewish gangsters, and Brooklyn; of sugar, saccharine, obesity, and diet crazes; of jealousy, betrayal, and ambition. Disinherited along with his mother and siblings, Rich Cohen has written a rancorous, colorful history of his extraordinary family and their pursuit of the American Dream. "A rollicking, utterly compelling family saga that is part detective story, part morality tale, part tragedy and part farce. It is a story peopled with eccentrics and naïfs and scoundrels, and a story recounted with uncommon acuity and wit . . . Mr. Cohen . . . writes about his family with a mixture of affection, outrage and bafflement, startled and often in awe at the strangeness of his relatives and the bizarre trajectory of their lives . . . He has not settled for writing a simple, straight-ahead memoir, however. Instead, he's intercut the story with tart and highly entertaining asides about everything from the history of Brooklyn to the history of the sugar business, from the legacy of the immigrant experience to the big business of diets and weight loss . . . [Cohen has] managed to turn his family's rancorous history into a gripping memoir: a small classic of familial triumph, travail and strife, and a tellingand often hilariousparable about the pursuit and costs of the American Dream."Michiko Kakutani, The New York Times "Do not disinherit a man who makes his living with a pen. He may exact revenge by splashing the family's boils and foibles in black-and-white on the pages of a spectacularly entertaining book. That is the misfortune of the family of the late Benjamin Eisenstadt, self-made scion behind those ubiquitous pink packages of fake sugar piled in bowls on restaurant tabletops the world over. But it's a riotous reading experience for the rest of us, who get to enjoy Rich Cohen's roiling, boisterous, hysterical and weirdly scholarly remembrance of his messy, badly behaved Jewish clan in Sweet and Low."Michael Ollove, The Baltimore Sun "How decadent . . . to indulge in Rich Cohen's rollicking account of his family and the business it built, a book that aims mostly to settle old scores, air dirty laundry and answer decades of petty insults from relatives . . . He paints vividly, and not flatteringly . . . [Cohen] has a terrific eye for detail, the little things that affix people and places in our memories, the gestures and miscues that shape family history . . . Reading him savage his family, you sometimes wonder, is he allowed to do this? It's a guilty pleasuresort of like sugar without the calories."Kate Zernike, The New York Times Book Review "A wildly addictive, high-octane narrative. Cohen sashays with boisterous panache from the history of the sugar trade to grandmother Betty's brooch . . . Cohen moves from journalistic objectivity to the intensely personal with ease, enjoying the kind of access that historians almost never get . . . Is Rich Cohen, the grandson who got squat from the Sweet'N Low millions, taking revenge? No; this book is about his mother, and the way that her familythe whole saccharine-sticky lot of themwere truly and unnaturally awful to her, a woman who makes but brief appearances in the narrative and is never eulogized. A woman who could have survived her vile relatives only through a tremendous inner strength. It is this strength which, subtly, gloriously, Rich Cohen celebrates."John Barlowe, Washington Post "The rollicking saga of Grandpa Ben's business, 'taken over and stripmined by hooligans.' The battle over his vast family fortune leads to feuds between siblings, corruption, lawsuits and the ultimate disintegration of the clan. It is Cohen's good fortune to be on the side of the family that was disinherited. Sweet revenge is the energy behind this glorious book."Andrea Sachs, Time "Alternately delicious and sour . . . All these characters are portrayed with elegantly phrased detail, along with Cohen's insightful eye for the larger picture. Sweet and Low might as well be a Balzacian 19th-century novel complete with a crisis, a contested will and a tragic resolution . . . Sweet and Low is never less than fascinating reading, both for what it says and what it doesn't. Hell hath no fury like a writer deprived."Melvin Bukiet, Los Angeles Times Book Review "Sweet and Low is a wondrous evocation of an era and character types that won't be seen again."Ron Grossman, Chicago Tribune "The book is not just about settling scores . . . Mr. Cohen aims higher, writing not only about his family but also about the first Jewish settlers in New York, the history of sugar, the dieting industry, the Food and Drug Administration and city politics, among other things. A contributing editor at Rolling Stone, he's made a career of writing books that mix nostalgia, cultural history and memoir. It's a tricky blend, but he manages it with clean, confident prose. He boils down his research into something spare, wistful and edgy . . . Mr. Cohen is an unusually nimble writer, capable of casually broaching grander themes. By balancing his more ambitious material with Eisenstadt family lore, and moving the drama away from the money he'll never see, he makes the story of Sweet'N Low something more than just a pleasant taste that lingers in the mouth."Emily Bobrow, The New York Observer "After half a century of testimony from the likes of Philip Roth and about as much in personal experience, I can only imagine how Tolstoy would have begun 'Anna Karenina' had he grown up in Brooklyn when I did: 'Most crazy families are alike,' he might have written. 'But each crazy Jewish family is meshuga in its own way.' Sweet and Low is Rich Cohen's unblinking account of one such family . . . What Moby Dick did for whaling, what The Jungle did for meatpackin
Review
"A small classic of familial triumph, travail and strife, and a telling--and often hilarious--parable about the pursuit and costs of the American dream . . . recounted with uncommon acuity and wit."--Michiko Kakutani,
The New York Times
"How decadent to indulge in Rich Cohen's rollicking account of his family and the business it built. . . . Cohen has a terrific eye for detail, the little things that affix people and places in our memories, the gestures and miscues that shape family history. . . . It's a guilty pleasure--sort of like sugar without calories."--The New York Times Book Review
"A wildly addictive, high-octane narrative. Cohen sashays with boisterous panache from the history of the sugar trade to grandmother Betty's brooch. . . . He moves from journalistic objectivity to the intensely personal with ease, enjoying the kind of access that historians almost never get."--The Washington Post
"It is Cohen's good fortune to be on the side of the family that was disinherited. Sweet revenge is the energy behind this glorious book."--Time
"Cohen tells a fascinating story about family bonds in his quest to discover why his mother was cast out. His skewering of his relatives is merciless. . . . Plenty of writers have dissected their less-than-perfect families.Dealing with the issue with this much heart, though--that's extraordinary."--People
"Hilarious."--Newsweek
"This book is an absolute pleasure: expansive, fascinating, funny and full of historical tidbits to read aloud to anyone around."--Salon.com
"Never less than fascinating . . . Sweet and Low might as well be a Balzacian nineteenth-century novel complete with a crisis, a contested will, and a tragic resolution."--Los Angeles Times
"Unfailingly entertaining . . . Echoes the cadences of such literary antecedents as Saul Bellow."--The Wall Street Journal "Cohen writes entertainingly, lining up characters like objects in a curio cabinet. . . . He is an unusually nimble writer, capable of casually broaching grander themes. By balancing his more ambitious material with Eisenstadt family lore, and moving the drama away from the money he'll never see, he makes the story of Sweet'N Low something more than just a pleasant taste that lingers in the mouth."--The New York Observer
"Cohen is one talented storyteller, and Sweet and Low is a great read. . . . Cohen also offers good servings of history on related topics--the sugar trade, the diet craze, the migration of Jews to New York--much of which provides a helpful backdrop to the story. At the heart of this tale is his family, a cast of characters who, owing to Cohen's gifts as a writer, are neither lionized nor demonized."--Library Journal
Synopsis
Sweet and Low is the amazing, bittersweet, hilarious story of an American family and its patriarch, a short-order cook named Ben Eisenstadt who, in the years after World War II, invented the sugar packet and Sweet'N Low, converting his Brooklyn cafeteria into a factory and amassing the great fortune that would destroy his family.
It is also the story of immigrants to the New World, sugar, saccharine, obesity, and the health and diet craze, played out across countries and generations but also within the life of a single family, as the fortune and the factory passed from generation to generation. The author, Rich Cohen, a grandson (disinherited, and thus set free, along with his mother and siblings), has sought the truth of this rancorous, colorful history, mining thousands of pages of court documents accumulated in the long and sometimes corrupt life of the factor, and conducting interviews with members of his extended family. Along the way, the forty-year family battle over the fortune moves into its titanic phase, with the money and legacy up for grabs. Sweet and Low is the story of this struggle, a strange comic farce of machinations and double dealings, and of an extraordinary family and its fight for the American dream.
Synopsis
Sweet and Low is the bittersweet, hilarious story of Ben Eisenstadt, who invented sugar packets and Sweet'N Low, and amassed the great fortune that would later destroy his family. It is a story of immigrants, Jewish gangsters, and Brooklyn; of sugar, saccharine, obesity, and diet crazes; of jealousy, betrayal, and ambition. Disinherited along with his mother and siblings, Rich Cohen has written a rancorous, colorful history of his extraordinary family and their pursuit of the American dream.
About the Author
Rich Cohen is the author of Tough Jews, The Avengers, and Machers and Rockers, and the memoir Lake Effect. His work has appeared in The New Yorker and Vanity Fair, among many other publications, and he is a contributing editor to Rolling Stone. He lives in New York City.
Reading Group Guide
Discussion Questions
1. At the beginning of Sweet and Low, Rich Cohen says, "To be disinherited is to be set free." What sort of freedom does he have in mind? Is there such a thing as negative freedom? How does this relate to the line in the Janis Joplin song, "Freedoms just another word for nothing left to lose." And: Do you believe him?
2. Why does the author call this a Brooklyn story? How do the lives of these people connect to or amplifythe history of the borough?
3. He describes his family as expatriates—what does he mean by this? Is Sweet and Low an outsiders story? How did growing up in the Midwest, away from the main players, determine the story he tells?
4. Is this a story of the American dream? If so, what does it tell you about the health of those old dreams?
5. Who is the most powerful member of the Eisenstadt family? Who drives the action? Is it Ben, Betty, Marvin, Gladys, Ellen?
6. Why did Aunt Gladys take to her bed? Why did she stay? Why do you think she finally left the house?
7. Why was Ellen disinherited? (If you know the answer, please contact the author through his publicist, c/o Picador, 175 Fifth Avenue, New York, NY 10010). Could she have done anything differently? Who, if anyone, is to blame, and why?
8. What do you think the author means when he says Grandma Betty had a parenting style that can be described as, "Love is finite." How did Bettys childhood determine the way she raised her own children.
9. How might things have been different if Uncle Abraham had lived?
10. How do some of the key parts of the story serve as symbols in the life of the family? Saccharine, the sugar packet, the fish tank in the factory where the tropical fish died?
11. What do you think happened at Cumberland Packing at the time of the scandal? Did Uncle Marvelous know about the criminal infestation? Did Grandpa Ben? If so, why did he do nothing to avert disaster?
12. Based on this story, can you come up with some reasons why a family business tends to last no more than three generations? What roles do the different generations play? Fathers, sons, and grandsons? How might a person upset this pattern and save the company?
13. At the end of the book, the author and his family get in a plane and fly away. What does this mean? What do you think the author is trying to say?