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Powell's Staff: New Literature in Translation: September 2023 (0 comment)
This month, we have nine new works in translation that we are so excited to recommend to you. On this list, you’ll find the story of “seemingly close, lifelong friendship” from France; a tender, heartbreaking novel from a late Brazilian author; a French treatise on creativity in crisis; two Japanese horror collections...
Read More»
  • C Pam Zhang: Powell’s Q&A: C Pam Zhang, author of ‘Land of Milk and Honey’ (0 comment)
  • Kirsten Berg: Rare Book Room Dispatch: Concerning Witches and Apparitions (0 comment)

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White Teeth

by Zadie Smith
White Teeth

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  • Synopses & Reviews
  • Reading Group Guide
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ISBN13: 9780375703867
ISBN10: 0375703861
Condition: Standard


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Awards

2001 Puddly Award – Debut Novel

From Powells.com

50 Books for 50 Years

50 Books for 50 years

Powell's anniversary list: 1971-2021


Staff Pick

A snapshot of the multitudes of experience in 1970s London. White Teeth won Zadie Smith the Guardian First Book Award, the Betty Trask Award, and others. This is also Smith's debut novel.  Recommended By Alex Y., Powells.com

I first read White Teeth as a teenager, and it was mind-blowing. The novel was propulsive and energetic in a way I’d never experienced, and the characters were dealing with microaggressions and frustrations that I recognized but had never seen put to print. The story of the Joneses and the Iqbals, brought together by the fathers' war service, contends with the reality that the past is always informing our future in surprising and (often) humorous ways. I’ve held a particular affection for the younger generation in the novel — Zadie Smith was only 24 when she wrote her debut, and I’ve always felt like she captures so many of the justified indignities of being a teen. As I’ve revisited the novel through the years, it's become clear that Smith captures many of the indignities of being a person, at every age. Recommended By Michelle C., Powells.com

Synopses & Reviews

Publisher Comments

Zadie Smith's dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith's voice is remarkably, fluently, and altogether wonderfully her own.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England's irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn't quite match her name (Jamaican for 'no problem'). Samad's late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal's every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London's racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.

Review

"[A] vibrant, rollicking first novel about race and idenity....[Smith's] prickly wit is affectionate and poignant." People

Review

"[A] marvel of a debut novel....Reminiscent of both Salman Rushdie and John Irving, White Teeth is a comic, canny, sprawling tale, adeptly held together by Smith's literary sleight of hand." Entertainment Weekly

Review

"A magnificent and audacious novel, jam-packed with memorable characters and challenging ideas." The Atlanta Journal & Constitution

Review

"Ambitious, earnest and irreverent....Smith has a real talent for comedy and a fond eye for human foibles." The Wall Street Journal

Review

"Smith has an astonishing intellect. She writes sharp dialogue for every age and race -- and she's funny as hell." Newsweek

Review

"Gently observant and generous in its judgments. Filled with vibrant life." The San Diego Union Tribune

Synopsis

NATIONAL BESTSELLER - Set against London's racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.

Zadie Smith's dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith's voice is remarkably, fluently, and altogether wonderfully her own.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England's irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn't quite match her name (Jamaican for "no problem"). Samad's late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal's every effort to direct them, and a renewed, if selective, submission to his Islamic faith.

Synopsis

NATIONAL BESTSELLER - The blockbuster debut novel from "a preternaturally gifted" writer (The New York Times ) and author of Swing Time--set against London's racial and cultural tapestry, reveling in the ecstatic hodgepodge of modern life, flirting with disaster, and embracing the comedy of daily existence.

Zadie Smith's dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith's voice is remarkably, fluently, and altogether wonderfully her own.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England's irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn't quite match her name (Jamaican for "no problem"). Samad's late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal's every effort to direct them, and a renewed, if selective, submission to his Islamic faith.


About the Author

Zadie Smith was born in northwest London in 1975. The Autograph Man is her second novel. Her first, White Teeth, was the winner of the Whitbread First Novel Award, the James Tait Black Memorial Prize for fiction, and the Commonweatlh Writers First Book Prize. She is currently living in Cambridge, Massachusetts.

Reading Group Guide

1. White Teeth has generated enormous interest within the publishing world, in part because it is an unusually assured first novel, produced by a writer who is still very young. What aspects of White Teeth--in terms of either style or content--strike you as most unusual in a debut novel? How is White Teeth different from other first novels you have read?

2. A few days before Archie tries to kill himself because his first wife has left him, Samad tries to console him: "You have picked up the wrong life in the cloakroom and you must return it . . . there are second chances; oh yes, there are second chances in life" [p. 11]. Does Archie's marriage to Clara constitute a second chance that improves greatly upon the life he had before he met her? Why does the chapter title call the marriage "peculiar" [p. 3]?

3. Why does Archie like to flip a coin in moments of indecision? What does it say about him as a person? How does the opening epigraph, from E. M. Forster's Where Angels Fear to Tread [p. 1], relate to Archie and his approach to life? Does chance play a more powerful role than will or desire in determining events for other characters in the novel too?

4. Archie "was a man whose significance in the Greater Scheme of Things could be figured along familiar ratios: Pebble: Beach. Raindrop: Ocean. Needle: Haystack" [p. 10]. Does the fact that Archie is so humble, so lacking in ambition or egotism, make him a more comical character than the serious and frustrated Samad? Is Samad's character ultimately funny as well?

5. Samad imagines a sign that he would like to wear at his restaurant job, a sign that proclaims "I am not a waiter. I have been a student, a scientist, a soldier . . ." [p. 49]. Why, in all the years that pass during the novel, does Samad not pursue another job? Is it surprising that Samad doesn't seek to change his life in more active ways? Does Islam play a part in this issue?

6. Why is what happened to Samad and Archie during the war more meaningful to them than anything that will happen in their later lives? Why does Samad expect Archie to kill Dr. Sick for him? What exactly has happened in this village--what has the doctor been doing there? Why does Samad feel that the doctor must die? Would it have been out of character for Archie to execute this man?

7. The narrator notes that "it makes an immigrant laugh to hear the fears of the nationalist, scared of infection, penetration, miscegenation, when this is small fry, peanuts, compared to what the immigrant fears--dissolution, disappearance" [p. 272]. Magid and Millat both shirk their Asian roots, though in different ways. Magid begins to call himself Mark Smith while he is still a schoolboy, while Millat models himself on Robert De Niro's character Travis Bickle in the film Taxi Driver. Irie, on the other hand, is drawn to what she imagines is the "Englishness" of the Chalfens. Is the gradual loss--or active rejection--of one's family heritage an unavoidable consequence of life in a culturally mixed environment?

8. Samad and his wife, Alsana, had a traditional arranged marriage in Bangladesh. Is love irrelevant in a relationship such as theirs? Does the novel indicate that love is a simpler issue for those of the younger generation, who are sexually and emotionally more free to pursue their desires?

9. What is the effect of juxtaposing Alsana with Neena, her "Niece-of-Shame," who is an outspoken feminist and lesbian? Why is Neena one of the novel's most pragmatic--and therefore contented--characters? Why does Alsana ask Neena to act as an intermediary with the Chalfens for Clara and herself?

10. What opportunities for self-expression and community does the sparsely attended but lively pub run by Abdul Mickey offer? Does Smith use the pub as a sort of stage for the everyday comedy and the various ironies of ethnic identity and assimilation in North London? What is funny about the timeline on page 204?

11. Fed up with her own family, Irie goes to stay with her grandmother Hortense, and begins to piece together the details of her ancestry. Does what she learns about her family's history make a difference in her sense of identity or in her ideas about the direction her life should take?

12. What effect does the introduction of the educated, middle-class Chalfen family have on the novel? Why is it significant that Marcus Chalfen comes from a Jewish background? Why are the Chalfens so patronizing toward the Iqbals and the Joneses? Considering Joyce's relationship to Irie and Millat, what is wrong with the liberal sentiments that the Chalfens represent?

13. Why does Smith include an episode in which Millat travels to Bradford with other members of KEVIN to burn copies of Salman Rushdie's The Satanic Verses? Does the fact that none of the boys have actually read the book make their ideological zeal more comical, or more frightening?

14. Why does Smith set up the circumstances of Irie's pregnancy so that it will be impossible for her to know which of the twins is the child's father? How does what we learn about Irie and her daughter on the novel's final page relate to the genealogical chart that appears on page 281?

15. Various characters, from various families in the novel, collide in the novel's climactic scenes leading up to the FutureMouse convention. What are the motivations and beliefs that have put these characters in conflict? Do the issues of religion, science, and animal rights relate to the novel's interest in personal fate and family history?

16. In an interview, Smith says of White Teeth, "I wasn't trying to write about race. . . . Race is obviously a part of the book, but I didn't sit down to write a book about race. The 'Rabbit' books by Updike . . . I could say that [these are] books about race. [Those are] book[s] about white people. [They are] exactly book[s] about race as mine is. It doesn't frustrate me. I just think that it is a bizarre attitude. So is [it that] a book that doesn't have exclusively white people in the main theme must be one about race? I don't understand that."* What are some of the indications in White Teeth that Smith is not as interested in race as she is the juxtaposition and interaction of people from different ethnic groups living their daily lives?

17. Do the children of Archie and Samad experience their ethnic or racial identities in different ways than their parents do? If so, why? Is Smith suggesting that there is a rising trend in intermarriage between members of different races and ethnicities, so that these issues become of less interest, or meaning, as time passes? Is Alsana right when she says, "you go back and back and back and it's still easier to find the correct Hoover bag than to find one pure person, one pure faith, on the globe" [p. 196]?

18. With White Teeth, Zadie Smith shows herself to be a brilliant mimic of the sounds of urban speech. In which parts of the novel does she display this skill to the greatest effect? How does her prose style work to convey the busy, noisy soundscape of a multicultural metropolis?


The questions and author biography that follow are intended to enhance your group's discussion of Zadie Smith's White Teeth, a funny, generous, big-hearted novel dealing--among many other things--with friendship, love, war, three cultures, three families over three generations, and the tricky way the past has of coming back and biting you on the ankle. It is a life-affirming, riotous, must-read of a book.

4.8 13

What Our Readers Are Saying

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Average customer rating 4.8 (13 comments)

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librariphile , September 24, 2013 (view all comments by librariphile)
I may be late to this party, but I'm still thrilled to be here. This book is fabulous. I think about the characters and what they're up to when I'm not reading it. I love Smith's wit, character development, and ability to write about race and gender. Love. Can't wait to read everything she writes.

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Baochi , June 16, 2012 (view all comments by Baochi)
From the Baochi Book Collection Zadie Smith's White Teeth was published in 2000 and received critical acclaim. The novel won numerous awards, including Time Magazine's 2005 list of 100 Best English-Language Novels since 1923. I think White Teeth is a magnificent work of fiction filled with wit, satire, depth, and a cast of unforgettable characters. The novel takes place in contemporary London and centers around two men -- Archie Jones and Samad Iqbal -- and their families. Englishman Archie and Muslim Bengali Samad form an unlikely friendship as soldiers during World War II and later become neighbors in a working-class suburb. After a failed first marriage, the once-conventional Archie unconventionally marries Clara, a Jamaican woman. The couple has a daughter named Irie. Samad enters into a pre-arranged marriage with Alsana, and they have twin boys named Millat and Magid. As the members of the two families struggle to define their individual identities in a political and racially-charged society, their bond to one another becomes tenuous. Expectations abound between these two intertwined clans. Samad, a sometimes erring and devout Muslim, finds that his wife's will outmatches his own and that his wayward twin sons have strayed from his religious faith and their Bengali roots. Simple Archie wants everyone to just get along; he is baffled by the tension between his wife and daughter, as well as the teenage angst rippling through all three kids. White Teeth is a novel about the history of ordinary yet multi-faceted people. It's the story of old and new roots, the immigration experience with its expectations and disappointments. Immigrant parents strive to preserve their native culture yet their children draw towards assimilation with the new world. Significantly, the novel takes place shortly before the 9/11 attacks in the U.S. and a few years prior to the 2005 London underground bombings. So Smith's London is a melting pot simmering up with ethnic tension, especially among Islam extremists. When it feels like the world is coming to an end (and even when it doesn't), Samad and Archie retreat to the sanctuary of an Irish pub-turned-immigrant-bar with an exclusively-male clientele. There, over a hodgepodge of greasy food, the men reminisce about their personal histories and commiserate over life's disappointments. They are a picture of opposite extremes, one white and uncomplicated if not clueless and the other dark, intense, and anxious. The combination of Archie and Samad is a comical one; their exchanges are often chuckle-worthy. In fact, humor and satire pervade throughout the novel, perhaps a reminder that while the themes of race, religion, and identity are important they shouldn't be taken so seriously that one can't enjoy a beer and grub with one's friend of another race in a bar where everybody knows your name. It makes you wonder if Archie's simple desire for everybody to get along is in fact profoundly utopian. White Teeth is an energetic, delightful novel worthy of dissection and analysis in a college literature course. I'm impressed. Below are a few of my favorite passages from Zadie Smith's White Teeth. "...don't ever underestimate people, don't ever underestimate the pleasure they receive from viewing pain that is not their own, from delivering bad news, watching bombs fall on television., from listening to stifled sobs from the other end of a telephone line. Pain by itself is just Pain. But Pain + Distance can = entertainment, voyeurism, human interest, cinéma vérité, a good belly chuckle, a sympathetic smile, a raised eyebrow, disguised contempt. What was it about this unlovable century that convinced us we were, despite everything, eminently lovable as a people, as a species? What made us think that anyone who fails to love us is damaged, lacking, malfunctioning in some way? And particularly if they replace us with a god, or a weeping Madonna, or the face of Christ in a ciabatta roll -- then we call them crazy. Deluded. Regressive. We are so convinced of the goodness of ourselves, and the goodness of our love, we cannot bear to believe that there might be something more worthy of love than us, worthy of worship. Greeting cards routinely tell us everybody deserves love. No. Everybody deserves clean water. Not everybody deserves love all the time. But surely to tell these tall tales and others like them would be to speed the myth, the wicked lie, that the past is always tense and the future, perfect."

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hheilman_89 , May 04, 2010
Zadie Smith’s White Teeth is a novel which discusses cultural classes and finding ones roots. The protagonists, Archie and Samad, are WWII friends who now reside in London. Their wives, each many years younger, seem to be very mismatched; their marriages are rocky. However, their children, Irie, Magid and Millat, respectively learn about finding oneself in the midst of cultural conflicts as Archie and Samad learn about understanding despite differences. The complexity of human relationships becomes obvious very quickly, especially as their lives change and intertwine and as other characters are added to the mix. Zadie Smith speaks for an issue that comes up over and over in society because of the relationships we form ourselves; where there are human beings, there are conflicts simply because of our vast individual differences. The events that link the characters—war, immigration, involvement in fundamentalist groups—are similar to those in our own lives. Other issues include defying one’s heritage in exchange for assimilation in society, tolerance, and consequences of the human condition and cultural differences. Samad explains, “These days it feels to me like you make a devil’s pact when you walk into this country. You hand over your passport at the check-in, you get stamped, you want to make a little money, get yourself started… but you mean to go back! Who would want to stay? Cold, wet, miserable; terrible food, dreadful newspapers—who would want to stay? In a place where you are never welcomed, only tolerated. Just tolerated. Like you are an animal finally housebroken. Who would want to stay? But you have made a devil’s pact… it drags you in and suddenly you are unsuitable to return, your children are unrecognizable, you belong nowhere” (336). Smith uses one specific symbol throughout her novel: teeth. This was of interest to me because Smith uses this cleverly and in several different manners. The ideas are complex, but not difficult to understand; Smith clearly displays her metaphor. Teeth unify and equalize characters; they are a general symbol for humanity as all people have them. Because they are so common, Smith separates characters if they lose teeth or have false teeth. (“She gave him a wide grin that revealed possibly her one imperfection. A complete lack of teeth in the top of her mouth” (20).) She uses root canals to bring up past events, or to “root around” in the past, or heritage. Likewise, Smith utilizes molars as Samad’s sons reflect and “digest” their father’s actions and their own destinies. The issue of understanding each other and human relationships comes up again and again. The characters make legitimate attempts to be aware of differences, yet there is an obvious struggle in assimilating and preserving one’s culture. The characters find that one’s heritage veers into different paths; it is not easily defined. The characters take on this challenge differently; Samad makes every attempt to turn his sons into good, Hindu men. Irie finds that her parents neglect to reveal her heritage, so she must find it her own way. Thus, the past restricts at times, and because of this, the present is complicated. The ways in which characters react to these issues bring up our own struggles in maintaining relationships despite different backgrounds. Zadie Smith’s novel is a successful artwork. She discusses themes applicable to human kind in many different places and times. The ideas are simple to understand, yet the message stays the same; Smith’s ideas will remain as humans continue to struggle to form relationships.

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woofer , January 20, 2010
My wife and I both read this book while traveling through Europe, before we were married. It is a riveting read, and also brings back great memories for me...

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lewisevand , January 19, 2010
My pick for best book of the decade . . . a must read!

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Steven Hicks , January 15, 2010 (view all comments by Steven Hicks)
White Teeth unknowingly prepared us for the last decade like no other book. Among other things it is a story of assimilation. And to highlight the differences of England's many cultures (as well as America's) we watch in disbelief at the choice made by a father for his child without the mother's knowledge that explained Islam to me better than anything else I could possibly read. But it takes a while to get there and in the meantime you meet Archie Jones, a blue-collar Brit, and his friend, Samad Iqbal, a Muslim waiter. They met in the English army in WWII and we not only see them and their gloriously mixed families in a contemporary setting but in flashbacks we share a secret from their past together in the war. The opening chapter where Archie sits contemplating suicide and makes the final decision based on the flip of a coin is one of the funniest I have ever read. This is an astonishing novel that veers from comedy to drama and order to chaos seamlessly. It has made me a Zadie Smith fan forever.

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Michael.Wolman , January 04, 2010
Well done. This book certainly sympathizes with it's characters in a real human way. It tackled the idea of multiculturalism without smacking you in the face with it. Best book I've read in a long time.

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bookhappy , January 03, 2010
Zadie Smith is truly an original. Her voice, her style, her characters, her keen eye for detail, her observations of pop culture, her empathy, in fact, the whole word of this book--it all adds up to such an exhilarating reading experience. WHITE TEETH is smart, funny, simply remarkable.

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Matowynn , January 02, 2010
I loved this book. Smith really brings to life the great mix of cultures and people in her slice of life in London with roots in the past and the future.

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cbendixe , January 01, 2010 (view all comments by cbendixe)
A great, bi-generational tale of family, race, friendship, and history in contemporary England. Funny too.

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jlamf , January 01, 2010 (view all comments by jlamf)
This is the first book that popped into mind when I read the notice for 2010 Puddly Awards -- not a moment's hesitation! Zadie Smith's sparkling prose aimed at all the right cultural targets scored a hit for me.

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ReadingMathTeacher , July 09, 2009 (view all comments by ReadingMathTeacher)
I thoroughly enjoyed both Smith's descriptions of multi-cultural England and her in-depth character development. The culture was something I'd never learned about in a history class, and I was so intrigued by the characters that I couldn't put the book down!

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Amanda Schaefer , September 17, 2008 (view all comments by Amanda Schaefer)
Both funny and sad at times. The characters she creates are so rich and fascinating, I couldn't wait to get home from work and read this book.

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Product Details

ISBN:
9780375703867
Binding:
Trade Paperback
Publication date:
06/12/2001
Publisher:
BALLANTINE BOOKS
Series info:
Vintage International
Pages:
464
Height:
.98IN
Width:
5.13IN
Thickness:
1.00
Series:
Vintage International (Paperback)
Number of Units:
1
Copyright Year:
2001
UPC Code:
2800375703869
Author:
Zadie Smith
Author:
Justin Torres
Author:
Zadie Smith
Subject:
London (england)
Subject:
England
Subject:
Male friendship
Subject:
Domestic fiction
Subject:
Literature-A to Z

Ships free on qualified orders.
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$11.95
List Price:$18.00
Used Trade Paperback
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