Synopses & Reviews
This book is a quest to understand Van Morrison's particular genius through a close look at the most extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day: sometimes entire songs, sometimes single words or even the guttural spaces between words that become musical events in themselves.
Synopsis
"Van Morrison," says Greil Marcus, "remains a singer who can be compared to no other in the history of modern popular music." When
Astral Weeks was released in 1968, it was largely ignored. When it was rereleased as a live album in 2009 it reached the top of the
Billboard charts, a first for any Van Morrison recording. The wild swings in the music, mirroring the swings in Morrison's success and in people's appreciation (or lack of it) of his music, make Van Morrison one of the most perplexing and mysterious figures in popular modern music, and a perfect subject for the wise and insightful scrutiny of Greil Marcus, one of America's most dedicated cultural critics.
This book is Marcus's quest to understand Van Morrison's particular genius through the extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day. In these dislocations Marcus finds the singer on his own artistic quest precisely to reach some extreme musical threshold, the moments that are not enclosed by the will or the intention of the performer but which somehow emerge at the limits of the musician and his song.
About the Author
Greil Marcus is the author of Bob Dylan by Greil Marcus, Writings 1968-2010 (PublicAffairs, 2010), The Shape of Things to Come, Like a Rolling Stone (PublicAffairs, 2005), The Old Weird America, and other books; a twentieth century anniversary edition of his book Lipstick Traces was published in 2009. With Werner Sollors he is the editor of A New Literary History of America, published in 2009 by Harvard University Press. Since 2000 he has taught at Princeton, Berkeley, Minnesota, and the New School in New York; his column "Real Life Rock Top 10" appears regularly in The Believer. He lives in Berkeley.