Synopses & Reviews
Swiss graphic design and and#147;the Swiss Styleand#8221; are crucial elements in the history of modernism. During the 1920s and and#8217;30s, skills traditionally associated with Swiss industry, particularly pharmaceuticals and mechanical engineering, were matched by those of the countryand#8217;s graphic designers, who produced their advertising and technical literature. These pioneering graphic artists saw design as part of industrial production and searched for anonymous, objective visual communication. They chose photographic images rather than illustration, and typefaces that were industrial-looking rather than those designed for books.Written by noted design authority Richard Hollis, this lavishly illustrated volume looks at the uniquely clear graphic language developed by such Swiss designers as Theo Ballmer, Max Bill, Adrian Frutiger, Karl Gerstner,and#160;Armin Hoffman, Ernst Keller, Herbert Matter, Josef Mand#252;ller-Brockmann, and Jan Tschichold. The style of these artists received worldwide admiration for its formal discipline: images and text were organized by geometrical grids. Adopted internationally, the grid and sans serif typefaces such as Helvetica became the classic emblems of Swiss graphic design.Showcasing design work across a range of media, including posters, magazines, exhibition displays, brochures, advertisements, books, and film, this essential book shows how many of the Swiss designersand#8217; modernist elements remain an indispensable part of todayand#8217;s graphic language.
About the Author
Richard Hollis is a graphic designer andand#160;scholar of design. His previous books include Graphic Design: A Concise History (2002).