Synopses & Reviews
This is the first monograph dedicated to contemporary artist TR Ericsson (b. 1972), who with conceptual rigor and emotional directness uses the archives chronicling his familyandrsquo;s painful past to explore the healing powers of commemoration and memory. He grapples with these archival materialsandrsquo; power to define both the past and future, even as they vanish slowly with time. In a poignant family chronology in text and images, Ericsson includes many photographs of his motherandmdash;whose suicide at age 57 was a traumatic turning point in his life and careerandmdash;along with related photographs, documents, writings, film stills, and artifacts dating back to the 1930s. Two scholarly essays set Ericssonandrsquo;s work into its artistic and broader cultural context. The complete publication is both a guide to the artistandrsquo;s work and an inspired chronicle of several generations of a Midwestern family, evoking universal themes of love and loss.
Synopsis
The first monograph on TR Ericsson, this publication illustrates the poignant narratives of love, loss, and resolution explored in the artistandrsquo;s works based on family artifacts and photographs.
About the Author
TR Ericsson is a contemporary artist whose work is in the collections of the Whitney Museum of American Art, the Cleveland Museum of Art, Indianapolis Museum of Art, and others.and#160;Arnaud Gerspacherand#160;is a doctoral candidate in art history at the Graduate Center, City University of New York.and#160;Barbara Tannenbaumand#160;is curator of photography at the Cleveland Museum of Art.