Synopses & Reviews
Paul Crowther seeks to establish a set of a priori conditions of pictorial art and, more generally, of visual art. He explores systematic alternatives and discusses ways of bringing recent modes of visual art (such as photomontage and digital image transformation) within their scope. Crowther's treatment of these important aesthetic questions is of interest to philosophers of art and art historians.
Review
"[A]n impressive case." Philosophy in Review
Synopsis
Why are visual artworks experienced as having intrinsic significance or normative depth? Why are some works of art better able to manifest this significance than others? In his latest book Paul Crowther argues that we can answer these questions only if we have a full analytic definition of visual art.
Synopsis
Paul Crowther explores the philosophy of visual art and its history.
Table of Contents
Introduction; Part I: 1. Formalism, art history and effective historical differences; 2. More than ornament: Riegl and the problem of style; 3. The objective significance of perspective: Panofsky with Cassirer; Part II: 4. The fundamental categories of art history; Part III: 5. The abstract image: a theory of non-figurative art; 6. The containment of memory: Duchamp, Fahrenholz and the Box; Conclusion: Conceptual art, even ... (fundamental categories thereof); Appendix: The logical basis of pictorial representation.