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From its first beautiful sentence — “She does not want to remember but she is here and memory is gathering bones” — Maaza Mengiste’s magisterial The Shadow King drew me into the stark, dusty sweep of the Second Italo-Ethiopian War. Drenched in the blazing light of near-equatorial Africa , a light that feels almost omniscient as it slants through the narrative, the novel focuses most closely on a female servant named Hirut who becomes a hero of the Ethiopian resistance. Hirut’s evolution from servant to soldier is partly influenced by her masters, Kidane and Aster, both fierce patriots, but also by her anger at her position in Ethiopian society. As a young orphan from a non-aristocratic home, she is subject to servitude and rape; she is, as Aster tells her, born to fit into a world made by others. In Mengiste’s hands, this colonial dynamic — between making the world and being forced to inhabit it — extends, brilliantly, into all of the novel’s relationships, from the nuptial fears of a child bride to the tension between a homicidal army commander and the soldiers wavering between disbelief and submission. The Shadow King’s scope is vast, weaving between Ethiopian soldiers, Mussolini’s troops, Emperor Haile Selassie, and a diverse group of women, and cinematically written. It questions the theatre of war and what it means to obey; it questions the roles of women in war, and the various battlefields they traverse; it questions the line between witness and perpetrator. It is the finest and most fascinating novel I have read in a long time, and I hope it lands in many readers’ hands. Recommended By Rhianna W., Powells.com
Synopses & Reviews
A gripping novel set during Mussolini’s 1935 invasion of Ethiopia, The Shadow King takes us back to the first real conflict of World War II, casting light on the women soldiers who were left out of the historical record.
With the threat of Mussolini’s army looming, recently orphaned Hirut struggles to adapt to her new life as a maid in Kidane and his wife Aster’s household. Kidane, an officer in Emperor Haile Selassie’s army, rushes to mobilize his strongest men before the Italians invade. His initial kindness to Hirut shifts into a flinty cruelty when she resists his advances, and Hirut finds herself tumbling into a new world of thefts and violations, of betrayals and overwhelming rage. Meanwhile, Mussolini’s technologically advanced army prepares for an easy victory. Hundreds of thousands of Italians — Jewish photographer Ettore among them — march on Ethiopia seeking adventure.
As the war begins in earnest, Hirut, Aster, and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms against the Italians. But how could she have predicted her own personal war as a prisoner of one of Italy’s most vicious officers, who will force her to pose before Ettore’s camera?
What follows is a gorgeously crafted and unputdownable exploration of female power, with Hirut as the fierce, original, and brilliant voice at its heart. In incandescent, lyrical prose, Maaza Mengiste breathes life into complicated characters on both sides of the battle line, shaping a heartrending, indelible exploration of what it means to be a woman at war.
Review
"The Shadow King is a novel about war and history, both epic in scope and intimate in detail…Maaza Mengiste has a gift for rendering everyone in this story, resister and invader alike, with great nuance and complexity, leaving us with no room for easy judgment. A wonderful book." Laila Lalami, author of The Other Americans
Review
"With epic sweep and dignity, Mengiste has lifted this struggle into legend, along with the women who fought in it. Beautiful, horrifying, elegant, and haunted, The Shadow King is a modern classic." Andrew Sean Greer, Pulitzer Prize-winning author of Less
Review
"The Shadow King is a beautiful and devastating work; of women holding together a world ripping itself apart. They will slip into your dreams and overtake your memories." Marlon James, author of Black Leopard, Red Wolf
Review
"Maaza Mengiste has given us a powerful tale of a woman warrior — not some mythical superhero, but a girl who holds on to the memory of her parents and her father’s gun and longs to do battle to avenge their loss. Reminiscent of Maxine Hong Kingston’s Woman Warrior and Marlon James’s The Book of Night Women, this is a compelling story of female empowerment and an epic one at that." Mary Morris, author of Gateway to the Moon
Review
"One of the most affecting accounts of the terror of war I have ever read, all the more so for the being cloaked in the language of beauty, such that the words and their meaning burn through the senses. The Shadow King is a work borne of rage, a rage made magnificent for its compassion and the story it tells us — that in war there are no winners." Aminatta Forna, author of Happiness
About the Author
Maaza Mengiste was born in Addis Ababa, Ethiopia. A Fulbright Scholar and professor in the MFA in Creative Writing & Literary Translation program at Queens College, she is the author of The Shadow King and Beneath the Lion’s Gaze, named one of the Guardian’s Ten Best Contemporary African Books. Her work can be found in The New Yorker, Granta, and The New York Times, among other publications. She lives in New York City.
Maaza Mengiste on PowellsBooks.Blog
From its first beautiful sentence — “She does not want to remember but she is here and memory is gathering bones” — Maaza Mengiste’s magisterial
The Shadow King drew me in...
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