Synopses & Reviews
Each edition includes:
Freshly edited text based on the best early printed version of the play
Full explanatory notes conveniently placed on pages facing the text of the play
Scene-by-scene plot summaries
A key to famous lines and phrases
An introduction to reading Shakespeare's language
An essay by an outstanding scholar providing a modern perspective on the play
Illustrations from the Folger Shakespeare Library's vast holdings of rare books
Essay by Catherine Belsey
The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.
Synopsis
Named for the twelfth night after Christmas, the end of the Christmas season, Twelfth Night plays with love and power. The Countess Olivia, a woman with her own household, attracts Duke (or Count) Orsino. Two other would-be suitors are her pretentious steward, Malvolio, and Sir Andrew Aguecheek.
Onto this scene arrive the twins Viola and Sebastian; caught in a shipwreck, each thinks the other has drowned. Viola disguises herself as a male page and enters Orsino's service. Orsino sends her as his envoy to Olivia--only to have Olivia fall in love with the messenger. The play complicates, then wonderfully untangles, these relationships.
The authoritative edition of Twelfth Night from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the play's famous lines and phrases
-An introduction to reading Shakespeare's language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library's vast holdings of rare books
-An annotated guide to further reading
Essay by Catherine Belsey
The Folger Shakespeare Library in Washington, DC, is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
Synopsis
Each edition includes:
Freshly edited text based on the best early printed version of the play
Full explanatory notes conveniently placed on pages facing the text of the play
Scene-by-scene plot summaries
A key to famous lines and phrases
An introduction to reading Shakespeare's language
An essay by an outstanding scholar providing a modern perspective on the play
Illustrations from the Folger Shakespeare Library's vast holdings of rare books
Essay by Catherine Belsey
The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit www.folger.edu.
About the Author
The Folger Shakespeare Library in Washington, D.C., is home to the world’s largest collection of Shakespeare’s printed works and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger Shakespeare Library offers a full calendar of performances and programs. For more information, visit Folger.edu.
Barbara A. Mowat is Director of Academic Programs at the Folger Shakespeare Library, Editor of Shakespeare Quarterly, Chair of the Folger Institute, and author of The Dramaturgy of Shakespeare's Romances and of essays on Shakespeare's plays and on the editing of the plays.
Paul Werstine is Professor of English at King's College and the Graduate School of the University of Western Ontario, Canada. He is the author of many papers and articles on the printing and editing of Shakespeare's plays and was Associate Editor of the annual Medieval and Renaissance Drama in England from 1980 to 1989.